U.S. Navy Lieutenant Al Williams in cockpit of a plane. Men gather near the plane as Lieutenant Williams prepares to take off. The plane in flight. Men observe him from grounds. Jeeps in the background. A man talks on telephone. Lieutenant Williams breaks all speed records.
Plane PN-9 as it comes up to the seaplane ramp. Pilot, co-pilot and other crew members. A group of mid-shipmen and a U.S. Navy Lieutenant explain the parts of the PN-9. Young naval officers receive air lessons at Annapolis.
Italian influence in American life. in A showroom of "Italian Marble Mosaic", in New York City. Interior of the showroom. Street level views of Manhattan buildings under construction with Italian marble being used for their exteriors. View of Empire State Building (20 W 34th St, New York, NY 10001, United States). Aircraft from various airlines at New York Idlewild airport. DC-4 and DC-6 aircraft of Eastern Airlines, SAS Scandinavian Airlines and Pan American Airways. Passengers disembark from an Linee Aeree Italiane (also known as Alitalia) aircraft. An orange airport police car on the tarmac. Linee Aeree Italiane office in Manhattan, with prospective tourist travelers. The Italian Ocean liner, "Cristoforo Colombo" in the Hudson River, is passed by the ferry boat "Weehawken" of the New York Central System. The Cristoforo Colombo docking and unloading Italian goods. Men bring Italian fabrics into the Manhattan shop of Italian designer, Anthony Blotto, where they are examined and admired by women. Anthony Blotto and his staff create women’s fashions from the fabrics, which are modeled in his salon. View of Empire State Building. Sign for Toffenetti's Restaurant (151 W 42nd St, New York, NY 10036, United States) is shown. Many neon lighted signs on New York City streets at night.
Communists march in Washington DC. The communists protest in front of Department of Justice Building. They carry banners protesting the prosecution of 12 Communists under the Alien Registration Act (Smith Act) of 1940. Policeman watches. Patterson, Civil Rights Secretary, Mrs John Gates and Defense Lawyer O John Rogge pose. Scene change to New York City. View from next to mounted Police officer at Courthouse in Foley Square, Manhattan, New York City. Photographers and reporters assembled on steps of courthouse. William L. Patterson, National Executive Secretary of Civil Rights Congress and defense lawyer, O. John Rogge on the steps, entering the courthouse. Reporters on steps. Pamphlets read 'Not 12 Men on trial- but everybody'. Pickets in front of the Court House. Judge Medina on steps. Cameramen take photographs with eyemos cameras. Three prosecuting attorneys pose, with Chief Prosecutor, U.S. Attorney John F. X. McGohey in the center. Simon Gerson,who had been assisting the Defense, makes a public statement about the effects on the rights of all. 11 defendants, including, William Z. Foster, Benjamin Davis, Eugene Dennis, Henry Winston, John Williamson and Jacob Stachel, John Gates, Gus Hall, and Robert G. Thompson. Views of notable Communist establishments: Union Square and 16th Street offices of Freiheit, the Jewish Daily Newspaper (official Jewish Communist newspaper, published in Yiddish, on presses shared with the Daily Worker); Communist Party Center, Chelsea & Waterfront Sections of Chelsea neighborhood; Henry Forbes East Side Center, Communist Party, 201 Second Avenue (Named for Henry Forbes, a former executive secretary of the Communist party of New York County); and East-Midtown Communist Party headquarters. Party leader William Z. Foster speaking. Communist, Judith Coplon with lawyer, Archibald Palmer, in his offices.
A dog with a collar lies on the ground. It gets up. A dog lies on sand. He sits up. A very old unpainted wood frame house, sagging in the middle, and having two outside chimneys and roughly patched roof. Exterior view of Farmer's Bank. A man inside the bank pulls down a "closed" sign at the door and comes out and locks the door. Three African American men pass on the sidewalk. Road sign shows U.S. Highway 158.
A farmer stands by his new 1934 Chevrolet automobile, watching.as several African American men plow his field using horse-drawn plows. The farmer talks with one of the workers, while others continue plowing.
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