AAA-sponsored 500 mile race at Twin City Motor Speedway in Minnesota, on Labor Day, 1915. Scenes of racing cars running and of groups of cars as they begin the race, with racing teams pushing their cars off. Race driver, Dario Resta, who had earned a pole position with a qualifying speed of 102.8 mph, is seen as he pulls off the track in his Mercedes, abandoning the race, after completing 110 miles, because the cap on back of his oil pump had come off, causing pump failure and oil loss. His racing crew surround the car. The next scene shows Resta posing beside his Mercedes, number 24. One of his team playfully pokes him in the ribs. Flagman steps into track and waves as officials in two passenger cars drive past.
Film opens showing mounted U.S. soldiers riding teams of horses pulling empty caissons signifying those lost in the sinking of the RMS Lusitania in 1915. They ride along a major thoroughfare in the City of Baltimore. Buildings along the street are decorated with patriotic bunting. Scene shifts to view from a pier, of a U.S. Navy single-funnel gun boat is seen making way, slowly In Baltimore harbor. Closeup of Group of women, dressed in white, aboard the boat, ares seen holding a large memorial wreath over side of the boat. Next, the camera shows a U.S. Aeromarine AS-2 Float Plane landing in the water. As it taxis in, the scene shifts back to the women on the boat, holding the memorial wreath. They are seen from behind, as they hold it high over their heads, and cast it over the side into the water. View of the women clustered in the bow of the boat as it moves slowly in the water. Other persons are present on deck, including at least one soldier and photographers and reporters. The U.S. navy ensign of stars flies from the bow. Closeup of the women in the bow, who now throw flowers into the water. Closeup of a woman (possibly Lusitania survivor). She stands next to the gun boat (now docked) holding a bouquet of flowers and wearing a sash reading “Lusitania.” Next, the camera focuses on Lusitania survivor, British actress, Rita Jolivet, who stands on a pier with a building and automobile behind her. Scene shifts, again, to the ladies in white aboard the docked gun boat. Among those seen with them are two British Royal Navy officers in uniform. Final scene is of large public gathering at an outdoor pavilion. A military band is at the front of the gathering. Public figures are assembled on the stage. A color guard carrying American flags is moving through the crowd, toward the stage.
Camera pans across Turkish officers of the 14th Army Corps assembled in Erzurum,to receive American Army Major General James G. Harbord, Head of a U.S. post-war Military Mission to Turkey and Armenia. The camera pan ends with members of a brass band and their instruments. Next, General Harbord is seen saluting as he walks past the assembled officers. He is accompanied by his staff officers and escorted by Turkish General Kazim Karabekir Pasha.
Members of the American Military Mission to Turkey and Armenia, escorted by Turkish military hosts, sight-seeing in Erzurum. They stand in front of a Twin Minaret Madrasa (the Seljuk Çifte Minare medrese) dating to 1271. . The city of Erzurum is seen in background. Camera pans up the structure and its two flanking minarets.
Views of Manhattan, Brooklyn and other areas of New York City. Tourists in a sight seeing boat in the Hudson river. Buildings and skyline of Manhattan as seen from the boat. A factory with cranes and hoists. Tourist boats in Hudson River pass under the Hell Gate Bridge. Tourists standing on the deck looking at the bridge and building. Crew members of the tourist boat.
A man mounts new Firestone puncture-proof tubeless tire on steel rim and.checks air pressure with a meter. Tire is mounted to car and subject to severe road testing by Irish Horan hell drivers, who perform some stunts while driving, as people look on. The tire suffers no measurable damage.