Unarmed matador jumps over the head of a charging bull in a bullring at Mont-De-Marsan, France.
Spectators watch from the stand. Bull attacks the matador. Fellow members lift the wounded bull fighter and leads him outside the bullring.
French soldiers on coast in France. A tank moves in the city. French soldiers march toward front line. French medium tank Somua F-1933 passes across terrain. A man fires rifle. Wrecked tank seen. A jeep and motorcycle follow. Soldiers rest. French light tank Renault R-1933 moves across rough terrain. Wrecked tanks seen. French Army soldiers and officers check tanks.
Visitors walking about the grounds of the Chicago World's Fair of 1933-34.. A dirigible flies in sky in background. View of a garden and buildings far off. Trees at the side of the path. 'PARIS' written on a building of the exhibit of France, with smoke stacks imitative of the funnels on a ship of the French Line.. People enter the building.
Excerpts from concert performed by Austrian pianist Paul Wittgenstein, who lost his right hand in World War I. He plays Maurice Ravel's Concerto For The Left Hand, in Salle Pleyel, Paris, France, January 17, 1933. Wittgenstein is dressed formally, in white tie, for the occasion, with right sleeve hanging loose. He wears glasses and plays on a Baldwin grand piano. Camera views mostly from above keyboard and performer. Wittgenstein bows for camera, while seated, at end of performance.
Designs by various international scientists and inventors who have contributed to solving the problems of rocket motor development, based on the German preparatory work. Their combustion chamber designs owe much to the German pioneers in the field. Shown are design sketches by Russian scientist, Konstantin Tsiolkovsky (Ziolkowsky) in 1914; French inventor Henri Melot, in 1920; German Friedrich Zander, in 1931; Bull, 1932; The American Rocket Society, with several designs from 1932; and The Cleveland Rocket Society. Views of rocket combustion research mactivity by Ernst Loebell of the Cleveland Rocket Society in 1933. He is seen outdoors in the snow with his apparatus. View of Loebell's test firing stand, and a picture of an actual test firing, outdoors. Ernst Loebell with model and rocket motor from his spaceship projects of 1934 and at the International Exposition dedicated to Art and Technology in Modern Life held in Paris, 1937. Cutaway views of the spaceship. The rocket motor wrapped in cooling coils. Rocket motor design by John Shesta of the American Rocket Society, from 1934. Design by Rene Armengaud of France, in 1934 and Deich in 1935
Show girls in follies-like show, costumed as U.S. silver dollars and marching to tune and lyrics alluding to dramatic increase of currency in circulation, over the years. Animation with stacks of coins shows increase in national income from $46 billion,in 1933, to $71 billion, in 1939, and $142 billion in 1943. Back to the "follies dollars," a boy asks why, and then scenes of the Japanese attack on Pearl Harbor,are shown, with U.S. battleships being sunk. Wartime arms plants are shown. An M2A3 Light Tank rolls off a production line. Ships being constructed in a shipyard. B-24 Liberator bombers being built in a factory. Artillery shells being produced. Defense workers receiving their pay. The "follies dollars" group themselves to illustrate the fractions of income devoted to taxes and savings. But other spending is curtailed by wartime shortages. A woman talking with clerk in a drug store. U.S. Army troops crossing a pontoon bridge in open trucks, towing 75mm M1A1 howitzers. Infantry on the march. Animation showing industrial production devoted to war materiel and lots of dollars chasing few civilian goods. A grocery clerk offers to sell a woman customer butter for more than the established price, and she agrees. The "follies" performers then introduce the idea of an "inflationary dollar," and some history of past U.S. inflations. Animated examples of price inflation are shown. Glimpses of World War I scenes are seen, including: a 12-inch railway gun firing; a huge explosion from shell bursting near the camera; various scenes of infantry in action. Meanwhile, singing narration refers to the home front inflation due to competition for limited civilian goods. Map shows Europe and singing narration cites rising prices for food in occupied France and other countries suffering ravages of World War II. Montage of scenes showing needy civilians obtaining food in those countries. Animation shows increases, by 1944, in cost of U.S. civilian goods since the Pearl Harbor attack. "Follies" character called "Double-duty dollar," appears explaining he serves the war and curtails inflation on the home front by being saved through investments in War Bonds and stamps.