The role and contribution of the U.S. Army Signal Corps in combat and war. Allied troops including Signal Corps soldiers advance inland after the Normandy landings on D Day during World War II. Soldeirs rest after establishing the Normandy beachhead. A bridge across the channel. Trucks pass over it. Ships anchored off shore. Soldiers keep a watch. A harbor destroyed due to a winter storm. Landing chips and crafts anchored along the shoreline. A barrage in flight overhead. Supplies and reinforcements on the beachhead. Damage caused due to the storm. Allied soldiers around crafts and equipment on the shore.
The First Army Signal Service Headquarters, Executive and Communication Section in France during World War 2. A soldier takes a message from the check post at the entrance. He delivers the dispatch message to the 'Master Message Center'. View of an American cipher machine ( SIGABA or Converter M-134 or ECM Mark II, akin to a German enigma machine) used to encipher or encrypt the message. Another soldier decodes the incoming messages and encodes the outgoing messages using an automatic code machine. Soldiers operate teletypes, wirelesses, telephones and radios at the Headquarters. Officers near telephone carrier equipment that provides 7 channels in all and has 2 ground simplex circuits. A messenger plane lands near the Headquarters. The pilot hands over a map to the messenger. The map is cleared through the Message Center, sent by facsimile to Intelligence. Officers then forward the information to the artillery. The designated target area on the map. Soldiers fire artillery and shell the target area.
The role and contribution of the U.S. Army Signal Corps in combat and war. Opening scenes show bomb damage due to German Luftwaffe blitzkrieg air raids (The Blitz) in Southern Counties of London earlier during Battle of Britain in World War 2. Firemen and rescue workers try to extinguish the fires with water hoses. The rescue workers conduct operations amidst bomb damaged buildings and rubble. Severely damaged buildings. Rubble strewn all over the streets in England. A Food Flying Squad van makes its way on the streets. Food distributed from the van. A British man walks amidst the rubble. Relief work in progress. Buckets of food and water lying at camps. Displaced civilian people eat and drink. London civilian residents evacuate numerous areas. Evacuees walk across a bridge. Big Ben seen in the background. Allied bombers in flight. Royal Air Force de Havilland Mosquito aircraft track and shoot down enemy aircraft. The dogfights result in mid air explosions. Two soldiers operate a U.S. radar designed to direct antiaircraft fire in combat area. The radar tracks a target moving up to 600 miles an hour. The soldiers track down aerial targets, the gun directors make adjustments and the antiaircraft guns are fired at buzz bombs. Enemy V-1 Flying bombs are hit and downed before they can reach the coastline. German V-1 rockets are tracked over England by radar and shot down. An V-1 is hit. It descends to the ground and explodes. France: A downed V-1 flying bomb is examined. The wreckage of a V-1 in a field. Soldiers and civilians near the wrecked V-1 Flying Bomb
The role and contribution of the U.S. Army Signal Corps in combat and war. Amphibious landings of the first wave of Allied troops including Signal Corps Units in Normandy, France on D Day during World War 2. The Joint Assault Signal Companies (a Signal Corps Unit that accompanies the soldiers on every beach landing) go ashore in Normandy. Soldiers in landing crafts approach the beach. Landing crafts anchored along the shore line. A U.S. flag on the beach. Crafts approach the beach. U.S. Army Signal Corps combat photographers using motion picture cameras to film the battle that ensues on the beach and in the fields. Gun fire and explosions in the battlefield, filmed by combat cameraman. Allied aircraft in flight. Airmen load weekly film reports of the war in all Theaters made by Signal Corps officers from a van into an aircraft. The films are sent to the Photographic Center in New York. A soldier assembles the films. Technicians organize and arrange the films. They place the film reels onto racks. The film content is used to make training and orientation films for the U.S. troops. Troops watch the films in order to cut down the training period, and stay informed about the order of event in other Theaters of Operation. The films include 'Why We Fight' and 'The Fighting Men' series. Clips and recordings from these films.
The role and contribution of the U.S. Army Signal Corps in combat and war. Army Pictorial Service films including screen magazines and GI movies are delivered to war fronts in all Theaters during World War 2. An officer arrives in a jeep with the films. Officers and soldiers around tents at the base. Soldiers in camouflage rain coats and hats seated at a foxhole theater. The soldiers watch the latest Joan McCraken Broadway hit Bloomer Girl. Scenes from the film. US: Pictures shown to workers depict the use of products manufactured by them at the war fronts. A poster reads 'B-52 Super Bombers, Bell Aircraft'. Men working inside the Bell Aircraft Corporation plant in NY. Huge machinery, equipment and aircraft parts being manufactured. Workers near stands piled with equipment and parts. A foreign version of the films made for Chinese allies. A U.S. officer talks to soldiers. The film dubbed in Chineese.
Pictures taken by military and news cameramen during World War II. France, June 1940: German troops march before the Arc de Triomphe on Champs Elysses after the Battle of France. A German Nazi flag. French Forces of the Interior (FFI) Maquis march in the woods of France. Newspapers run by the underground army. The Maquis members secretly attend a meeting of French collaborationists allied with occupying Germany, to attain information. French Collaborationists listen to the speaker during the meeting, seated beneath a large banner indicating support for the fight against Socialism or Bolshevism, "Le Europe unie contre le Bolchevisme." Nazi posters altered by the FFI to their advantage. FFI resistance fighters raise a flag in a forest encampment. Aerial of London England in an area with many neon lights and neon advertising : Women in elaborate clothes enter a theatre to watch war pictorial films about World War II.
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