Members of a 1950s American family at their places of work and sharing time at home together. Steam locomotive pulling passenger train at high speed past a railroad station, without stopping. A railroad employee arriving at office relieving another employee finishing his shift. The employee engaged in various tasks at the rail office. He places a package on platform as another high speed passenger train passes. Hills and lake in background. Scene shifts to several boys playing at a swimming hole. One lying on ground, playing a recorder musical instrument, jumps up, waves goodbye to friends, and rides away on his bicycle (past a man using a scythe). Closeup of name: "Gazette Building," on building. The boy arrives there, picks up papers, and rides off again to deliver them in his job as a newspaper delivery boy. Views of town streets and shops. Two women window shop and discuss a sewing machine on display. Change of scene to woman serving at counter in a restaurant. She serves coffee to a customer and carries milk shakes to two boys and two girls at a table. The girls discuss dresses pictured in a magazine. Next, the waitress is seen looking at a fancy dress in a shop window. Next is a classic 1950s image of a family at home in the living room: A mother, father, boy, and grandmother, in their living room at home. Both women do needlework, husband smokes a pipe and reads newspaper, and son reads lying on floor. Father and son start game of checkers, and son blows on his recorder. The housewife suggests getting a sewing machine. Her husband speaks of saving to paint the family house. Mother points out things she could make and save thereby save money. All discuss the matter, and the boy volunteers to contribute some of his earnings to the family, too. Suddenly, the waitress (older daughter in this family) appears showing them her new dress. The father objects to the purchase and the girl leaves. The family is distressed and members try to soothe one another. A phone call causes the mother and father to leave suddenly. They find their daughter distraught sitting alone on bleachers in stadium. They hug her and all leave together. They return to their wood frame home, where grandmother hugs the daughter. The family sits around the kitchen table and reconciles together, with the grandmother dispensing wisdom in the process.
Film opens showing a nondescript blue building with a white shed attached. A tall signal tower stands nearby. View shifts closer to the buliding. A large truck is parked across the street. Sign near the building reads: "635th MMS, RACAF Field Office. U.S. Air Force airmen leave the building and peruse bulletin boards on the white shed. Inside the building, several airmen are seen seated at control stations observing large visual displays. One of the airmen makes marks on his display, while one of the other airmen is speaking into a microphone at his position. Closeup of airman annotating information inside display boxes (representing storage locations in the facility).Sequence is interrupted briefly, as cameraman begins new slate while focused on the center airman with the microphone, who then resumes speaking into the microphone, while also annotating the diagram in front of him. Similar views continue to end of film.
View of Delong Pier near Camp Vayama, Sattahip, Thailand. Thai trucks moving 750 lb. bombs. Thai contract personnel unloading crated Mk 82 bombs from Munitions ship and transfering them to trucks using ship's crane. Munitions ships tied up at pier.
View of operations on DeLong Pier near Camp Vayama in Thailand. Munitions ship tied at pier. Thai contract personnel unloading crated Mk 82 bombs from the Munitions ship to trucks using cranes. Various views of crated bombs in ship. (Note: Opening slate indicates these munitions are destined for U-Tapao Royal Thai Air Force Base.)
U.S.Air Force munitions handlers wait as an Air Force tractor pulls a flatbed trailer of M82 bombs into in a bomb assembly area. The team of Air Force and Thai workers manuallu unscrew caps from noses ot the bombs while a Thai worker uses a type of lug wrench on the fuze well of the bomb bodies. The scene is repeated in a re-take. The Air Force truck driver speaks on a mobile telephone. Closeup of Thai workers prying caps from rear of the bombs and inserting fuzes.
An OSS instructional film titled 'Sleeping Beauty' shows a British submersible nicknamed Sleeping Beauty, used for attack and reconnaissance. It is a Motorised Submersible Canoe (MSC) designed by Major Hugh Reeves. Cockpit, indicators and air pressure gauge of the submersible shown. Submersible's Pilot is wearing underwater suit with the help of a crew person. Pilot putting on breathing set and wearing underwater goggles. (World War II period).
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