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United States USA 1964 stock footage and images
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President Lyndon B. Johnson signs the Civil Rights Act at the White House in Washington DC.
United States Congress passes the Civil Rights Bill. After the House votes on the measure, President Lyndon B. Johnson signs the Civil Rights Act of 1964 into law before an audience of Legislators and Civil Rights Leaders at the White House in Washington DC. He calls it 'a turning point in history' and uses one hundred pens to affix his signature. Many civil rights and government leaders seen behind the President, including Everett Dirksen and Hubert Humphrey, Marting Luther King Jr., and J. Edgar Hoover, all of who receive signing pens. President Johnson hands several signing pens to Attorney General Robert Kennedy, for members of the Kennedy family.
President Johnson arrives for a baseball match between the Washington Senators and the Los Angeles Angels in Washington.
The 1964 season-opening baseball game at Griffith Stadium in Washington DC. Spectators and fans in the stadium. The seal of the President of the United States. U.S. President Lyndon B. Johnson arrives to throw out the first pitch at the opening game of the season. Photographers take photos. President Johnson gives his autograph on a ball for a player. The players of the Washington Senators and the Los Angeles Angels play the baseball game. The President watches the game, as the Los Angeles Angels win 4 to 0.
Aerial views of the 1964 World's Fair as seen by boy scouts riding the monorail in New York.
Views of the Worlds Fair in New York from the monorail. A view of the fair. People walk on a pathway and head towards the fair. The monorail station. A sign in front of the station reads 'Meet Me At The Monorail Corner'. A group of Boy Scouts in uniform enter the monorail train. The monorail train is seen moving on tracks. Closeup of a Boy Scout seated at the control panel of the monorail. The amusement area of the fair seen from above. Rides seen include the merry go round, a helicopter simulator, the log flume, and a boat labeled with the words, "The World Beneath the Sea." An African American Boy Scout points to various attractions at the fair.
CIA and other U.S. sponsored experiments dealing with control of animals and people using various techniques during the 1960s and 70s.
In 1964, Professor Jose M.R. Delgado, of Yale University's School of Medicine, invented a device he called a stimoceiver. It was a chip that could alter the brain’s electrical impulses via radio signal. In tests sponsored by the U.S. Office of Naval Research, he implanted the device in the brain of a bull. This film opens shows that experiment and its results. A man in Cordova, Spain, opens a bull ring door to allow a fighting bull to enter. It charges a man holding a cape. Another man fires a dart to sedate the bull. Several men plant a stimorecever in the bull's brain. Next, the bull charges a man holding a cape, but pulls up short before hurting him. The bull chases the cape but never attacks the man. The bull charges around in a circle. Scene shifts to Dolley Madison Parkway (Route 123 in Mclean, Virginia, where sign points toward the CIA headquarters at Langley, Virginia. Narrator lists various techniques examined in the 60s and 70s, including brain surgery; psychosurgery; creation of amnesia; parapsychology; and manipulation of genes. Glimpse of some facilities at CIA headquarters. Change of scene to hearing of the Senate Subcommittee on Health and Scientific Research on September 20, 1977. Chaired by Senator Edward M. Kennedy, the Committee sought information about these activities by the CIA. Narrator says witnesses had agreed to limit information they would provide the Subcommittee. Former narcotics officer Charles Siragusa is seen on camera admitting that the man he reported to at the CIA wanted him not to say anything. Former CIA chemist Robert V. Lashbrook is seen testifying that he has no knowledge about the CIA running safe houses. (Narrator states he ran one of them and that a "surprise LSD experiment" was conducted there.) Scene shifts to a California tennis court, where Dr. Sidney Gottlieb is playing doubles tennis, Narrator says he oversaw those activities at the CIA but destroyed all his records when he retired in 1973. View of a letter he wrote at that time, in which he states he and his colleagues had been able to maintain contact with the leading edge of chemical and biological developments in the field of biological and chemical control of human behavior. View of Dr. Gottlieb entering an ante room where he testified before the Senate Subcommittee on Health and Scientific Research without being filmed because of what his lawyer claimed were health and cardiac problems. View of him on the tennis courts as Narrator states he declined ABC News requests for an interview. Change of scene to George White who retired from the CIA and lives in Stinson Beach, California. View of Stinson Beach from high overlooking vantage point. People jogging on the beach. Narrator states he wrote to Dr. Gottlieb summing up his career saying it was fun fun fun, and. where else could a red-blooded American boy lie, kill, and cheat, steal, deceive, rape, and pillage, with the sanction and blessing of the All Highest. Narrator strolls on lawn near the U.S. Capitol building and says it appears doubtful that mind control has been achieved. But work, that we don't know very much about, is continuing in this field. He asks how deeply are the Russians and other dictatorships into this. We really can't say. (Slate identifies him as Paul Altmeyer, ABC News.) He continues, the CIA is reluctant to give information about it. He asks what place does this have in a Democracy? He notes one person working on these projects told him they are capable, conscientious, and very capable scientists working for our country.
Medal of Honor recipients listed in Hall of Heroes at the Pentagon. New names added in Vietnam War
John Charles Daly stands in the Hall of Heroes, at the Pentagon, Arlington, Virginia, U.S.A. Behind him is a display containing names of the American military recipients of the Medal of Honor. He points to a section of a display listing 131 names added during the Korean War. He then moves to the latest section of the display, covering the period 1964 and subsequent, in the Vietnam War. At this point, the film begins to depict scenes from the Vietnam conflict. An American soldier holding a rifle is silhouetted against a light sky background. U.S. soldiers firing M-16 rifles. shadow cast by a Bell UH-1 Iroquois (Huey) helicopter flying overhead. Soldier firing machine gun from M113 armored personnel carrier (APC). U.S. gun crews firing 105mm howitzer; 175mm self-propelled gun; M107 Howitzer; and battery of howitzers in the field. Army troops inside a helicopter. View from below of CH-47 helicopter (Jolly Green Giant) landing and troops leaving its rear door. A patrol of American soldiers firing their weapons as they move forward. Soldiers dealing with difficult terrain. One stepping through deep mud. Infantry patrol moving and taking cover. A soldier using field radio. A UH-1 flying over palm trees. Infantry moving through jungle accompanied by M113 APC. Explosions and fire. Soldiers boarding a Huey helicopter, as the ship's gunner delivers covering fire by machine gun. Soldiers having a smoke while airborne in the helicopter.
WPA workers build a massive scale model of New York City; also WPA art, library, and theater programs
Works Progress Administration (WPA) projects in New York City during the Great Depression. Skilled architects, draftsmen, and artists work for the WPA on a massive scale model of New York City, built in cooperation with New York University (this model predates the famous Panorama of New York City model built for the 1964 World's Fair). An artist is seen leaning over part of the model painting one of its features, which include detailed roads, bridges, buildings, and waterways. A hand lifts a building and measures its base with a ruler. Cartographic Survey WPA workers are seen creating a relief map of Staten Island for educational use. Men and women artists, including sculptors, are seen creating new sculptures funded by WPA. A man carves a bust in an art studio or class. Another man carves a relief stone commemorating Dewitt Clinton. A man stands in a Free Library and looks at books. Two women on a park bench look at books from the WPA Free Library holdings. A skilled artist is seen laying out and buildings stained glass windows for the United States Military Academy at Westpoint in New York. Stained glass panels depicting George Washington and soldiers are seen. A series of the George Washington stained glass windows is seen in place, with the artist applying final touches. Men work on the Federal Theater Project. Billboard signs advertising various WPA funded theatre productions in 1936 are shown, including Jefferson Davis, The World's Greatest Circus, Taking the Air, The Mikado, Macbeth, All American Minstrels, Battle Hymn, and Horse Eats Hat.
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