NATO (North Atlantic Treaty Organization) press conference at Palais Chaillot (1 Pl. du Trocadéro et du 11 Novembre, 75016 Paris, France) in Paris, France. The press conference is held by Anthony Eden, Minister of State for Foreign Affairs, Great Britain and Earl Alexander, Minister of Defense, Tunis. Anthony Eden and Earl Alexander walk into the conference hall and take their place on a stage. Earl Alexander states that he joins Anthony Eden in paying a tribute to Lord Ismay and members of the Secretariat. Reporters and correspondents take notes. Photographers take pictures.
Gun camera footage from a P-51D fighter plane of the USAAF 357th Fighter Group, 364th Fighter Squadron, stationed at RAF Leiston. This one is being flown by Lieutenant Dale E. Karger on 5 December, 1944. Camera shows Karger's aircraft tracking and firing at a German Focke Wulf Fw-190 aircraft flying below him. His rounds strike the FW-190 and it bursts into flames and falls toward the ground. (Note: This shows one of two Fw-190s Karger shot down this day. They were his first aerial victories. He went on to finish his tour with credit for 7.5 downed German aircraft.)
Trucks, jeeps, and groups of people move about around the Arch of Triumph in Paris, France. A group of young women escort several American soldiers, followed by larger group of local citizens and several bicyclists. They proceed around the circle encompassing the Arch of Triumph. Procession is led by group carrying variety of flags. French tricolor seen toward rear of procession.. (World War II period).
Smoke rising from burning timbers on a collapsed wooden railroad trestle bridge near Olmito Texas on the U.S.- Mexican border. (This is during a period of Mexican bandit attacks leading up to those by Pancho Villa and the subsequent Mexican Expedition AKA the "Punitive Expedition, U.S. Army.") The rails on the trestle bridge remain intact but are severely bent and twisted by the heat of the fire. They continue, with fragments of railroad ties, still attached, to extend across the span of the bridge, over a deep river bed. The next scene shows the aftermath with several men standing near a train with about six derailed cars. They wave when the camera focuses on them. In the background, next to two passenger cars, still upright, a man and two women are looking at the wreck. The men in the foreground are retrieving items from the train's mail and cargo cars, and have some piled up nearby. On man is writing notes. Closeup of what appears to be a policeman, in a cap, as he walks past men retrieving items from a partly overturned rail car. Camera focuses on wheels ripped from the bottom of the car. The officer in the cap, and a man in shirt and tie, who appears to be a business executive, converse briefly and the businessman leaves the scene. Next, are shown numerous articles, retrieved from the train wreck. They are laid out on a field near a train station and other buildings. Two box cars are parked on a track nearby. Two men are sorting through the articles on the ground. A small boy watches as a man briefly sprays water on some of the items laid out in the field. A train station is seen in the background along with numerous low buildings. Camera jumps to closeup of a steel door on the train station building. It shows three holes in the door, two of which seem to contain remnants of bullets or larger size ordnance, presumably fired by Mexican bandits trying to break into the high value storage room at the station. The bandits also burned a bridge at Tandy's Station to thwart responders.
French Marines, returning from overseas, are met and welcomed by a French official. He goes aboard the ship as it docks, and converses with several of the returning marines. French tricolor flies from the ship. The ship carries the name: "Kairowan." and home port Marseille. The marines disembark onto pier with all their belongings, including rifles.
American Film Director Cecil B. DeMille on a film set at at his studio in Hollywood. The interiors showing Cecil B. DeMille with his Pathe camera moving on a film set. Director DeMille and his secretary Gladys Rosson as they come out of a barn. A sign on iron gates reads 'Cecil B. DeMille Productions'. Interiors showing DeMille with his camera.
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