A USAAF B-17F is seen where it crash-landed in the desert near Biggs Army Air Field, El Paso, Texas, on February 18, 1943, in World War 2. The film was shot some time later when salvage operations are underway including removal of engines. As the camera pans around the plane, a bent propeller is seen in the sand. The tail number 25326 is seen, identifying it as Boeing B-17F Flying Fortress, 42-5326, of the 351st Bombardment Group, 511th Bomb Squadron, with home base at Biggs Field. The camera focuses on the plane's empennage.
Opening scene shows hands of a man, in overalls, as he sands a small wooden figure of a horse. Next, handicraft materials, including yarn and roughly cutout blocks of wood, are seen laid out on a table. The hands of a woman are seen as she marks with pencil where some further finishing is needed on a rough cutout wooden figure of a horse. Slate quotes a Brasstown worker about satisfaction from making something with your own hands.
View of Central High School, Little Rock Arkansas. Former student, Jefferson Thomas, one of the nine African American students who integrated the school in 1957, is revisiting the school. View of integrated student track and field team practicing.View of the front of the school. Flashback scenes of the "Little Rock Nine," black students trying to enter Central High School, Little Rock, Arkansas, in 1957, during civil rights movement. Police officer keeping back jeering local students. Racial fighting breaks out among people watching the event, and police try to maintain order. African American students unable to enter school while white students enter and police stand by despite federal school integration orders. Scene returns to 1964 briefly and then back to September 27, 1957, when on orders from President Eisenhower, a company of U.S. Army soldiers marches up takes up positions at the school. They set up barricades, maintain order, and provide armed escort for the nine black students entering school. The nine students enter army station wagons and drive to school accompanied by soldiers in an army jeep.Views of people mingling around the school as U.S. Army soldiers stand amongst them.
The U.S. Navy battleship, USS Tennessee (BB-43) passing the camera while conducting trials on Long Island Sound, in October, 1920, after being fitted out following her commissioning at the Brooklyn Navy Yard on on June 3, 1920. Her triple turret 14-inch guns are clearly visible as is the name, Tennessee, on her stern. She is seen again, raising plumes of black smoke as she steams in the opposite direction. All four of her triple 14-inch gun turrets are visible in silhouette. She is making good speed in very calm waters. (The camera ship is challenged to keep pace.) The Tennessee maneuvers to port in a fairly sharp turn, and the camera ship moves into her wake. A civilian, in hat and overcoat, is seen momentarily on the camera ship. More views of the Tennessee, include some from a distance as she maneuvers and heads toward the camera ship.
Officials give speeches during the construction of a new Goodyear aircraft parts plant in Litchfield Park, Arizona. Speakers include Attorney Jim Moore of Phoenix and Colonel Whitehead from nearby Luke Field. Men digging in field. Pouring first cement. Workers carry construction materials.
Parking lot of a hotel in Palm Beach, Florida. A limousine pulls up on its circular drive and a passenger steps into the car. A fashionably dressed woman walks her dog on grounds of the hotel, pausing near a palm tree. Two men chat in background and the ocean is seen behind them. Two women are seen window shopping at Peck & Peck store and two others at another window of the same store. Pedestrians walk past the window shoppers. Scene shifts to the open air yard of a shop selling pottery, where a woman is conversing with the shopkeeper. Next, a uniformed chauffeur picks a purchase made by the woman and carries it for her as they leave the shop. Shoppers are seen in an alcove near another store. The scene shifts to a restaurant patio where patrons are seated in a shady setting. (Note: The shopping scenes were filmed along Worth Avenue in its various alcoves.)
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