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Tontouta New Caledonia 1943 stock footage and images
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U.S. Liberator bomber planes destroy the Japanese planes and ships on Makin Islands and reinforcements land in Bougainville.
The U.S. turns offensive against Japanese in the Pacific during World War II. U.S. Liberator bomber planes fly towards island of New Britain. Map of New Britain. Pilots in the cockpit pull a trigger and drop bombs on the island. An invasion fleet moves towards the island. U.S. Marines land on the island and move forward. A map shows Makin Islands. U.S. Planes drop bombs on a Japanese ship. The planes drop bombs on a Japanese airstrip causing the destruction of the Japanese planes. The 6th U.S. Army General and Lieutenant Colonel James Roosevelt on a ship with other officers. Sailors climb down step ladders and move into a boat. A Japanese bomber is driven off and another is hit. Amphibious Forces land on the beach. Dead Japanese soldiers on the island. Japanese are defeated and Prisoners of War taken. A map shows Bougainville in the Solomons Islands. Troop reinforcements land.
Montage of scenes related to Lindbergh, the Spirit of St. Louis, and his historic solo flight across the Atlantic Ocean.
Several scenes of the Spirit of St. Louis airplane in flight. People in various places and pursuits looking up as if watching Lindbergh flying overhead. Scenes of news being transmitted about Charles Lindbergh via radio, short wave, and teletype. Men moving about in a radio studio broadcasting news of the flight. A man broadcasting the new speaks into a microphone. Scenes of American citizens at home in front of their console radios listening to news about the flight. Multiple different aerial views of clouds, ice on the water, ocean below the aircraft, and other things that one might imagine he encounters in the flight. People relaxing at home listen to radio and others in public places and streets seeking news about Lindbergh. Men selling newspapers and running with extra editions that tell the news of Lindbergh's trip. Crowds of men and women at a news stand buying newspapers. View of Paris, the City of Light with fountains and the Arc de Triomphe seen at night. French men in a bar listening for news on the radio. French people at home listening to news on console radios. View of building and street signs at corner of Rue de Petit Pont and Rue la huchette in the 5th arrondissement of Paris. Finally, Lindbergh arrives and lands at the Le Bourget Airport in France, as crowds greet him. Newspapers report his arrival with headlines, including: "Oh What a Welcome for that boy Lindy."
Scenes of devastation from the "Long Island Express" Hurricane of 1938.
Scenes from the New England Hurricane of 1938 (or Great New England Hurricane) (or Long Island Express) (or The Great Hurricane of 1938). Hurricane hitting U.S. Eastern Seaboard on September 21, 1938. The Coast from New Jersey to New England felt its effect. Cars and people drenched with water in streets. Policemen wade through hip deep water. New York is whipped by 70 mile-an-hour winds and the raging sea pouring tons of water far inland. A man retreats from a dock as waves pour water on him. Outcome of hurricane shows broken ships, downed trees, and devastation at the water front in coastal areas including Atlantic City, New London Connecticut, and Long Island. Firemen in New London Connecticut battle fires. Aerial view of destroyed shoreline and beached boats in New London. Broken cars crushed by fallen trees. Crowds gather to look at damage as a lone sentry guards against looting. Boats along the Atlantic Coast are destroyed. A boat is seen on a road in front of Merkel's Delicatessen. View of a train that was derailed by the hurricane on Long Island. Shot of a car that was carried far off a roadway and impaled on an upright beam.
Immigrants from Europe, arriving from 1880 to 1914, participate in the working life of America.
Two new immigrant man are seen on bunks in a tenement in New York City, where the narrator says nine out of ten immigrants arrived in the period from 1880 to 1914. Two women pose, sitting beside a sleeping child in a tenement. An immigrant speaks about the hardship of arriving in a strange land where he did not speak the language and felt "lost." He says he gradually overcame that by going to night school to learn a little English and to read and write. He says he made a nice living as a peddler, and expressed appreciation for the opportunities America gave to immigrants. In the next scene, children enjoy rides on a traveling merry-go-round visiting their neighborhood. The operator runs it manually, by turning a wheel. View of children riding and others watching on the street. Streams of pedestrians crossing a bridge across a busy city street. Pedestrians on sidewalks and horse-drawn wagons and electrified street cars moving on the street in the commercial center of a city. Workers heading home after their shift in a factory. View of workers producing products in a factory. A line of women punching a time clock at their place of work. Women working in a clothing factory. Men standing atop a shipment of steel rails for the building of a railroad. Views of rails being moved into position for a new segment of the railroad. Glimpse of a steam shovel scooping a bucket full of raw material. Black smoke rising from funnel on a steam locomotive, and also from nearby steam shovel. Iron workers on a the wide open upper floors of the 60-story skyscraper Woolworth Building under construction in Lower Manhattan, New York City, in 1911. Pilings being put in place for a new building. Riveters guiding a section of steel column into place for a new building . Views inside a heavy manufacturing plant of the W. E. & M. company in New York City. Their products appear to be large dynamos and motors. View of the Statue of Liberty on Bedloe's Island in New York harbor, with its arm appearing to hold up a full moon.
Montage of images chronicling the settlement and development of the United States of America over many years.
The last portion of Emma Lazarus’sonnet,"The New Colossus," is shown as engraved on a tablet inside the pedestal of the Statue of Liberty. Illustrations of immigrants arriving and felling trees to build dwellings in America. Reenactments of early English, Scottish, and Dutch settlers building houses and working at crafts in New England. Italian sulphur mine workers in Louisiana. Immigrants, from France and Switzerland, planting vineyards in California and New York State. Danes, Norwegians, and Swedes, sowing seed and cultivating crops in the Midwest. Polish and Welsh immigrants in American coal mines. African Americans harvesting cotton on farm fields in the United States south, including a woman picking cotton with her baby riding on her long collecting bag. A Spaniard on horseback in the Southwest. Mexicans working in Texas oil fields and on ranches of New Mexico. Greek and Portuguese fishermen with huge catches of fish. A German technician working with fine instruments. Hungarian and Russian immigrants working in steel mills. Irish, Slavs, and Chinese, building railroads. Closeup of lumberjack's axes and saws cutting trees. A forge and a blacksmith shoeing a horse with horseshoes. A woman at work with a spinning wheel. Railroad ties and rails being placed. An antique railroad workman's locomotive and car. Men installing telegraph wire on rough poles. A early historic railroad 0-4-0 steam locomotive (appears to be one of the few replicas of "The Atlantic" which had been built in the 1830s) pulling a single small passenger train car. Cowboys on horseback rounding up steers. Herds of cattle,sheep, and pigs, bound to market. Farmers tilling soil with horse-drawn cultivators, preparing tobacco leaves for drying, and loading cotton bales. Machines spinning thread in a textile mill or factory. Fabric weaving machines at work. An early steam boat underway in a river. Early model automobile driving on dirt road. Wright Brothers' Wright Flyer airplane in flight with several persons on board. Early tractors and harvester machinery working on a farm. Glimpses of American industrial plants and transportation in rapid succession (some of it showing building of Hoover Dam and building of the Chrysler Building in New York City). Oil well drilling and a "gusher" oil well spouting oil upward. Steel mills, locomotive trains, and then a scientist in a laboratory working with beakers and a solution. Dynamite charges blasting away sides of mountains and gorges, and scenes of dam construction and dams opening to allow water gushing. Large electrical control levers being thrown to run electricity, and scenes of electric transmission towers and facilities. Natural gas storage areas. Golden Gate bridge under construction and high rise skyscraper buildings being constructed, including the Chrysler Building circa 1930 while still under construction in New York City. Aerial view of New York City. Camera panning over the gravestones in Arlington National Cemetery.
A man and a woman talk in the light of a kerosene lamp in the United States. Also shows the 1893 DeWitt Clinton replica locomotive and train in operation.
The world struggle for oil is depicted. Use of components of oil in homes and in railroads in the United States is shown. A dramatization shows the effect of a kerosene lamp on social life. A woman seated in a chair near a table in a room. A kerosene lamp in a corner. A man opens the door of the room and walks in. The woman gets up and welcomes the man. They both walk to a seat and sit down. Another woman enters the room. The man stands to greet her. She increases the light of the lamp and then leaves the room. The man decreases the light of the lamp. The man and the woman talk. The 1893 replica of the 1831 DeWitt Clinton steam locomotive is shown in operation with its three carriage train, in New York City. The DeWitt Clinton was the first railroad locomotive to operate on the Mohawk & Hudson Railroad in New York. The reproduction seen here was built in 1893 by the New York Central Railroad for the Columbian Exposition in Chicago. This footage was shot on July 17, 1921 when the DeWitt Clinton train was preparing for a trip to another exposition in Chicago. On this day it ran several times from 96th to 116th streets in New York City. New York Central employees are seen on the drain, dressed as passengers would have been in 1831. This replica was later displayed at Grand Central Terminal in New York City, and is is now on display at The Henry Ford museum in Dearborn Michigan. It was acquired by Henry Ford in 1934, in an agreement with the New York Central that it would continue to travel to events on occasion.
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