Aviator Charles Lindbergh flies from the West Coast to New York. Lindbergh works on his plane 'Spirit of Saint Louis' in San Diego, California. Charles Lindbergh in a suit. Mid May: He reaches Curtiss Field in two hops from the West Coast. Aerial view of the Spirit of St Louis preparing to land at Curtiss Field. A large crowd gathered to greet him. Lindbergh lands and taxis in surrounded by crowd of well wishers. He looks out the cockpit window and then climbs out of the plane.
Famous aviator Charles Lindbergh's trans-Atlantic route from New York to Paris, France. An animated map depicts the flight path and distance. Lindbergh’s path begins from New York, via Nova Scotia, Newfoundland, across the Atlantic, Ireland, England and then Paris.
Aviator Charles Lindbergh to visit Mexico as a goodwill ambassador. Lindbergh with other officers and men. The men hold a map. Lindbergh points to places on the map. He looks at the route he will be taking on his trip to various cities and countries.
Aviator Charles Lindbergh prepares to leave for Mexico as a goodwill ambassador. Men push his plane out onto the field. People look at his plane the 'Spirit of Saint Louis'. Lindbergh directs the men. He talks to an officer watches the men work on his plane. Lindbergh inspects the cockpit. Two officers stand nearby.
Aviator Charles Lindbergh prepares to fly to Mexico as a goodwill ambassador. A gale blowing. An officer with Lindbergh near his plane 'Spirit of Saint Louis'. They shake hands and Lindbergh climb into the cockpit. Two officers near the plane. Me push the plane onto the runway. People watch as the plane taxis and takes off.
Opening scene shows women gathering for a bridge club party. They each drive to the party in their own cars and park in front of the house. While waiting for the last club member to arrive, they relax on the front porch of the hostess's home. They wear the fashions of the period, including Cloche hats, and some like flappers. The last woman to arrive drives a new Ford sedan, which attracts immediate attention from all the other women, who leave the porch and admire her car. Scene shifts to the next gathering of the bridge club, when all the womens' cars parked in front of the house, are new Fords.
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