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Tanzania East Africa 1918 stock footage and images
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Charles Lindbergh takes off from Roosevelt Field for his famous solo flight from New York to Paris.
People gathered early on a misty morning at Roosevelt Field, Long Island, New York, to watch as Charles Lindbergh attempts to make a solo flight across the Atlantic Ocean in his airplane, The Spirit of St. Louis. The plane starts its takeoff role between groups of spectators, raising dust. The spectators move to get a better view as the plane continues, out of sight in the fog and mist. It is not clear where the plane is, although engine sound has changed. Spectators strain to see it through the mist. Then, some cheers are raised when the crowd realizes that Lindbergh has successfully taken off in his heavily laden airplane. The opening caption refers to Curtiss Field, where the Spirit of St. Louis was test flown and reportedly maintained in Hanger 16. there, from May 12th through the 20th. However, for the Paris flight, the plane was towed a mile to Roosevelt Field where, heavily loaded with fuel, it could take advantage of the longer runway for takeoff. (Note: Both fields were originally part of the old Hempstead Plains Field renamed Hazlehurst Field when taken over by the U.S. Army in 1917. U.S. Geological survey maps of 1918 show three areas named, respectively, Hazelhurst Aviation Field No. 1; Aviation Field No. 2; and Camp Albert L. Mills, abutting it. Field No. 2 was renamed Mitchel Field on July 16, 1918. The eastern part of Field No. 1 was dedicated as Roosevelt Field, on September 24, 1918. After the war, the western part of Field No. 1 became known as Curtiss Field, associated, as it was, with the Curtiss Aeroplane & Motor Company located there.)
A military leader reviews Blackshirt troops in eastern Africa during World War II.
Italian troops in eastern Africa during World War II. A military leader reviews Blackshirt troops at Aenara. Flags are waved. Conical huts in a village. People in the village. Children are playing. A visit to a village for colonial troops at Amba Galliano.
Eddie Rickenbacker, President of Eastern Airlines, hosts Cyrus R. Smith, President of American Airlines, after both airlines acquire DC-3 airplanes
Glimpse of U.S. Army gun crew operating a 3-inch M3 Anti Aircraft gun. Glimpse of 1st Lt Joseph H. Eastman and Captain Eddie Rickenbacker standing beside Rickenbacker's SPAD S.XIII #1 parked in front of a hangar at Foucaucourt Aerodrome, France, 1918. Sequence shifts to 1936, and office of Rickenbacker, now President of Eastern Airlines. A poster on the wall contains memorabilia from the 94th Aero Squadron, with which Rickenbacker flew in World War I. Camera pans over photographes bordering the poster. Next, Rickenbacker is seen conversing with his guest, Cyrus R. Smith, President of American Airlines, as they look at a picture of Rickenbacker and his Spad airplane, signed by numerous pilots who also served with the 94th Aero Squadron. A mounted model of a Douglas DC-3 airplane sits atop a table in the foreground. Rickenbacker and C.R. Smith, both hold onto the DC-3 airplane model as they shake hands. Closeup of the DC-3 model as Rickenbacker rotates it before the camera. (Note: Both Smith and Rickenbacker, presidents of their respective airlines, had mutual admiration for the Douglas DC-3 airliner. In 1934,Smith arranged to purchase 20 new DC-3 airplanes from the Douglas Aircraft Company. American's first DC-3 "Flagship Illinois," had its maiden flight on June 25, 1936. Eastern Airlines took delivery of its first DC-3 in December 1936.)
USS Tennessee sails under Brooklyn Bridge in June 1920. Also seen: December 1918 Naval Review and Presidential Yacht, Mayflower
U.S. battleship, USS Tennessee, sails up East River to Brooklyn Naval Yard. Next scene shows her heading back out to sea for maneuvers with a fleet in the Atlantic Ocean. in both, the Tennessee sails under the Brooklyn Bridge. Woolworth Building in Manhattan visible. A tugboat follows.View,upward, to roadbed of the Brooklyn Bridge, from vessel passing underneath. Crew members aboard the ship look at the skyline of New York City. A large boat filled with sightseers passes on the river. A group of U.S. Navy officers poses near a gun turret of the ship. A group of sailors sits under a three-gun turret aboard the ship. Commercial vessels moving in the river. Sailors at railing, look at skyline of Manhattan, New York City, as the ship passes on the East River. Ferry boats pass. View of the Statue of Liberty, in mist, framed above, by three of the Ship's 14 inch guns. Two Admirals and the USS Tennessee's officers, pose on deck, under two turrets with three 14 inch guns, in each. Sailors of the crew pose on deck of the battleship. A different time: December 25, 1918, Crewman in foul weather gear stands at railing of official Photographers boat, with battleships in background, during the great Naval review. A motor launch flying a two-star admiral's ensign, passes at high speed, with the Presidential Yacht, Mayflower, in background. The launch circles and reverses course.
Dramatization. Dr. David Livingstone saves a native African slave boy’s life during the Second Zambesi Mission
Dramatization. Dr. David Livingstone saves a sick African slave boy’s life. David Livingstone and his party witnesses a slave trader ordering a servant to kill an enslaved native African boy. David Livingstone rushes to the boy’s aid. African slave boy cries, begging for his life. David Livingstone restrains the servant and disarms his machete. David Livingstone confronts slave trader. David Livingstone buys the native slave boy from the slave trader. David Livingstone orders his African servants to bring 5 yards of cloth. David Livingstone untie the rope on boy’s hands and gives the slave trader cloth. David Livingstone and his native caravan, with the young native slave boy, continues their trek along southeastern Africa.
Dramatization of David Livingstone instructing African messenger to deliver letters. Dr. David Livingstone plays with native African boy
Dramatization. Dr. David Livingstone instructs an African messenger to deliver his letters to the coast. African messenger sets off. An African native report on David Livingstone’s letters to disgruntled expedition members. African attendant sets off to kill the messenger. African attendant stalks the messenger carefully in the jungle. David Livingstone applies shaving cream on his face. Livingstone playfully paints a moustache on the native African boy with shaving cream. Livingstone and the African boy laugh after Livingstone shows his face in the mirror. African attendant burn letters in fire.
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