Film maker Alfred Hitchcock and actress Tippi Hedren stand near a cage. Buildings in the background. Cars parked in front of a building. Tippi Hedren opens a cage and releases birds. Cameramen take photographs. Birds fly in the sky.
A sign reads 'Universal City'. Cars arrive at the Universal City (Universal Studios complex) in Los Angeles County. Several cars leave the area. 'Universal City in 1964' written on a wall. A couple passes by. Several automobiles are parked. Trees, buildings and mountains in the background.
Cars drive by American Airlines terminal at New York's Idlewild airport (later renamed John F. Kennedy International Airport). Views of Parkway and cars in front of passenger terminal. 'American' written on a wall. Boeing 707 passenger aircraft of American Airlines arrives, carrying passengers Alfred Hitchcock and Tippi Hedren who pose for pictures at aircraft door. They walk through airport terminal corridor. Other people walk behind them. Alfred Hitchcock and Tippi Hedren sit in a room. Animal trainer Ray Berwick positions a bird on Ms Hedren's shoulders (promoting film "The Birds"). Cameramen take photographs. Hitchcock and Hedren walk through the airport terminal and enter a car to leave followed by photographers. Animal trainer, Ray Berwick, leaves the airport, followed by Uniformed porters carrying containers of birds. He personally carries one large black bird on his left arm.
A man sits on a chair. He reads a newspaper. The headlines of the newspaper New York Post reads 'US probes "Invasion" broadcast, Radio play causes wide panic'. Photograph of Orson Welles, appears on front page of the newspaper. Man folds the newspaper and picks another with headline reading:" Radio War Hoax Panics Nation." Another newspaper headline reads 'Fake radio war stirs terror through US'. Several articles lying on table kept in front of him.
A woman wearing a nightgown sits on her bed. Another woman gives her a dress to wear. She takes the dress and puts it on her bed. She wears the dress, an looks out a window through venetian blinds. The woman demonstrates a florescent light to another woman. She wears a necklace and bangles. She models several fashions of hosiery and shows texture of hosiery weave. A woman brings tea to her on a bamboo tea cart without wheel, that slides instead of rolling. She sits on a sofa. She lights a lamp.
A woman homemaker works in a kitchen in the 1930s. Housewife wears an apron over her dress and cooks bacon and eggs on a gas range. She also checks on a casserole in the oven. She grates cheese, cores an apple, and cuts bread.
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