P-47s of the 36th Fighter Group are parked on an airfield in Belgium. U.S. airmen walk on the airfield. P-47s of the 23rd Fighter Squadron (yellow cowls, coded "7U") are among the many seen. Some names painted on planes including "Maj Mac" and "Lulu III". P-47s approach for landing in the background. A flight line of P-47s including one with serial number 42-25900, assigned to the Headquarters, 36th Fighter Group. Some P-47 aircraft from the 53rd Fighter Squadron (coded "6V"). Fuel trucks and others moving about on the airfield. A flat bed truck carrying a 500 pound bomb pulls up to a P-47. Driver hooks bomb to a crane and airmen install it under wing of P-47. (World War II period).
P-47 Thunderbolts have 500 lb bombs installed on an airfield in Belgium. P-47s parked on the airfield. Airmen push a trolley loaded with 500 lb bombs and hook it up with a crane. A truck transports 500 lb bombs on the airfield. An airman installs external 500lb bomb under the wing of a P-47. (World War II period).
A damaged U.S. P-38 Lightning aircraft in Belgium. Ground crewmen work around a damaged P-38 Lightning aircraft. Tents around the damaged P-38.
Three U.S. Army Air Forces P-38 aircraft fly overhead and peel off to begin landing at an airfield in Belgium, during World War 2. . A formation flight of Four P-47 Thunderbolt fighter planes follows, peeling off to land. One of the P-47s, a "razor back" from the 387th Fighter Squadron (yellow cowl band, coded "B4"), 365th Fighter Group, is seen landing on the runway, with its canopy open.
Parked P-47 Thunderbolt fighter aircraft on an airfield in Belgium. Several P-47 Thunderbolts parked along a paved strip with their engines running. Buildings in the background.
Film executives accompanied by U.S. Army officers, visit Bastogne, Belgium during World War II. The destruction from battles in and around the town are evident in destroyed and broken buildings. The film producers, who wear Army uniforms without rank insignia, listen to military officers while standing on a main street. Several little girls stand on the sidewalk with their families, near the officers, and smile. One film producer hands cigarettes to a little girl to give to her father. Other local men accept cigarettes. Officers stand near their cars and talk. Some pedestrians and horse carts on the road. Civilians watch the meeting from balcony of their house.
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