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Naha City Okinawa Japan 1972 stock footage and images
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Westland Mine coal miners return to work after end of walkout of 400,000 miners called by United Mine Workers.
At start, the film shows coal miners riding on electric-powered open railway cars at the Westland Mine in Pennsylvania, owned by the Pittsburgh Coal Company. The miners wear hats with lights on them. A train of open hopper cars filled with coal is being pulled by the last railway car carrying miners. Scene changes to above ground where a string of minecarts filled with coal are emerging from the mine into a railroad yard. Closeup of large chunks of coal in the hopper cars. Another view of filled mine carts being pulled out of the mine. View of full-size open rail cars lined up underneath an overhanging wooden tipple discharging coal into them. Closeup from underneath the tipple showing coal dropping into full size open hopper cars. Next, a long train of full hopper cars are seen moving along a railroad track, being pushed by several electric-powered locomotives. They pass on tracks near other cars being loaded with coal. A miner writes: "Mon Dec 9," with chalk on a brick structure. (This is the day the miners returned to work, following announcement by United Mine Workers President John L. Lewis, on December 7, 1946, calling an end to a walkout of 400,000 coal miners that he had called on November 20). Two 2-8-2 Mikado steam locomotives owned by the Montour Railroad pull a long train of coal cars. View in background of duplex homes of the coal town in Westland, Pennsylvania. Next scene shows elevated view of city of Pittsburgh, Pennsylvania, from approximately Duquesne Heights area, with distant view of downtown buildings, and steel bridges over the three rivers area (Monongahela River, Ohio River, and Allegheny River). Next scene shows many industrial smoke stacks emitting smoke. Final scene shows a train of empty hopper cars returning to the coal mines.
U.S. liberate Leghorn and advance into Livorno, Italy during the Italian Campaign of World War II.
U.S. tanks and soldiers in Livorno, Italy during the Italian Campaign of World War II. The soldiers and the tanks advance. The soldiers walk past a sign which reads 'PISA'. The soldiers and the tanks move along a street. Italian civilians cheer as the troops advance. Soviet partisans carry an American flag and march along the street. A unit of Japanese-American U.S. Army soldiers from the 442nd Regimental Combat Team rest and lean against a wall. Wrecked buildings in the city. Close-up views of the faces of three Japanese-American U.S. Army soldiers of the 442nd regiment as they look at a bulletin board with warning notices written in German and Italian, and then walk away. A Japanese-American soldier looks at a road sign on which an arrow points to Rome and Pisa and has an extra sign added for Los Angeles. He smiles and laughs at the sign.
American soldiers greeted by celebrating civilians in Lyon, France, and Rome, Italy, during World War II
American soldiers in jeeps are part of a traffic jam in Lyon, France, following its liberation by French forces in September, 1944. An air of celebration permeates the scene, Several French women ride with U.S. soldiers in American jeeps. A Blue vehicle displaying "FFI Police" (Free French of the Interior) and the Cross of Lorraine, is caught in the jam. A small black sedan displays "FFI" in white letters.Local civilians crowd the streets and ride on every possible spot on the various vehicles. Crowds of pedestrian spectators are restrained behind rough wooden fences. Camera views from vehicle crossing the Rhone River, show the destroyed Wilson bridge, and parts of city in background. Complete change of sequence to Rome, Italy. The Flag of Italy flying on an official building. Italian women surround American soldiers, Sergeant Lester Koenig and another NCO as they sit in a jeep. They all laugh and talk. Several Italian soldiers (one a medic) and women pose for the camera.
Montage of Japanese military aircraft used during 2nd Sino-Japanese War
Opening scene shows formation of Japanese Mitsubishi Ki-21 bombers in flight over altocumulus clouds. Change of scene shows several Kawasaki Ki-10 Biplane fighter directly overhead. Next, a Japanese Kawasaki Ki-10 engages a Chinese Fiat CR.32, in a dogfight, and shoots it down. The Fiat spirals down. Change of scene shows bombs or shells bursting on the ground followed by a Kawasaki Ki-10 climbing in cloudy sky. A Japanese single-engine high-wing liaison airplane in flight, displaying "28" on both wings. Another high-wing monoplane (this one with radial engine and wheels partly tucked into fuselage) flies past some trees. (Views of munitions exploding on the ground appear occasionally throughout the film between shots of aircraft.) A Kawasaki Ki-10 dropping bombs. Formation of Mitsubishi Ki-2 trimotor bombers in flight. Views of Chinese city with smoke rising from Japanese bombing. A formation of Japanese high wing monoplanes with radial engines and fixed landing gear, in flight, viewed from what might be gondola of an airship. A Formation of Navy Yokosuka B4Y (or Aichi D1A) biwing dive bombers in flight, viewed first, from the side, and then head-on from the tail of another airplane. Men's chorus sings martial songs in background during entire film.
Dome of the Rock shrine; British troops interrogate Turkish prisoner of Ottoman Army in Palestine during World War I.
British troops in Palestine after the end of Ottoman rule during World War I. Mosques and minarets. Al Aqsa Mosque and view of Dome of the Rock Islamic shrine at Temple Mount in the Old City of Jerusalem. Australian soldiers on camels. A Turkish prisoner of the Ottoman Army is interrogated by British soldiers. The troops inspect a well destroyed by retreating Ottoman troops.
Native men, women, children and boats at a dock in Panama, Republic of Panama.
Native people at a dock in Panama, Republic of Panama. Spanish style buildings in Panama city. Automobile and pedestrian traffic on narrow streets. Native men, women and children on the dock. Native boats at the dock. Groups of natives pose on wharves. A native boy walks past a building.
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