Francais
Deutsch
Italiano
Refine Your Search
South America 1958 stock footage and images
- Showing 37 to 42 of 4136 results
more
Hide
Director Streibert speaks on the purposes of the USIA and Soviet influence; scenes from a Soviet anti-American propaganda film
Theodore Cuyler Streibert , Director of the U.S. Information Agency, speaks on the purposes of the Agency (USIS). The Director seated at a table. He states that there is much misunderstanding about the United States, throughout the world, and Communist entities wish to take advantage of this to spread misinformation about the U.S. As the leading world power for peace, he says the U.S. must tell the world the truth about America. This is the mission of the USIA. A map portrays Soviet dominated areas within the so-called "iron curtain,"encompassing 800 million people. Another map illustrates targets of Communist propaganda employed to facilitate North Korea's aggression against South Korea. A graph illustrates propaganda spending by the Soviet Union and Communist China, primarily to spread misinformation about America. Segments of a Soviet propaganda film about the U.S. are shown. It begins with a map of the U.S. and then shows the Statue of Liberty. Camera pans over Manhattan, showing skyscrapers. A narrator disparages American commercialism, materialism and sensationalism. A lion is seen sitting in a convertible car, looking over a young woman's head. Next are scenes of an American beauty contest, and of women performing precision water skiing. Then an airplane is seen crashing on landing and a car is seen burning. View from trolley car moving along Broadway, from Times Square, in Manhattan, New York City, at night. A follies-style Broadway show. Show girls in bathing suits, walking past the camera. Show girls performing on stage. Another nighttime view of Times Square. Dogs being manicured by groomers. Outdoor soup kitchen scene from the Great Depression in the 1930s with unemployed men receiving food. Hobos or homeless men at a railroad siding. Milk and grain being spilled from containers during a labor and pricing dispute. Scenes of slum area tenement houses with wash drying on lines strung between the buildings. Men playing bocce ball in the yard of an apartment house. Camera pans up the Empire State Building from street level view. African American drummer with other band musicians performing in a civilian band, and scenes of African American musicians in a U.S. Army band. Poor African Americans in the South, at home and doing wash outdoors. Mounted police maintaining order in scenes of a fire and public protest or labor strife (circa 1935) interposed with views of the Statue of Liberty. A Soviet propaganda poster about the Korean War, shows an American soldier walking away from a dead Korean woman whose small child clings to her. Fires burn and a burning airplane falls from the sky in the background. A propaganda cartoon shows "warmongers of the west" being counterbalanced by a Soviet fist on a pair of scales.
Trainees receive instructions by an officer and a map shows the connecting routes in the United States.
Boeing-Steerman PT-13, Kaydet airplanes in a row at training station.Flight instructors accompanying student pilots to the aircraft. Pt-13s start up, taxi, and one is seen taking off. Pilot trainees are shown a radial engine, by an officer.A student inserts a cylinder into engine block. Pilots from North and South American countries line up in front of At-6 (Texan) training aircraft. they run to their respective aircraft and start them up. Fuselage of one airplane shows crossed flags of United States and Chile. Formation of AT-6s in flight. A map shows airways in America. Another shows them in Central and South America. A map of the world shows the military Air Transport Commands routes.
Brutalities against prisoners, officials gathered in 1949 in Palace of Nations for Third Geneva Convention; discussion of Geneva Conventions.
Film from 1965 shows scenes that span from early 1940s through mid 1960s. Film opens showing armed conflict in Laos and South America. Soldiers firing rifles in jungle areas. Armed men running across a field and in a town in Cyprus. Heavy armor engaged in conflict and buildings burning in undisclosed location. Riots in Congo with a crowd of men beating another man. Armed Republic of South Vietnam soldiers (ARVN) moving through jungle in Vietnam War. A Viet Cong fighter shot as ARVN troops attack a hut. People fleeing in streets of Cuba as government soldiers engage armed revolutionaries under Castro. A civilian woman suffering a seizure as Red Cross workers attempt to carry her. Burned body of dead tank crew soldier atop a tank. Medical corps persons moving wounded on a stretcher. Various views of ARVN with captured Viet Cong in Vietnam. Narrator discussion about Geneva Conventions and Counterinsurgency. View of the Palace of Nations building in Geneva Switzerland. Scene shifts to inside, in 1949, where delegates of 59 nations are gathered to develop new rules expanding the original 1929 Geneva Conventions, in order to better protect prisoners of war, wounded prisoners, noncombatants and others caught up such internal conflicts. View from ground of German paratroopers during World War 2, jumping from Junkers Ju-52 trimotor transport planes. Closeup of German soldiers leaping from a plane and descending in parachutes. Japanese soldiers surrendering to Americans on a Pacific Island in World War 2. Several scenes of massacre victims lying on the ground, victims of Nazi German brutality in Europe during World War II. Survivors of a Nazi concentration camp near the time of its liberation in 1945. A U.S. Army medical corpsmen help one to a stretcher. Executed prisoners of war. Courtroom of the Nuremberg trials. Seen in the front row of Nazi leaders are: Hermann Göring, Rudolf Hess, Joachim von Ribbentrop, Wilhelm Keitel, Ernst Kaltenbrunner, Alfred Rosenberg, Hans Frank, Wilhelm Frick, and Julius Streicher. Seated behind them are: Karl Dönitz, Erich Raeder, Baldur von Schirach, Fritz Sauckel, Alfred Jodl, Franz von Papen, Arthur Seyss-Inquart, Albert Speer, and Konstantin von Neurath. Scene shifts to the postwar trial of Japanese Lieutenant General Masaharu Homma, in the Philippines. Prisoners with hands bound, in an unidentified Asian conflict, being herded into an open truck. Views of the document constituting the 3rd Geneva Convention of 1949, addressing treatment of prisoners and of parts directed to "conflicts not of an international character." Views of a traumatized civilian driver wounded and a female passenger killed in in his car (appears to be in Cuba or Latin America). Armed gunmen have the man leave the car. A man lays the body of the woman beside the car. Scene shifts to a group of surrendered Vietcong fighters with their weapons stacked. Wounded combatants being carried on stretchers. American survivors of a Japanese prison camp receiving a good meal after being rescued - this is possibly in the Philippines in 1945. Many of the American prisoners are gaunt and emaciated and malnourished. Narrator recites list of activities prohibited by Geneva conventions, as images show these activities: A ditch filled with victims of massacre. Hostages being taken in an internal conflict in an African country. Prisoners being beaten by non-uniformed civilians in and humiliated in public. A recently liberated prison with a former prisoner in striped uniform beating a man as a group is marched away (likely a World War 2 concentration camp with a liberated prisoner beating a former Nazi guard). Death sentences being rendered without due process. A court in Cuba. A boy pointing at a lineup of prisoners. A prisoner shot.
War bond parade on Fifth Avenue in New York City includes many floats, including from USSR, Belgium, Norway, and South America .
World War 2 war bond parade on Fifth Avenue, in New York City, United States. Soldier, in pith helmet, walks with a young boy in uniform.A float with beauty queens from South and Central American countries. A dinosaur-dragon float, representing the Axis powers. A float portraying the devastation and suffering at Bataan and Corregidor. A float showing George Washington rolling up his sleeves, and lined all around with soldiers, sailors,Marines, air raid wardens, and the like. An open car, surrounded by motorcycle policemen, carrying Parade Grand Marshal, Lieutenant General Hugh A. Drum, and a New York City official. A float of the Union of Soviet Socialist Republics, depicting Stalin on a white horse, and a sign saying: "Victory in 1942." A float with Soldiers,Sailors, Marines, American flags, and pretty women, with sign reading: " Sign Your War Bond Pledge June 14-24." United States flags fly on the buildings. A contingent of Norwegian Air Force, followed by Norwegian sailors and a large float of a ship, with sign reading: "Norway's Seamen, Norway's Front Line Soldiers, 3rd Largest Fleet in United Nations." A float of Belgium. Contingent of Greeks, led by one dressed as ancient Athenian warrior, followed by group carrying a small replica of the Parthenon.They are followed by Greek women in traditional costumes of Amalia and men in traditional uniforms of Evzone. A huge crowd gathered on the sidewalk. Marchers carry placards 'Destroy Hitlerism'.
General of U.S. Army, Douglas MacArthur introduced by Senator James Eastland, addresses the Mississippi State Legislature.
General of the Army, Douglas MacArthur, in uniform, salutes as a band plays the U.S. National Anthem. He is standing before a battery of microphones, on the steps of the State Legislature in Jackson, Mississippi, next to U.S. Senator, James O. Easland. Scene shifts forward to Senator Eastland delivering a speech of introduction for MacArthur (who had been relieved of his commands, 11 months earlier, by President Harry S. Truman). MacArthur places his notes on the podium and the crowd gives him sustained applause. MacArthur begins by thanking Eastland for the introduction, and addresses the members of the State legislature and citizens of Mississippi. He praises the traditions and contributions of the South to the Country. Film stops momentarily and picks up again as MacArthur says America stands at a crossroads, where one path follows to the principals and ideals upon which rested our country's past grandeur. He says on the other lies the arbitrary rule of men leading to the ultimate loss of constitutional liberty. View of crowd applauding. MacArthur criticizes weakness and vacillation as undermining America's moral leadership of the world. He criticizes U.S. Government domestic spending and reckless dissipation of America's national assets. Intermittent views of crowd receptive to his remarks. He remarks about U.S. Government "propaganda," and quotes Benjamin Franklin, saying "A half truth is often a great lie."
A Spanish-speaking journalist discusses Cuban Missile Crisis
A Spanish-speaking journalist reports on the developments of the 1962 Cuban Missile Crisis in the United States. The journalist makes his report beside an America-centric world map. The map changes into a North and South America map. The projector shows a photo of United States President John F. Kennedy, briefly changing into a silhouette of the Americas and the island of Cuba, before reverting back to Kennedy’s photo. The reporter discusses the missile sites and the dismantling of Soviet weapons in Cuba.
