SNAFU smokes in bed. Problems of fire at United States Army posts during World War II. Animated film for U.S. troops during World War 2 depicts fire problems. 17% of the problem is due to soldiers smoking in bed. "SNAFU" reads these facts while lying in bed, smoking. The bed catches fire when he flicks ashes from his cigarette.
American journalist Quentin James Reynolds talks about the Army News Service in the United States. Officers and dignitaries gather in a hall. Quentin James Reynolds addresses them. He praises the army news service. Journalist Norman Cousins presents an award to Yank Magazine staff.
The Army News Service in the United States. The working of Yank Magazine staff. A sign board reads: 'Army Service Forces Morale Services Division New York Branch Yank the army weekly branch headquarters'. Interior of the New York office. Enlisted men work for the magazine. Men seated at their desks working on articles and pictures to be published. Men discussing amongst themselves. Sergeants talking about edition of the magazine. Editions being loaded in an airplane. The airplane takes off.
The Army News Service in the United States. The working of Yank magazine staff. Several editions of Yank Magazine. Enlisted men standing in a printing press where editions of the magazine are to be printed. Magazines coming out of the machine after being printed. The magazines at various book stores. Sailors buying the magazines. Sailors, women and soldiers reading the magazines. (World War II period).
U.S. Army troops in the Philippines during World War II. A shell torn island. Damaged houses and buildings. Natives walking across a field. A statue in the field. Rubble in the field. U.S. troops with rifles at ready move through the island. Soldiers aboard tanks and other military vehicles advancing across the island.
U.S. Marines in the Philippines during World War II. Marines aboard a landing craft and ships underway at sea. They fire guns. Smoke due to firing and bombardment. Smoke arises as a landing craft explodes. Mountains in the extreme foreground.
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