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Japanese-martial-arts stock footage and images
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The Mikado dance performed by three Japanese girls
Three Japanese girls (the Sarashe Sisters) perform the Mikado Dance. Dressed in traditional costumes, they perform the dance with ribbons and fans. Filmed at the Edison studio in West Orange, New Jersey, United States.
Violent explosions and fire fighting as Japanese bombs hit USS Franklin (CV-13) in Pacific Ocean during World War II.
Opening Slate reads: 19 March 1945, Enemy bombs hit (pictures made shortly afterwards shooting aft from forward deck). It refers to Japanese bombs striking the American Aircraft Carrier USS Franklin (CV-13). Heavy billowing smoke obscures the view for a moment. Then sailors are seen on the flight deck of the Franklin fighting a fire with hoses. More fire breaks out and smoke billows from the deck. Fire fighters continue efforts with hoses. New fire breaks out near the edge of the deck opposite the ship's island superstructure. View from other direction shows sailors all over the deck near the island trying to contain the fire. A slate appears reading: A series of violent explosions begin (made from USS Hickok - DD-673). This refers to filming from the USS Hickok. The USS Franklin is seen consumed by fire and covered by dense black smoke rising high into the sky. The smoke turns more white. A new view from the Hickok shows fire and smoke coming from the area of the carrier's island and blowing aft. A different view shows both white and dense black smoke enveloping the Franklin. Next, firefighters are seen again, on the Franklin's flight deck, forward of the island, continuing to battle the fires that see concentrated amidship. Slate reads: USS Miller alongside (refers to the destroyer, USS Miller, DD-535).View of the USS Miller close-by. Another view of sailors fighting the fire on the Franklin's flight deck. Brief view, from a parapet on the island, shows smoke. Also seen are water intakes stretched out from the ship, presumably providing water for firefighting. Back on the Franklin's flight deck, firefighters work against a backdrop of white smoke. a closeup shows portions of the flight deck broken and tilted into the hangar deck. More views of sailors on deck, forward of the island, fighting the fires. Glimpse of hangar deck below, where large section of flight deck has fallen. Firefighters with hoses working there.
USS Sante Fe (CL-60) evacuates wounded from USS Franklin (CV-13) after Japanese bomb strike, WW2
Slate begins film reading: Sante Fe alongside to take off wounded. (Refers to the U.S. Navy light cruiser USS Sante Fe (CL-60) evacuating survivors from the aircraft carrier USS Franklin (CV-13) after it was bombed by Japanese aircraft during World War 2.) View of the Sante Fe starboard of the Franklin. Survivors are watching from the forward section of the Franklin as wounded are transported to from the Franklin to the Sante Fe by bos'n chair and similar means for transporting wounded on cots. Aboard the Franklin, sailors help an ambulatory wounded to a place where medics are giving first aid. They help him to a bed, of sorts that a medic quickly prepares on deck. Sailors passing a wounded to others who prepare him for evacuation. Back on deck, medics are tending to some wounded, bandaging injuries and preparing bed-ridden for evacuation. Intervening slate reads: Most terrific blast of morning.(Note; all explosions are made from ships distant from CV-13. Impossible to shoot film aboard during detonations.) (Indicates that subsequent scenes are filmed from other ships.) Distant views of huge fire ball and dense smoke coming from the USS Franklin. Slate reads: Sante Fe returns. Had been forced by explosions to shear off The Sante Fe seen starboard of the Franklin and closing with her fire hoses directing streams of water on the Franklin. Water running off the Franklin's deck. Small fire seen below decks. The Sante Fe inundating the Franklin with water from her hoses. View of aft deck of Franklin in pieces. Slate intervenes stating: Until dark Father O'Callahan, paying no heed to explosions and his own great peril attends the dying. Glimpse of sailors hauling lines on the Franklin flight deck. Then, Navy Chaplain, Father Joseph Timothy O'Callahan, is seen administering last rites to a dying sailor on the deck.
Farmers work in rice paddies and Japanese civilians fill their buckets as water is supplied during drought in Japan.
Drought parches Japan. Low water level in Tokyo reservoirs. A boat on shore. Fire engine supply water in rice paddies. View of parched land. Farmers work in rice paddies as water is supplied. A boy opens a tap to drink water. There is no water in the tap. Mother of the boy, gives him water to drink. Water tanker supplies water. Japanese civilians fill their buckets with water and carry them.
Japanese American recruits climb up and down ladders, jump in and out of foxholes at Camp Shelby in Mississippi.
Opening scene shows U.S. soldiers of Japanese ancestry, in the 442nd Regimental Combat Team, moving en masse over a training obstacle. Views from the side and headon, as the troops come charging down the obstacle. Next, they traverse a deep trench containing some fixed obstacles, and proceed over a berm.View of them descending at a run. The troops charge toward, and taking cover in, trenches and simulated shell holes. A view of them assembled in the grass across from the camera, which is separated from them by part of the obstacle course. Suddenly, an explosion occurs in the obstacle course, close to the camera. (World War II period).
U.S. Army soldiers of Japanese ancestry, in the 442nd Regimental Combat Team, complete basic training at Camp Shelby, Mississippi, during World War II
Soldiers of the U.S. 442nd Regimental Combat Team, comprising Americans of Japanese ancestry, participate in a ceremony marking completion of their basic training at Camp Shelby, Mississippi, in World War 2. Opening scene shows them assembling in wooded area of the camp. Their color guard marches between the formations. Brigadier General George Matthew Halloran, Camp Commander, and two other officers, salute the colors. Scene shifts to civilian friends and relatives of soldiers, seated in chairs beside the reviewing stand. Camera pans right, past officers on the reviewing stand, military band musicians seated in background, and the color guard, to troops at attention. Next, all present, including civilians, are seen standing and saluting, as the National Anthem is being played. Final scenes show General Halloran and a Colonel, conversing with officers of the 442nd.
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