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Coney Island New York 1898 stock footage and images
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Tanks and other vehicles are loaded on an Landing Ship Tank in the United States.
A training film about the design of Landing Ship Tanks (LSTs). An LST underway at sea in the United States. Information about the speed of the LST is given. The navigation bridge and the conning tower of the LST. A man on the conning tower. Men aboard the LST. All LSTs have small boats. Men operating a winch with a crank. A new safety switch is opened. The forward part of the ship. The cargo hatch in the forward part. The hatch is opened to take in fresh air. Tanks and other vehicles on the tank deck. The control room of the LST. Men working in the control room. They operate switches. The elevator that connects the main deck with the tank deck. Cargo is lowered with the help of the elevator. The engine of the LST. The working of the retraction gear. The LST. An extra anchor cable is carried.
Cones are shaped and milling of a spiral antenna in a building in Kansas, United States.
The coverage of the Boeing 1960 Progress Report covering the development and production of U.S. Air Force B-52 Stratofortress G and H models in Kansas, United States. Research and development of new processes. Cones shaped during the flow turning process. A dye-forming radome. A man stretches a fiberglass over a mold. A press comes down on the mold and a form being pried out. Milling of a spiral antenna. The antenna on a table.
Film illustrating participation of African Americans in U.S. history from Colonial times to after the Civil War
Opening scene shows African American congregation in church, during World War 2, listening to their preacher speak about liberty. Closeup of the Minister speaking. As he refers to the seed of Liberty taking root in Boston, a plaque on the gate of the Granary Burial Ground of 1660 is shown reading: "Within this ground are buried the victims of the Boston Massacre, March 5, 1770." The gate swings open revealing the cemetery. Next, an illustration of British Redcoats shooting into a crowd on that occasion is shown. Closeup of the illustration shows an African American, named Crispus Attucks, falling as the first victim of the gunfire. A monument to him on Boston Common, is then shown. Closeup of the monument. Excerpt from a film about the Revolutionary War shows reenactment of the battle off Concord. The 221-foot granite obelisk at Bunker Hill, Boston, is seen, marking the site of the first major battle of the American Revolutionary War. A musket is seen with a sign attached reading: "Gun belonged to Peter Salem, a colored man who carried it at Lexington, Concord, and Bunker Hill, and with it shot Maj. Pitcairn." (Refers to Major John Pitcairn, a Scottish Marine officer, killed at the battle of Bunker Hill.) Illustration and painting of Peter Salem with his musket in the company of other patriots, is shown, as well as a glimpse of a mass reenactment of the battle of Bunker Hill. Next is seen the famous 1851 oil-on-canvas painting of Washington Crossing the Delaware, by the German American artist Emanuel Gottlieb Leutze. Closeup of one oarsman, identified as African American, Prince Whipple. Film Reenactment of the ragtag American army at Valley Forge in the snow, shows their suffering. Among them is an actor in the role of African American, Salem Poor, who had purchased his freedom from slavery and fought with Washington's army. A bell ringing and the American flag of 13 stars signifying the 1776 Victory. Film reenactments of pioneers including whites and African Americans working together, felling trees and building forts and barns, and the like. Scene shifts to a man of war ship under sail firing a salvo from its cannons. This is followed by illustrations of Commodore Perry in the battle of Lake Erie, during the War of 1812. In a dory with Perry is a black man named Tyler Thompson. War ships exchange gunfire. Narrator cites Perry's famous words of victory: "We have met the enemy and they are ours." Scene shifts to a painting of American general Andrew Jackson and his troops, at the Battle of New Orleans, in 1815. A battle reenactment shows a black American soldier participating. Postwar view of American ship building activity. View of a large sailing vessel. Cannon fire ushers in the Civil War in 1861 as Confederates fire on Fort Sumter. Images of combat are overlaid by the statue of Abraham Lincoln in his memorial at Washington, DC. Next, settlers are seen heading West in a wagon train. Camera focuses on a black couple who are part of the wagon train. White and African American men work side-by-side building a railroad. An early steam locomotive races along the tracks. .
African American athletes make their mark at the 1936 Summer Olympic Games in Berlin, Germany
Opening scene shows stadium filled with spectators for the 1936 Summer Olympic Games in Berlin, Germany. View from behind six sprinters ready to start the 100 meter dash. Front view closeups of African American runners, Jesse Owens and Ralph Harold Metcalfe Sr. Official fires gun for the start, and the runners are off. Camera tracking the runners shows Jesse Owens well ahead of all the rest, at first, but Metcalfe soon catches up with him. Crowd roaring and cheering in the stadium. Scoreboard shows Owens first, Metcalfe, second, and Osendarp (of Holland) third, separated each by only one tenth of a second. The American National Anthem can be heard in the background. The next event is the men's high jump. Sign shows the bar initially set at 1.97 meters height. The first competitor is Gustav Weinkötz of Germany. He fails to clear the bar. Next is Hiroshi Tanaka of Japan, who also fails to clear. Bar is reset to 2.03 meters (6 feet-8 inches). African American, Cornelius Johnson makes the next attempt. He successfully clears the bar and the crowd roars its approval. (He had set a new olympic record.) Three American flags flying over the stadium as the U.S. National Anthem is again heard being played.
A crowd gathers as the Great Lakes Naval Reserve Band under the direction American composer John Philip Sousa marches by.
John Philip Sousa's U.S.Navy Band of the Great Lakes Naval Training Station leading a World War I Liberty Loan parade on a city street (possibly in Chicago, Illinois). Behind them two cars are seen and other marchers carrying signs. One sign reads: "Chip In." Numerous spectators line the sidewalks. View from above of the band in formation for a concert. John Philip Sousa and his wife, Jane, pose in front of a residence. He wears the uniform of a Lieutenant in the Naval Reserve. (Note: During World War I, the Navy asked Sousa to train bandsmen at the Great Lakes Naval Training Center. On May 31, 1917, at the age of 62, he accepted a commission as a Lieutenant, in the U.S.Naval Reserve and organized a new band at the Great Lakes Center. His fame attracted so many band recruits that he was able to form several Navy bands for other Navy bases and units.)
Sailors seated around a boxing ring watch a bout between two boxers in the United States.
Sailors engage in various sports in the United States. Two sailors box in a boxing ring. A referee in the ring along with the boxers. He declares a boxer as the winner. He gives instructions to two new boxers. A bout in progress. Sailors seated around the ring watch the bout. They cheer and wave their hats.
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