New York City harbor waterfront at lower Manhattan as seen from the water, in New York, United States. View of Manhattan skyline, skyscrapers, and buildings from the water front. Barges and boats pass beneath the Brooklyn Bridge with smoke and steam emitting from stacks. Slow pan of Brooklyn Bridge from Brooklyn across to Manhattan. Views of traffic on the bridge including a streetcar and other cars and trucks. Scene changes to view of Williamsburg Bridge seen from atop the bridge itself. Cars and trucks are seen moving on the outer lanes of the Williamsburg Bridge, as a barge passes underneath. Side view of the Williamsburg Bridge connecting Williamsburg, Brooklyn with the lower east side of Manhattan. During this time and until 1924, this was the longest suspension bridge in the world.
"City Pastorale" shows citizens of New York City hurrying about their business during workday on a street in New York City. Vehicular traffic and pedestrians. People riding on the subway. Views of workaday foot traffic along New York sidewalk in midtown Manhattan. Macy's department store. Racks of clothes being wheeled along the streets and sidewalks. Scenes of New Yorkers in hectic activity. In contrast, are shown peaceful scenic views of New York City. Penthouse gardens. Clothes drying on a rooftop line. People entering a number of different churches in Manhattan, New York. A woman in a garden. A man and a boy sit and read newspapers in the garden. The young boy looks at the "funny papers" (comic strips). A man walks with a child on a sidewalk. Cars parked. People chatting on the sidewalk of a New York city street. The Chrysler Building and nearby skyscrapers. People taking pictures with handheld cameras at a playground. Families with babies. Children playing in a park. Quiet streets. Car drives beneath an elevated train. Men walk on a ramp. People relax on beaches. Older women gathered together on the beach talking, while boys play in the sand at the edge of the surf. A huge crowd seated in a baseball stadium and watching a game between the New York Giants and the Brooklyn Dodgers, including a shot of Giants pitcher, #36 ( Mickey McGowan ?), throwing from the mound and, in another scene, Giants #23 (Clint Hartung ?) batting and striking out. Views of the fans watching the baseball game, including some men in suits and boys sitting together in the bleachers watching the game and eating ice cream on a stick. Visitors stroll through the Metropolitan Museum of Art.
Traffic in Brooklyn, New York City. View from Belt Parkway in Brooklyn, looking at the Verrazzano Bridge over The Narrows, the strait joining Upper New York Bay and Lower New York Bay. Vehicles moving on the Parkway and on the Verrazzano Narrows Bridge. Slow pan across the Verrazzano Narrows Bridge from the Brooklyn side to the Staten Island side.
Film begins showing allegorical statue of woman named "Brooklyn" by sculptor Daniel Chester French, on granite pedestal at Brooklyn side entrance to the Manhattan Bridge in New York City. Scene shifts to Police directing traffic of motor vehicles and horse-drawn wagons on the Manhattan Bridge in New York City. Barges and ships seen below the Manhattan bridge on which electrified train is running. Burns Brothers Coal loading facility on the river's edge. Point of view shot from first car of electrified railroad train traveling over the Manhattan bridge with dual tracks. Another train is approaching on the other track. A roadway is seen rising up parallel to the railway, on the right of the screen. Several cars on it are heading through the Manhattan Bridge Arch and Colonnade. Side view of the Manhattan Bridge over the East River in New York City. Docks are seen at river edge, below. The Brooklyn Bridge is seen dimly in the background. Commercial traffic of horses and wagons, cars, and trucks along road beside East River piers. Many appear to be food purveyors. The Manhattan Bridge crosses the entire area in the background. Several pedestrians are seen strolling near the Manhattan bridge Arch and Colonnade. Top of Manhattan Bridge seen in closeup.
Faculty members in discussions at the Brooklyn Technical High School, 28 Fort Greene Place, Brooklyn, New York City. Students (all boys) in Brooklyn Tech's architectural course, building a wood frame house and framing boats. The school print shop where boys learn to hand-set type, operate linotype machines, and run printing presses. A teacher in a science class, where.an oversize slide rule is mounted above the blackboard. A wire model of a molecule sits on a table. Scene shifts to a chemistry laboratory, where a student shakes liquid in an Erlenmeyer flask and places it on a Bunsen burner. Other students are using microscopes. A student holds a live frog. A teacher in a lab coat enters the room with several students. Several glass tanks and cages are seen holding live specimens. Next are shown boys and girls at work on sketches and sculpture in the New York City High School of Music and Art. Scene shifts away from specialized schools, to a library in a regular New York High School, where well worn edition of Dante Alighieri's Divine Comedy (Divina Commedia) is shown open. Teacher is shown in a typical classroom where arts and literature are being taught along with other topics in a balanced four-year curriculum.
View from the ground at Mitchel Field, on Long Island Spirit as the Spirit of St. Louis is seen circling to land. A small group of people stand near a hangar. Lindbergh's plane lands on the grass field and taxis toward three army soldiers there to help him park. Lindbergh, in flying gear, steps from his airplane. Closeups of him standing near it. Scene shifts to Brooklyn New York, where Lindbergh, now dressed in business suit, and surrounded by a crowd, descends wooden steps to enter an open car. He sits prominently in the back of the car, accompanied by Raymond Orteig and officials. Mounted police escort the car. View from rear as motorcade drives along a festooned Brooklyn street with a "Welcome Lindy" banner stretched across the road. Motorcycle police escort the cars. Spectators crowd the sidewalks. The motorcade continues through leafy boulevards and open highways. Everywhere enthusiastic crowds line the way. American flags decorate the lead car. A group of Boy Scouts with massed American flags lines one side of the highway. Crowds, waving American flags, teeter on the edge of the sidewalks along a commercial section of town. View from a high location overlooking Prospect Park in Brooklyn, where people throng the sidewalks and park paths. Camera pans across the park. A motorcade (now grown to include numerous cars) circles to enter at the Grand Army Plaza entrance to the park. A slate reads: At Knights of Columbus Building for a luncheon in his honor." Then the motorcade stops at a building festooned with patriotic bunting and a banner reading: "U.S. Council 126 K of C." Later, Lindbergh enters the open car again with Raymond Orteig and they leave. Next, at the Brevoort Hotel (owned by Mr. Orgteig) an elaborate check for twenty five thousand dollars is shown. It is dated June 17, 1927 and signed by Raymond Orteig. Lindbergh and Orteig shake hands and chat amicably while attempting to pose for a photograph. Glimpse of U.S. Capitol building overlaid by a "Welcome Lindy" sign. Closeup of Lindbergh superimposed on top of that along with a waving American flag.
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