Francais
Deutsch
Italiano
Refine Your Search
Indian Ocean 1941 stock footage and images
- Showing 37 to 42 of 4563 results
more
Hide
Exploits of the German Auxiliary Cruiser Komet in the Pacific Ocean during World War II
The German Auxiliary Cruiser, Komet (masquerading as Ryoku Maru) seeking Allied shipping targets of opportunity in the Pacific during World War 2. Sailors relax on her deck.Some paint her motor launch. Several sailors in white trousers, dark jackets, and white side caps, hurry into formation where they are inspected by supervisor wearing a checkered necktie. Officers in Khaki look through binoculars as the Komet's Arado 196 float plane lands and taxis in, guided by sailor with signal flags. The pilot is standing up in the cockpit.He reports to the bridge and exchanges salutes with Komet's Captain, Rear Admiral Robert Eyssen. He discusses his flight observations with other officers. Smoke from a steaming ship seen on the horizon. An officer on the deck lights a cigar. Smoke and sound of Komet firing her 15cm deck guns. Silhouette of freighter, MV Australind, very low in the water. Next,life boats row toward Komet carrying 43 survivors who climb aboard. Komet's Arado 196 float plane flies past and the Australind is seen sinking, It is 8/14/1941, off Galapagos Islands. Next, seas are rough. Smoke is seen from Komet's guns firing again, and another ship is stopped in the water.Boarding party from Komet lowers away in motor launch and boards the stopped ship. Sign on her says "No Smoking," in English. Armed Komet sailor guards her seamen. Glimpse of one of Komet's 15cm deck guns. Later, crew of stopped ship resume duties, as Komet pulls away from her. Komet's sailors wave. (Ship is likely American, so not yet active in Allied war effort.) Next, Komet and her supply ship, Kulmerland seen in a Japanese port to replenish and refuel. Her crew are now in proper German Kriegsmarine uniforms, as Japanese Naval officers board for a visit. Admiral Eyssen and his executive officer entertain the Japanese officers. German and Japanese flags fly side-by-side. Admiral Eyssen and his executive officer, with Japanese officers, tour local sites. Two Komet sailors view Mt. Fuji.
Activities aboard the U.S. Aircraft carrier Ranger (CV-61) during deployment in Western Pacific and Indian Ocean, 1982.
Navy yellow shirt plane director guides an A-6E Intruder aircraft of VA-145, with folded wings, on deck of the USS Ranger (CV-61). The aircraft displays tail code NE of Carrier Air Wing 2 (CVW-2) and the Swordsmen insignia of VA-145. Closeup of an F-14A Tomcat tail, displaying the red wolfhead insignia of VF-1 (The Wolfpack). An aviation fuels purple shirt clambers over the top of the F-14A. Two aviation ordnance red shirts seen transporting 20mm belt ammunition across the deck for the the ship's Phalanx CIWS anti-missile Gatling gun. Yellow shirt directs a Grumman E-2 Hawkeye tactical airborne early warning (AEW) aircraft as it proceeds along the flight deck.
As the United States enters World War II, U.S. military forces are seen, deployed in various places throughout the world.
American troops are seen in arctic gear moving on skis through blustery snowy weather in Iceland, during World War 2. They were sent in 1941 to relieve British troops occupying Iceland since 1940, during World War II. A guard post at the American camp, with Quonset Hut in background. Closeup of U.S. sentry in arctic gear holding rifle with bayonet affixed. View from above, of numerous tents partially covered with snow in the American camp. Change of scene shows U.S. troops disembarking from transport ships at the British Isles. They march with their combat gear onto a square where Army trucks wait to transport them inland. Another scene shows the American troops, viewed from behind, parading in London. Other scenes show them marching in various areas of London. Saint Paul’s cathedral is seen in the background of one scene. A large number of American M3 Stuart Light tanks move on a railroad train in Britain. Scene shifts to the Middle East, where railroad cars and various military supplies for Russia are be offloaded from American ships. A Russian officer is seen signing receipts for war materiel, from a U.S. Army Technical Sergeant. A row of American Army trucks are lined up behind them. The Russian and American exchange salutes, and shake hands. Next, a troop ship carrying American troops is seen arriving at a port in India, where they disembark with their gear. An American Army Sergeant in a pith helmet pays attention to a little Indian girl. Scene shifts to China, in 1942, where Brigadier General Claire Lee Chennault, Commander of the China Air Task Force, of the Tenth Air Force, that replaced the American Volunteer Group (Flying Tigers), is seen with Brigadier General Caleb V. Haynes, Commander of the India Air Task Force. A colonel joins their discussions. A Consolidated B-24 Liberator bomber is parked behind them. View of Curtiss P-40 Warhawk fighter planes, with Flying Tiger markings, parked on a flight line. A B-24 bomber landing on a runway, between hills, deep in China. Closeup of Nationalist China Generalissimo Chiang Kai-Shek, saluting. Huge numbers of Chinese troops assembling in a formation. Next, an expeditionary force of American troops is seen arriving on a troop ship in Australia. They line the ship’s deck and wave. General Douglas MacArthur arriving in Australia to assume the office of Supreme Commander, South West Pacific Area (SWPA). .Glimpses of U.S. Navy activities in Australia: setting up defenses of islands; unpacking a Kingfisher float plane and making it ready for use on a desert island. The final segments of the film show American forces in August ,1942 sailing to Adak in the Aleutian Islands, to strengthen American defenses there. Troops seen descending by rope ladder from the American transport ship USS J Franklin Bell (PA-34), into her landing craft for deployment on Adak Island. Scenes of landing craft reaching the beach and offloading troops, vehicles, and supplies. View of beach filled with supplies. One landing craft is clearly marked with ""P34" showing that it belongs to the USS J Franklin Bell ( later reclassified as APA-16).
Glimpse of Life in old Spanish settlement of Abiquiu, New Mexico
A couple riding on a horse-drawn wooden wagon on street of the old Spanish settlement of Abiquiu, New Mexico. An old wooden building, housing a country store, seen across from them, and an adobe-stye building down the street. Two small log-style dwellings sit in between. Horses are tied to railings. A 1941 Ford convertible automobile sits in front of the old wooden building, where a number of people, including a woman with a small baby, sit relaxing in the sun. Artist Georgia O'Keeffe steps from the car and enters a store in the building. A Native American Indian woman stands, conversing with an old woman, dressed all in black,like a Spanish widow. Men outside an adobe building decorated with murals and a sign reading: "SL PA BAR." Closeups of the men sitting on benches with legs of cowboy in mural behind. Closeups of mural showing dancing girls. Scene shifts back closeup of the old woman in black. A woman looking out the window of her home. A woman rinsing a batch of some kind of material and placing it into another container. Another woman all in black, steps from her house to feed her two dogs on her doorstep. She poses for a closeup. Views of local flora.
Georgia O'Keeffe, and the environs of the old Spanish settlement, where she lives, in Abiquiu, New Mexico
Artist Georgia O'Keefe carries purchases to her car (a 1941 Ford convertible) as she leaves general store in Abiquiu, New Mexico. The shop keeper carries some of her items. Closeup of O'Keefe in her car as she drives away. Scene shifts to O'Keefe standing at the the Plaza Blanca cliffs, that she calls the "white place." Closeup of Ms.O'Keefe. Camera pans unusual rock formations. View of O'keefe at campfire. Her car parked nearby, and white cliffs in background. An O'keefe painting of flower with white mountains in background. Another of her paintings, and figurines representing Navajo priests. Scene shifts to Navajo dancers in costume as birds. Others in traditional clothing with elaborate headresses, chant and play drums. Scene shifts to Navajo children playing marbles in sand, and back again to dancers and drummers. The adobe St. Thomas Church is seen in background. Navajo Native American Indian family inside their home, where woman attends baby in a swing. Closeup of the baby. Panning views of dramatic landscapes. Herd of sheep grazing. Film concludes with views of mountains, sky, deserts, and canyons.
Places in New Mexico, familiar to Ernie Pyle
Views of Ernie Pyle’s familiar places in New Mexico. Opening shot shows a man stepping from the porch of Ernie Pyle’s house, with great expanse of landscape in the background. A car driving along a quiet mountain road. People picnicking at a roadside table. Views of mountains and sky and a man leading a horse walking slowly up a sandy hillside. Horse-drawn wagon in the Pueblo of Isleta. A farmer plowing a field with a team of horses. Pueblo women placing rugs on a line and baking bread in an ancient clay outdoor oven. Pueblo residents celebrating Corpus Christi Day. They walk slowly carrying banners and flags. The local Priest says prayers for American soldiers away in World War 2. Inside the church, a Pueblo mother lights candles for her son, overseas, against a backdrop of stars representing each local man away in the war. Car is seen driving across a low bridge over the Rio Grande River. It drives slowly into the town of Sandoval, where a man leads a cow across the road in front of the car. Farmers cultivating rows of crops by hand. A woman sings accompanied by a guitar. A sheep ranch where shepherds on horseback move a flock. Sheep being herded into pens. View of sheep being sheared by team of men. Wool being piled into a truck. Mailman delivering mail to a country mailbox on a street in Albuquerque, New Mexico. Two girls in jeans walking in town. A girl comes out of a building and embraces a young soldier in uniform, who was waiting for her. Pedestrians on the sidewalks in the commercial district. Women with cut roses; playing cards; baking a cake; and cutting a lawn with a manual reel mower. A wedding party walking along the sidewalk. Two girls reading. People in various settings reading the Albuquerque Tribune (or the Journal) newspaper. Movie houses that show films in Spanish and English. Students walking on the grounds of the New Mexico State University in Las Cruces. More views of ordinary people in towns including people of Hispanic descent or Mexican Americans. Sheriff Harold Hubbell of Bernalillo County, who served with the 200 Coast Artillery on Bataan, in 1942, is seen mailing a letter. Former Governor, Clyde Tingley, now Mayor of Albuquerque, comes down steps of a building. A Navajo indian reading a newspaper. A rancher rolling his own cigarette. A young Spanish American boy (Muchacho). Girl (Muchacha) rides a bicycle. A Navajo man followed by his family. Sign reading “Bataan Relief” announcing a talk by a Bataan veteran of World War 2. View of the speaker, in uniform, speaking to a group of mostly women. (Narrator states they lost a whole National Guard Regiment to the Japanese after the Pearl Harbor attack in 1941.) Another glimpse of students at the State University. Another repeat glimpse of Pueblo women baking bread in outdoor oven. Views of girls and women. Various Views of Ernie Pyle with American troops overseas during the war.
