Italian conductor Arturo Toscanini is seen in a room of his house, Wave Hill, in the Hudson Hill section of Riverdale in the Bronx, New York City. Toscanini is handed a record by teenage boy (possibly his grandson) and Toscanini plays the record on a console phonograph player. He walks up and down in the room as he listens to the music. Narrator discusses Toscanini's rejection of fascism. and then names various other Italians living in the U.S. who similarly reject fascism: Next shot shows Italian historian Gaetano Salvemini delivering a lecture to a class at Harvard University. Italian writer Giuseppe Antonio Borgese leads a small workshop class at the University of Chicago. Italian American press publishers of newspaper Il Nuovo Mondo (Giuseppe Lupus, Aurelio Natoli, and Carlo Emanuele Prato) are seen gathered at a desk in New York City. An Italian editor, Colonel Randolfo Pacciardi, works at a newspaper establishment. An Italian priest and patriot, Don Luigi Sturzo, reads a book. Another close-up view of Arturo Toscanini.
A documentary depicts Italian conductor Arturo Toscanini in the United States. A radio broadcast room. An emergency news item comes in. News being broadcast about the removal of Benito Mussolini as the Prime Minister of Italy. Toscanini plays a piano. He works on musical notes of Forza del Destino. At NBC broadcasting station preparations being made to put the music of Forza del Destino on the air in radio broadcast. Jan Peerce and Westminster Choir at a recording studio. NBC Symphony Orchestra at NBC Studio in New York. Toscanini conducts the orchestra. Westminster Choir sings as Toscanini conducts the music. Jan Peerce sings.
A documentary depicts Italian conductor Arturo Toscanini in the United States. Jan Peerce and Westminster Choir at a recording studio during the radio broadcast of Forza del Destino. NBC Symphony Orchestra at NBC Studio in New York. Toscanini conducts the orchestra. Westminster Choir sings as Toscanini conducts the music.
U.S. aircraft bombard Japan during World War II. U.S. Army Air Forces B-29 aircraft on an airstrip in Saipan. Pilots being briefed by Brigadier General Emmett O' Donell. Officers make final checks about the mission on a map. B-29 aircraft take off for the bombing mission. Aircraft in formation flight. Bombs being dropped on Tokyo and smoke rises as bombs impact. Aircraft return to the air base after the mission. Smoke rises from the airfield as a result of Japanese attack. B-29 aircraft on fire and smoke rises. A Japanese bomber aircraft goes into a kamikaze suicide dive. Smoke rises from the airfield. Wreckage of B-29 aircraft.
Four British working men and their four American counterparts on an exchange visit to the United States enter a building in World War II. They are seen inside, seated at a table opposite representatives of American labor organizations including the American federation of Labor (AFL), the Congress of industrial Organizations (CIO) and the Railroad Brotherhood. During the meeting, one of the American workers states that they had just returned from England. One of the American labor representatives asks the English workers what they think about these exchange visits. They respond in support of them, and note they had an similar exchange with Russians as well. They also discuss international labor unity and its importance in winning the war. The British contingent note that they need more time to meet rank and file American workers to make any assessments. The subject of women filling jobs in war industry was viewed as affecting the lives of all women during the war and afterwards.
British working men and their American counterparts on exchange visit in the United States. The group enter a building of the Star Electric Motor Company. Inside they are seen sitting in on a labor-management committee meeting. The British workers ask whether the company's worker suggestion program is successful. The company managers say it has and helped increase war production. The British ask about having any deadlocks in labor-management relations, affecting war production, and are told the U.S. War Production Board would be called upon to resolve such a matter. The issue of continuing such labor-management cooperation after the war is discussed. (World War II period)
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