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Animation : Mind control operation in Japan showing Japanese people during World War II.
"A Few Quick Facts -Japan" . An animated World War 2 anti-Japanese propaganda film with 'Sato San' shows citizens of Japan during World War 2. Animation depicts the operation thought control in Japan. Japanese men under umbrellas. A Japanese man drinks tea. Another Japanese man commits suicide. Animation shows how mind control operation affects the minds of Japanese people. Japanese policemen arrest Japanese people for thinking wrong.
Wartime assembly line production in munitions factories and troops in the United States prepare for war against Japan.
After America declares war on Japan during World War 2, a propaganda piece urging U.S. citizens to be involved in the war effort, praying, working, and fighting for Freedom. Interior of an ammunition factory in the United States. Massive rail gun or naval gun barrel during assembly process. An assembly line with tanks. U.S. Army M2 tanks on proving ground being tested. Destroyer ships and Victory ships being launched. An aircraft factory showing fuselages of bomber aircraft lined up. Engines lined up ready for an assembly line. West Point Army cadets march. U.S. Army General Douglas MacArthur salutes troops. Narrator statement at end is "So wake up America. We must win or die." A large American flag shown waving.
Charles Lindbergh takes off from Roosevelt Field for his famous solo flight from New York to Paris.
People gathered early on a misty morning at Roosevelt Field, Long Island, New York, to watch as Charles Lindbergh attempts to make a solo flight across the Atlantic Ocean in his airplane, The Spirit of St. Louis. The plane starts its takeoff role between groups of spectators, raising dust. The spectators move to get a better view as the plane continues, out of sight in the fog and mist. It is not clear where the plane is, although engine sound has changed. Spectators strain to see it through the mist. Then, some cheers are raised when the crowd realizes that Lindbergh has successfully taken off in his heavily laden airplane. The opening caption refers to Curtiss Field, where the Spirit of St. Louis was test flown and reportedly maintained in Hanger 16. there, from May 12th through the 20th. However, for the Paris flight, the plane was towed a mile to Roosevelt Field where, heavily loaded with fuel, it could take advantage of the longer runway for takeoff. (Note: Both fields were originally part of the old Hempstead Plains Field renamed Hazlehurst Field when taken over by the U.S. Army in 1917. U.S. Geological survey maps of 1918 show three areas named, respectively, Hazelhurst Aviation Field No. 1; Aviation Field No. 2; and Camp Albert L. Mills, abutting it. Field No. 2 was renamed Mitchel Field on July 16, 1918. The eastern part of Field No. 1 was dedicated as Roosevelt Field, on September 24, 1918. After the war, the western part of Field No. 1 became known as Curtiss Field, associated, as it was, with the Curtiss Aeroplane & Motor Company located there.)
U.S. antiaircraft artillerymen training with M7 director system for controlling antiaircraft batteries, during World War II.
Sequence begins with views of German He-111 bombers in formation,during World War 2. Scene shifts to Squad of U.S. Army antiaircraft artillerymen surrounding a Sperry Gyroscope M7 director system control unit, in a sand-bagged position, as the soldiers train in the United States. View of a single He-111 is inserted. Battery of U.S. 90mm antiaircraft guns is seen firing under guidance of M7 director system. Scene shifts to a German Me-110 aircraft maneuvering evasively through flak bursts from antiaircraft guns, somewhere in Europe, during World War 2. Scene shifts again, back to Narrator describing operator actions in using M7 artillery control unit, as it is shown in images.
War in the Atlantic between German U-boats and Allied supply convoys in World War II
Shows conflict between German U-boats and Allied convoys in Atlantic, during World War 2. Clip contains actual World War 2 footage, but sound effects, narration, and editing relate a fictionalized story. Destroyer escort with a supply convoy in the Atlantic. Sailor stands next to a steel drum depth charge chained to the deck. View of a surfaced German U-boat ostensibly tracking a convoy. Supply ships silhouetted against the sky in evening. Captain at periscope in submerged German submarine.The boat surfaces and crew goes on deck to view convoy through binoculars. Order is given to launch a torpedo. Explosion and fire seen as it hits a ship. Destroyer escort ship underway. U.S. sailors aboard convoy escort ship sight a German submarine periscope. View inside the U-boat when they know they have been detected. The U-boat crash dives and the Captain calls for silence. Crew on deck of escort ship begin launching depth charges in battle which explode to her stern. One damages the submarine and water enters it.
Filipino people going about their routine activities in the Philippines; Filipinos trained by American soldiers.
Part of a 1944 film showing scenes of Filipino people circa 1940, before World War 2. At opening, Filipino women are seen walking alongside a row of factory buildings. A factory room filled with Filipino women dressed in white caps and white uniforms engaged in production at individual individual work stations in a factory. A machine shop filled with Filipino men engaged in metal work. Several people at the window of an office, conducting business with a woman inside. A stock or commodities market office with quotes on tote boards. Women working alongside a moving production line. A woman operating a fabric processing machine. Filipino miners pushing hopper cars of mined ore across a bridge. Miners riding on an engine pulling a train of hopper cars filled with ore from a mine. Filipino longshoremen handling cargoes on a wharf. Scene shifts to an open field where a number of Filipino men are being trained to use firearms during World War 2. One is being coached by an American soldier as he works with a Browning M 1917 water cooled machine gun. Lines of Filipino men firing rifles under supervision of U.S Army trainers. A contingent of uniformed Filipino soldiers, led by an American soldier, marches past a sign, in an camp of tents, reading "A-T Company, 1st Filipino Infantry." Filipino soldiers at a tent camp, being instructed by an American soldier, using a large set of maps. Camera pans over a camp of many tents laid out in order. A formation of Filipino soldiers marches between tents. An American soldier opening his foot locker at his quarters. An illustrated portrait of General Douglas MacArthur. A formation in a field with a Filipino band playing and a Color Guard carrying the American and Filipino flags. A large group of Filipino children walking along a path. A Filipino boy lying on the floor in his home, reading a large book. Filipino school girls seated at benches next to tables. Women doing laundry at an outdoor pond. Next, an actor in khaki clothing sits in a tent and speaks as if addressing American soldiers regarding the Philippines. Among other things, he says,"These people aren't natives. They aren't beggars. They have cities and farms and industries.They have schools and courts and a Constitution. They also have pride and patriotism and self-respect. They love freedom They'll die for it." He cautions American soldiers about their behavior vis-a-vis Filipinos. He states that "Filipinos are American." He alludes to messages received from American and Filipino defenders in Fort Mills, at the fall of Corregidor on May 5, 1942. View of radio towers and worker in radio studio. Morse code messages heard as an American army radio operator with a headset transcribes the messages. Scene shifts to an amphibious invasion fleet attacking a Japanese held island in the Pacific.
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