Japanese Navy sailors work inside and on the deck of submarine during World War 2. Crew members getting down from the ladder through hatch. They take off their raincoats and get on bunk beds. Soldiers eat bananas and relax. Fan rotates while sailors sleep.
Lockout emergency sounds on Japanese submarine. Japanese sailor checks instruments and turns wheels as seen interior of submarine. Bow of submarine as it dives under water. Crew members work on their respective stations. Meter boards are checked. Japanese sailor looks through the periscope.
Japanese Navy sailors get instructions from Captain on deck of Japanese submarine, as seen in a World War 2 Japanese propaganda film. The Skipper gives directions on a map. Group of officers drinking Sake on the deck of submarine. Sailor blows a bugle before departure. Cables released from the bits. Japanese Sailors salute and wave as the submarine departs for a mission in World War II. Resupply crews on shore wave. Celebratory Japanese music plays as soundtrack.
Sammy Davis Jr. and USO troupe entertain sailors aboard the USS Hancock, during her 7th Vietnam Cruise, in 1972. Opening scene shows sailors assembled on Hangar deck of the Aircraft Carrier, USS Hancock (CVA-19). Several parked aircraft are seen. Sailors listen as Davis speaks. Then an announcer asks if they should make the entertainers stay over a day. All shout and applaud in agreement. Distant view of the entertainers on a stage. A sailor (announcer) on stage, comments on the enthusiam of the audience. View from behind sailors standing on improvised platforms at rear of the space. Other random views of sailors in audience. Another distant view of the stage. Random closeups of audience members standing in various locations. Some are perched on hangar equipment. Finally, the camera shows Sammy Davis Jr. onstage with dancers moving behind him rhythmically, as he speaks. He expresses appreciation to the officers and USO officials who made their visit and show possible.
Opening scene shows Sammy Davis on a stage set up in Hangar deck of the Aircraft Carrier, USS Hancock (CVA-19) during her 7th Vietnam Cruise, in 1972. He speaks about doing impersonations. Sailors in audience are seen in various places on the hangar deck. Some are perched on structural members and hangar equipment. Views o main audience in seats on hangar floor. Davis onstage, speaks of Frank Sinatra, and then sings the song, "All the way," in the style of Nat King Cole (who never recorded it). Members of audience applauding as Davis sings. He continues singing in style of Tony Bennett, Billy Eckstein. At this point, clip continues with audio only, as Davis sings in styles of Frankie Lane and Louis Armstrong, and then impersonates Humphrey Bogart, James cagney, James Stewart, Cary Grant, and W.C. Fields, speaking the lyrics of "All the Way," as they would. He then impersonates Dean Martin and Jerry Lewis. Davis then finishes singing the song in his own voice. Audience applauds.
Film opens with animated map showing Japan and its nearby Asian mainland neighbors. Arrows from Japan point to areas and islands that Japan considers part of the Japanese empire. In addition to Pacific islands, they include Asian mainland places, Manchuria, and the Sakhalin Islands. The map shows the Northern limit of Japan's territorial reach with a line drawn on the map at about 47 degrees North latitude. The map shows the reach of Japan's empire extending South to include all of Manchuria and in the Pacific to encompass all the scattered islands in the Pacific accessible to Japan. The map begins drawing a circular boundary to the East encompassing all these areas of the Japanese Empire. Film shifts to Japanese navy warships patrolling the Eastern Pacific boundaries of the Empire, and bi-wing aircraft flying in formation overhead. Rising sun symbol seen on underwings of biplanes. Admiral Tōgō Heihachirō who was later Commander-in-Chief of the Combined Japanese Fleet during the Russo-Japanese War is seen seen as a young Admiral in 1895. Next, he is seen in 1934 at the age of 86, coming out of a barn and walking toward the camera. He is bent over and walks slowly, dressed in woolens and wearing thick eye glasses. (He died on May 30, 1934.)
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