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British-Gliders stock footage and images
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During an interview in the US, Lt. Gen. Eaker talks about problems in commanding the 8th Bomber Command in England.
An interview of United States Air Force Lieutenant General Ira Eaker conducted by Dr. Maurer in the United States. General Eaker talks about major problems in organizing and commanding the 8th Bomber Command in 1942. They landed in England. Getting air bases , missiles, barracks, hospitals, runways and other equipment from the British was the basis for the organization. Different area commanders reported to them and kept no secrets from them. He talks about the development of defensive tactics against the enemy and modifying the equipment according to needs.
During an interview in the US, Lt. Gen. Ira Eaker talks about daylight precision bombing and B-17 Flying Fortress aircraft.
An interview of United States Air Force Lieutenant General Ira Eaker conducted by Dr. Maurer in the United States. General Eaker talks about daylight precision bombing, British and U.S. night and daylight bombing. He says that a few United States Army Air Force B-17 Flying Fortresses Could survive against several German aircraft. He further states that if they reduced the number of these aircraft by razing factories, then they didn't have to worry about German bombers.
U.S. sailors visit and enjoy in various places of Europe.
A film on the life of sailors aboard United States Navy ships. An officer looks through a telescope. He sees land as the ship approaches Copenhagen, Denmark. He explores a land area. Sailors stand at attention aboard the ship. Officers inspect the sailors. They board a liberty boat to take them to shore. The ship underway at sea. The sailors visit various countries and places in Copenhagen. The sailors talk to Danish women. They eat local delicacies in Europe. United States Navy sailors buy from a street vendor in Copenhagen. View of London, United Kingdom. A sailor asks a British policeman for direction on the street. Greek Army Evzones marching in Athens, Greece. The sailors walk in the streets. Buildings along the sides of the street. The sailors return to the ship. The ship in the Panama Canal. The sailors aboard the ship.
Film illustrating participation of African Americans in U.S. history from Colonial times to after the Civil War
Opening scene shows African American congregation in church, during World War 2, listening to their preacher speak about liberty. Closeup of the Minister speaking. As he refers to the seed of Liberty taking root in Boston, a plaque on the gate of the Granary Burial Ground of 1660 is shown reading: "Within this ground are buried the victims of the Boston Massacre, March 5, 1770." The gate swings open revealing the cemetery. Next, an illustration of British Redcoats shooting into a crowd on that occasion is shown. Closeup of the illustration shows an African American, named Crispus Attucks, falling as the first victim of the gunfire. A monument to him on Boston Common, is then shown. Closeup of the monument. Excerpt from a film about the Revolutionary War shows reenactment of the battle off Concord. The 221-foot granite obelisk at Bunker Hill, Boston, is seen, marking the site of the first major battle of the American Revolutionary War. A musket is seen with a sign attached reading: "Gun belonged to Peter Salem, a colored man who carried it at Lexington, Concord, and Bunker Hill, and with it shot Maj. Pitcairn." (Refers to Major John Pitcairn, a Scottish Marine officer, killed at the battle of Bunker Hill.) Illustration and painting of Peter Salem with his musket in the company of other patriots, is shown, as well as a glimpse of a mass reenactment of the battle of Bunker Hill. Next is seen the famous 1851 oil-on-canvas painting of Washington Crossing the Delaware, by the German American artist Emanuel Gottlieb Leutze. Closeup of one oarsman, identified as African American, Prince Whipple. Film Reenactment of the ragtag American army at Valley Forge in the snow, shows their suffering. Among them is an actor in the role of African American, Salem Poor, who had purchased his freedom from slavery and fought with Washington's army. A bell ringing and the American flag of 13 stars signifying the 1776 Victory. Film reenactments of pioneers including whites and African Americans working together, felling trees and building forts and barns, and the like. Scene shifts to a man of war ship under sail firing a salvo from its cannons. This is followed by illustrations of Commodore Perry in the battle of Lake Erie, during the War of 1812. In a dory with Perry is a black man named Tyler Thompson. War ships exchange gunfire. Narrator cites Perry's famous words of victory: "We have met the enemy and they are ours." Scene shifts to a painting of American general Andrew Jackson and his troops, at the Battle of New Orleans, in 1815. A battle reenactment shows a black American soldier participating. Postwar view of American ship building activity. View of a large sailing vessel. Cannon fire ushers in the Civil War in 1861 as Confederates fire on Fort Sumter. Images of combat are overlaid by the statue of Abraham Lincoln in his memorial at Washington, DC. Next, settlers are seen heading West in a wagon train. Camera focuses on a black couple who are part of the wagon train. White and African American men work side-by-side building a railroad. An early steam locomotive races along the tracks. .
Phoenixes and pier heads in the English Channel during the Allied invasion of Normandy, France in World War II.
A film titled 'Seabees in Normandy' about the role of U.S. Navy Seabees in construction of artificial harbors in the English Channel during the Allied invasion of Normandy in World War II. Aerial view of several Phoenix units or artificial harbors along the English Channel off the British coast. A pier head in water. Whales joined together to form a 80 feet long bridge. A pier head at the end of a bridge.
French and American soldiers return to Paris, France; civilians cheer them and honor passing of ally U.S. President Roosevelt
French soldiers return to Paris, France towards the end of World War II. Draped British, American, and French flags at Place Vendôme in Paris. Flags with mourning bands on the day of U.S. President Franklin D. Roosevelt's funeral. Allied flags on Galeries Lafayette (40 Bd Haussmann, 75009 Paris, France). Crowds at a station and along a street as they wave to buses loaded with American soldiers and repatriated French soldiers. French civilians waving to truckloads of returnees. French soldiers and women workers loaded on a truck as they wave to French civilians. Repatriate French soldiers loaded in trucks as they move past civilians. The civilians gather around a truck loaded with returnees at the Musee d' Orsay (1 Rue de la Légion d'Honneur, 75007 Paris, France). Soldiers get off a truck and women run towards it to greet them.
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