Madame Schumann-Heink in Hollywood, California. Thirteen young actresses in different dresses stand on the stage. Madame Schumann-Heink talks to the girls.
A widowed female hippopotamus gets a new partner at a zoo in New York. A hippopotamus plays in water at the zoo. Zookeeper feeds a group of hippopotamuses. A hippopotamus chewing. Two heavy-weight hippopotamuses move around in the cage. Rosa and Caliph the hippopotamuses face each other with bars separating them. Animated hearts surround the two hippos. Spectators watch the animals in the background. A hippopotamus comes close to the camera.
Jewish Rosh Hashanah New Year prayers in New York's East Side. Views of quiet streets that are normally busy. Jews in shuls offer prayers. Men in Tallit robes praying. Jewish women light candles and pray.
City of Nelscott in Oregon United States, destroyed due to flood. Gigantic waves of sea strikes the rocks at the shores. A view of destroyed boasts on the ground and flood water fills the city. A woman and a man take his child on a wooden raft. They load provisions while floating beside a house window. Man along with child, household furniture and a dog, sail the raft through flood water. People walk cautiously in search for a safer place. Logs of trees destroyed by flood.
Stretcher cases from European Theater of Operation being greeted by families and friends at LaGuardia Field in New York, United States during World War II . U.S. Army Air Forces Douglas C-54 Skymaster being unloaded. Crowd in the foreground. Litter patients (US soldiers) being lowered from plane. Mothers, wives, and friends kissing injured men. Families greet wounded men.
Wounded soldiers from European Theater of Operation arrive by Air Evac C-54 aircraft to LaGuardia Airport, New York, where they are greeted by families and friends during World War II. Film opens with view through main cargo door into cabin of a military C-54 transport parked on the ramp at LaGuardia Airport, New York. The cabin is configured for air evacuation. Inside, wounded American soldiers are seen in a rack of litters stacked four high. A man in civilian clothes holds a clip board and speaks to soldiers on the airport ramp. A man drives a fork lift to the cargo door and lowers two of the wounded on litters to the ground, where waiting family members reach down to kiss and embrace them. Photographers take pictures and Army officers welcome the wounded. Media technicians set up microphones near on soldier who is with a woman. They record as the woman and soldier embrace and speak to each other. After momentary break, scene shifts back to cargo door of the C-54, where several Army soldiers watch the activities below where women greeting two more wounded are being photographed and recorded as they are reunited. The next scene is in a hangar, where a wounded soldier is sitting up in his litter with wife or sweetheart beside him and a man and woman behind him. Two microphones are set up next to them. The young couple kiss and embrace. Closeup of them.
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