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U.S. Battleships New York, Pennsylvania and Utah in New York City circa 1918
The U.S. Battleship USS New York (BB-34) anchored in the Hudson River, circa 1918. The Hospital ship USS Solace (AH-2) is seen in the background. A seaplane flies low over the river, past the ships. Also seen are the battleships USS Pennsylvania (BB-38 ) and USS Utah (BB-31). (World War i; World War 1; WWI; WW1)
Men place signal flags on the USS Tennessee (BB-43) in New York.
Men place signal flags on the U.S.S Tennessee in New York. They pull the flags with the help of ropes and tie them on the ship. Signal flags on the ship.
USS Tennessee battleship (BB-43) during its shakedown cruise
Scenes from shakedown cruise of USS Tennessee battleship (BB-43), soon after its June 1920 commissioning in New York. Smoke from the battleship stack and US Navy sailors on the ship.
Ernie Pyle reports in newspaper about why he likes Albuquerque, New Mexico.
Tribute to war correspondent, Ernie Pyle in New Mexico. Newspaper column by Ernie Pyle, called "The ROVING REPORTER." In it Pyle mentions many places he could live, including the Pacific Northwest, New England, the Mississippi Gulf Coast, Key West, California, and Honolulu. Images of these places are shown. Farmers loading hay in the Northwest; A church in New England; A paddle wheeler ship on the Mississippi River; A seaplane coming in to land on the water at Key West, Florida; Aerial glimpse of Golden Gate Bridge; the Diamond Head mountain in Honolulu. But Pyle chose to live in Albuquerque New Mexico. View of a passenger train arriving at station in Albuquerque. The street and house where Ernie Pyle lived A woman on the porch of the house petting Pyle's dog Cheetah. Inside the house are views of his study, books, and photographic memorabilia. View of Pyle with American soldiers in World War 2. American troops marching in war zone. Troops trying to keep warm in snowy conditions, and advancing in street fighting and other places, firing at hidden enemies Scene shifts back to Pyle’s study at home and focuses on a map of New Mexico. Glimpse of Santa Fe and its Capitol building, and its old Palace of the Governors. Persons on horseback riding in the town of Taos, and views of its Pueblo village. Woman seated in village painting a scene of the village. Gravestone of famous Frontier Scout, Kit Carson. Street scene in downtown Gallup, New Mexico. Coal being moved in open rail cars from a mine near Gallup, New Mexico. Street scene in Roswell, New Mexico, and view of the New Mexico Military Institute with cadets marching in a field. View of Silver City, and of various metal ores being mined near there. Carlsbad Caverns, seen with visitors on a walkway in front of a huge opening and views inside the caverns where visiting children are singing the religious hymn "Rock of Ages." Views, back again to Ernie Pyle’s home, its study and living room, with his dog, named Cheetah, sitting on one of the chairs.
Views of New Mexico landscape 1940s. Men stand in front of buildings in small town of New Mexico.
Sweeping panoramic landscape view of desert land and rock formations in New Mexico, in the American southwest. Point of View (POV) shot from a moving car through windshield looking out on deserted highway road in remote area. Small houses and businesses in a small town. A street and bushes. Men stand in front of houses. A covered wagon drawn by horses moves on the street. It stops. A Native American Indian woman and a child in the wagon. The woman starts the horses again and the wagon rolls on.
Artist Georgia O'Keeffe examines her paintings in New Mexico.
Traditional crafts seen in a Native American Indian settlement in New Mexico. Dwellings and bushes. Artist Georgia O'Keefe. She picks up a prehistoric bone from the land and takes it to her house. She enters the house and examines her art. Paint brushes in a box on the table. Birds fly in the sky. She paints the flying bird. The land. Vehicles pass on the street. Paintings of Georgia O'Keefe on the wall of the house. A horse-cart passes on the street in front of a church. Painting of the church on the wall of the artist's house.
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