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Mullens West Virginia USA 1928 stock footage and images
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A U.S. Government background study film about the culture and behavior of Japanese society
Among other things, the opening slate recounts that the First American Consul to Japan was received on December 7th 1857, and Japanese forces attacked Pearl Harbor December 7th, 1941. After the slate, Japanese are seen depicted in prints by famous 18th and 19th century artists: Katsushika Hokusai; Utagawa Kunimasu; and Ando Hiroshige. Next are various views of Japanese Type 97 Chi-Ha tanks. An industrial site with numerous smoke stacks spewing clouds of effluents. Momentary glimpse of a Japanese Torii Gate. Crucible of molten steel being emptied. Machine shop powered by driving belts. Closeups of various machine tools in operation. Closeups of Japanese industrial workers. A line of Type 95, 75 mm Japanese field guns produced in Japanese factories. Japanese women engaged in home industries making parts for factories. A Japanese artisans working in pottery, porcelain and metal. Various views of densely populated Japanese city with trolley cars; automobiles; and pedestrians (most in Western style clothing, but some women in kimonas). City buildings of modern design. Men leaving their shoes at the doorway as they enter a house. A woman helps a man don a lounging gown upon arriving home from work. Japanese children in the courtyard of their urban school, performing exercises and calisthenics. Three children walking home from school. A family in traditional Japanese attire, having dinner at home. A steam locomotive pulls a train through rural area of Japan. View from above, of farmers working in terraced area. Closeup of farmer guiding a plow being pulled by oxen. Women sowing seed in a rice paddy. Farmers planting seedlings, and hoeing, threshing, and harvesting crops by hand. Harvested crop being placed on outdoor rack to dry. Exterior of farmhouse with thatched roof. View of family inside, preparing dinner and later sitting around a covered charcoal brazier, to keep warm. The woman of the house turns on a single electric light and the man turns on a radio having an external speaker horn. Two Japanese sumo wrestlers in a ring at an arena. Views of Sumo wrestler going through preliminary movements, followed by two wrestlers battling in the ring. Japanese Jujitsu master demonstrates skill by throwing assistants in a demonstration. Two Japanese men demonstrate kendo dueling before an audience of students in a training facility. (They do not wear protective attire.) A horse race taking place at a large track with many spectators in the viewing stands. A Japanese golfer hitting a ball out of a sand trap. Glimpse of tennis players. Japanese baseball teams march into a stadium and play the game before a crowd of spectators. Japanese office displaying poster for the Marx Brothers movie "Duck Soup." Several Japanese at a home party party with saxophonist playing 1928 American song, "Sweet Sue, Just You." The group joins in singing the song. Patrons in Western style attire dancing in a night club to music of a modern orchestra. Customer smoking cigarette and sampling an American cocktail and a small cup of saki as jazz is being played in the background. A woman dressed as a Geisha plays a shamisen.
A film about Western life in the United states on a farm and ranch in Texas during World War II
Film begins showing a passenger train moving through landscape, empty except for some cattle grazing. The setting is Texas, the United States, during World War 2. A young boy is on the train, wearing a a British school uniform (or possibly Norwegian school uniform), with short pants. He sits with his knees up, reading a book about the American West. Other books about the West are on his seat. Scenes from movies of the West that are in the boys mind are shown. They show vintage western film reenactments of stage coaches being defended; cowboys riding en masse; cowboys fighting Native American Indians; teams of horses pulling stage coaches; gun fights in various places; exterior of the "Last Chance Saloon"; and a cowboy riding a bucking horse in a saloon. As the train arrives at his destination, the boy readies and leaves the train. A man in a 10 gallon hat meets him and shakes his hand. Camera pans over landscape containing a single ranch or farm house. The boy is seen running all around the property. A tractor pulls a disc cultivator over some of the land. Now dressed in a western hat and long pants, his host takes him to meet one of the ranch hands who is working on an automobile. They walk by a man driving a tractor. Next they visit a man shoeing a horse. They wave at some men using hand tools to cultivate some crop. They walk past a tall windmill. Cattle are seen grazing in a field. After their exploration, the Host sits on a porch as the boy reads more information in a book. Another view of grazing cattle. A lone cowboy on a horse looks over the land.
British film from World War II intended to acquaint British people with aspects of the United States.
British World War 2 film (described as the equivalent of the U.S. wartime film "Know Your Ally, Britain"). Film opens showing 19th Century animated map of the United States. It traces the development of the railroads in the U.S. It shows rail lines reaching the Missouri River by the year 1860. (Narrator states this took 250 years to happen.) But in another 10 years, the map shows the Union Pacific and other rail lines extending two the West Coast, and U.S. commerce shifting, from North-South movement, to East-West (with an animated steam locomotive moving across the map). Chicago is highlighted as the greatest railway junction in the world (the "Piccadilly Circus" as the British narrator describes it). View of a 19th century steam locomotive pulling a freight railroad train in the desert Western U.S. Views of the arid Western parts of the U.S. Group of Native American Indians watching a train pass. Construction supplies being offloaded from a train. A wind-driven water pump. Buffalo herds affected by the railroads. Wire fencing installed to control cattle on large Western ranches. large teams of horses pulling 19th century wheat harvesting machinery. Views of wheat grains being poured. Cattle in the high country. Views of Chicago stock yards. A man marking on a Board of Trade chalk board, the prices of farm commodities. Various views of steam locomotives pulling trains throughout the rail network, including some 20th century trains near the end of the film.
Bing Crosby and other celebrities play in golf tournament at the Greenbrier Resort, White Sulphur Springs, West Virginia
Ben Hogan tees off in celebrity golf tournament that includes Bing Crosby and other notables. Bing Crosby has fun and jokes around, giving advice and pretending to have a lower score than he shot. He puts successfully and is applauded by his companions. We see numerous tee shots by players and aerial views of the course. Large number of spectators are present to watch the players in action.
Recruitment of American women during World War II labor shortage in Dayton,Ohio.
A road to Dayton Ohio, crowded with cars of the 1930s. Men hitch-hiking near a sign reading: "Dayton 47." A steam locomotive pulling a passenger train,speeds past the camera. Arrows on map of Ohio, show areas around Dayton, from which defense workers are being drawn. Closeup of car wheel and tire. Another hitch-hiker at 48 miles from Dayton. Cars converging on the city of Dayton. A line of patrons extending out onto the sidewalk outside the Virginia Cafeteria at 28 East 3rd Street. Another queue of patrons with bags of clothes outside a laundry and dry cleaners establishment. A long line of patrons on the sidewalk outside of a motion picture theater, showing a Western movie starring Johnny Mack Brown and Tex Ritter. A woman places a "No Vacancies" notice over Plaza Apartments sign. Other "No Vacancies" signs posted elswhere. Men and women war plant workers queue up to board buses to factories. Some men step over a rope line to get ahead of others. Closeup of workers crowding into the entrance of a commuter train. View from inside as workers (mostly women) try to board. A long line of men and women on the sidewalk outside a corner cafeteria in a large building.Woman removing "rooms to let" sign from her apartment wiindow. A man posting a "No Vacancy" sign. The office of the War Manpower Commission Area Director. Seated around a table are are seen members of The Dayton Local Labor Management Committee (Dayton War Manpower Committee). Inquiries being received by manufacturers hiring 8 persons or more, as well as personnel officers of the local Army Air Forces Air Fields, seen in uniform. Other employers answering the inquiries. Employers signing letters to the War Manpower Commission, pledging to stop hiring full-time workers, except those approved as war essential, with the understanding that part-time workers would be referred to them as substitutes. A woman in the War Manpower Commission office types a report to the Washington office. Draftsmen at work in an office. Two women going from house-to-house soliciting women war workers to work in the war effort. Views of various women being interviewed. One watching her young son climb on her porch railing, has to rescue him during the interview, and declined to participate. Next, a woman is seen taking small children to a building labeled "Day Nursery." View inside as women leave their small children in the care of other women providing care for them. Many children seated at tables having a meal. Closeups of some of the children. Street scene with many women pedestrians. A publication called "The War Worker," showing an illustration of a man and a woman side-by-side going to war jobs. It lists war jobs open to women (and men). A team of motion picture workers filming a woman operating a machine, in a publicity shot encouraging such war work. View of a finished film called "Dayton Women are Marching to War !." Men and women in a movie theater watching the film. Views of the faces and expressions of the people watching the movie, and views of the movie screen. Reporters for radio stations WHIO and WING, interviewing women in defense plants. View inside a local home where women playing bridge are listening to the interviews on a large console radio during card game. Views of the City of Dayton with large outdoor advertising billboards encouraging people to get jobs to help the war effort. Newspaper headlines related to the status of the ongoing World War 2. Closeup view of newspaper headlines and of advertisements inside the newspaper encouraging women to get wartime jobs. Glimpse of the city. Brief view of many women inside a war plant. Aerial view of the city of Dayton Ohio.
Areas of responsibility under NATO Supreme Allied Commander Atlantic. Navy views from 1950s and 1960s.
Closeup of a freighter steaming past the Statue of Liberty in New York harbor. Sailors riding on a commercial bus near the entrance to the U.S. Naval Base, Norfolk, Virginia. Traffic at the road intersection. Entrance sign identifying the U.S. Navy base. Views of ships docked at the base. Flags flying outside the Headquarters of NATO's Supreme Allied Commander Atlantic (SACLANT). View of the great map room inside the headquarters. Officers from various NATO countries seated for a briefing conducted by A U.S. Navy Captain circa 1954. The most senior officers, including the first SACLANT, Admiral Lynde D. McCormick, step close to the map, where he speaks to the briefing officer. Closeup of the briefing officer moving images of aircraft over the map in the vicinity of the Portuguese Azore Islands. Closeup of straits of Gibraltar and then of Brest and Cherbourg on the coast of France; the Western approaches to the British Isles; the Norwegian coast; Iceland; Northern Labrador; the whole seaboard of Canada and the United States. View of waters of the Atlantic Ocean. Glimpse back to Admiral McCormick at the briefing map and then to a partially submerged submarine moving in water of the Atlantic. Narrator mentions subs of the 1960s. U.S. nuclear powered ballistic missile submarine launches a polaris missile. Final view of briefing map.
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