As film begins, attendants riding atop elephants are seen from the rear as they parade along a the street of an American town. Front view of a circus wagon pulled by a team of horses and followed by numerous camels tethered behind it. A circus hand escorts a zebra and two other animals. Behind them are two automobiles. Next, local people are seen lined up to enter the fairgrounds where the circus tents are set up.
The first scene of the film shows a circus hand washing a dog outdoors in a metal wash tub. local people watch him. The next scene shows a worker hanging wash on lines set behind the circus tents where they are camping.
Opening scene shows Independence Day parade led by a brass band followed by a number of World War I veterans in their uniforms, and a troop of Boy Scouts. A streetcar number 7768 passes between the parade and the camera. A truck rigged up as a float carries several young people. It is followed by a tractor pulling a pavilion float carrying three young women. Signage on the float indicates it represents the Independent Order of Odd Fellows (IOOF). IOOF slogans seen on side of float include "Visit the sick. Heal the Sick. Bury the dead. Educate the Orphan." Dates "1819 to 1919" are seen, marking the fraternity's centennial (100th) year. Banner atop float is difficult to read but appears to list lodge numbers 38 and 337 and "Rebekah" and "WA". (Location possibly Spokane Washington?) Other decorated vehicles follow. One is a tractor driven by a woman, who is followed by two soldiers in uniform driving a roadster without a rear body. A man and woman dressed as George and Martha Washington walk along the parade route. They are followed by several cars.
A film about achievements and role of African American soldiers during World War II. A map of the Atlantic Ocean. Nazi German and Japanese flags. Allied soldiers liberate cities in Europe and civilians welcome them. African American Army soldiers walk up troop ship gang plank onto a troop carrier ship for transport to the war front. An Allied invasion convoy underway in the Atlantic Ocean. Equipment and food supplies being carried to troops. Supplies being unloaded at a beach in the European Theater. Airstrips, roads and bridges being constructed. Trees being cleared at the Alcan Highway. African American soldiers in combat fire rifles and fire artillery at enemy positions. A Japanese enemy airplane in flight as an African American soldier fires an anti aircraft gun at the aircraft. Explosions occur at a battlefield.
Italian conductor Arturo Toscanini is seen in a room of his house, Wave Hill, in the Hudson Hill section of Riverdale in the Bronx, New York City. Toscanini is handed a record by teenage boy (possibly his grandson) and Toscanini plays the record on a console phonograph player. He walks up and down in the room as he listens to the music. Narrator discusses Toscanini's rejection of fascism. and then names various other Italians living in the U.S. who similarly reject fascism: Next shot shows Italian historian Gaetano Salvemini delivering a lecture to a class at Harvard University. Italian writer Giuseppe Antonio Borgese leads a small workshop class at the University of Chicago. Italian American press publishers of newspaper Il Nuovo Mondo (Giuseppe Lupus, Aurelio Natoli, and Carlo Emanuele Prato) are seen gathered at a desk in New York City. An Italian editor, Colonel Randolfo Pacciardi, works at a newspaper establishment. An Italian priest and patriot, Don Luigi Sturzo, reads a book. Another close-up view of Arturo Toscanini.
President of the Executive Council of Ireland Eamon del Valera in London, England. Eamon del Valera and English cabinet chiefs come out of a building after a meeting. Del Valera shakes hands with cabinet chiefs. He leaves in a car. Car moves down a road as civilians look on.
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