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Djibouti Africa 1959 stock footage and images
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Events related to Cuban Missile Crisis: Cuban revolution in 1959; Khrushchev and Castro in 1960; Soviet missiles withdrawn 1962
Cheering Cuban crowds seen celebrating Fidel Castro's successful overthrow of Batista, in 1959, in Havana, Cuba. Fidel Castro with Nikita Khrushchev outside Hotel Theresa in Harlem, New York City, before meetings at the United Nations building in New York City, during the opening of the 15th General Assembly (September 19, 1960). View of Castro walking in front of UN building entrance. View of Soviet Navy ships carrying missiles from Cuba, back to the Soviet Union, in 1962. Nikita Khrushchev gesturing and talking outside a building. Newspaper photograph of Soviet Foreign Minister Andrei Gromyko conversing with U.S. President John F. Kennedy, who is seated in his rocking chair at the White House.
Soviet achievements in space race in 1959; NASA Astronauts trained for space flight in United States.
President Dwight D Eisenhower and Premier Nikita Khrushchev shake hands in the White House during Khrushchev's visit in America, soon after recent Soviet advances in the "space race." Closeup images of the moon, and of images of far side of the moon recorded by Soviets, and also brief Soviet Russian science fiction animated scenes depicting space ships traveling toward the moon, and another space ship vessel in orbit near the moon. In United States two monkeys are shown, named Able and Baker who were part of rocket testing before human flights took place. View of a monkey strapped into a Jupiter rocket and launch is shown of a Jupiter rocket with the monkeys for their space flight. Seven astronauts of the Project Mercury program are shown in training in a weightless, or zero gravity chamber.
Allied Invasion of North Africa during World War II
Allied warships move towards North Africa during World War 2. A sailor on a destroyer monitors sonar indicating presence of a submarine. A sailor looks through a pair of binoculars and another sailor nearby has a pair of headphones. Loudspeaker signals call to general quarters. Sailors rush up the stairs. Numerous depth charges are launched and explode in the water. Next, a wide oil slick on the surface indicates the submarine has been struck by the depth charges. An officer looks through a pair of binoculars. A man speaks into a radio. Soldiers amuse themselves on a troop ship. One plays the piano and others playing play cards, read novel while eating an apple. Flags of Major General Patton and Rear Admiral H. Kent Hewitt aboard the USS Augusta (CA-31) off the coast of North Africa. Semaphore flags and signal lights communicate between ships. Soldier with 'map of West Africa' in his back pocket. Two soldiers read a language guide. An animated map detailing Plan Acrobat to invade North Africa. Map includes Casablanca, Algiers, Tripoli, and Libya. Soldiers exercise, peel potatoes and relax on a troop ship. Clothes hung on a line. British soldiers write letters home. A soldier pastes news on a bulletin board. The bulletin announces that the 'German Afrika Corps' are in full retreat. Night time aerial views of bombing of cities in Italy. Narrator states the bombing included Naples, Genoa, and Turin. Explosions and smoke on the ground below from the bombing. Aerial view of daylight bombing at lower altitude of a Renault tank factory. Submarine on surface at twilight. Eighth Army plane. General Eisenhower, General Mark Clark and French General Giraud. Night scene. Soldiers on the deck. German WWII headquarters at night with guards in Rome and at the The Reich Chancellery in Berlin. Hitler at Berghof . German switchboard, terminal, and radio communications. Messages passed between Allied ships via signal light and ship-to-ship cargo transfer. ( Note The Operation Acrobat discussed in this film is misleading. That plan was scrapped, and the Allied North African campaign was conducted as part of Operation Torch.)
Dramatization. Zulu warriors invade an African tribe for slaves, captured villagers watch their village burned by invaders
Led by an African guide, an ox-wagon travels in the savannahs of Africa. Various scenes showing natural savannah, lake, acacia and baobab trees in Africa. Maps of Europe, India, China and Australia are superimposed over Africa to give a comparative measurement of the continent. Savannah and hills in Africa. Dramatization. Zulu warriors emerge from savanna grass to attack a neighboring tribe. Tribes people run away from Zulu warriors. Zulu warriors breach through tribe’s mud walls. Tribesman shoots an arrow. Tribesman uses smoking wood to poke through mud wall and attack invading warriors. Tribesmen run and hide from invading warriors. A warrior snatches a baby from mother. Livestock, cattle and goats, run away from warriors. Zulu warriors walk out of the besieged village with captured villagers. Two children hide from warriors in grass. Captured villagers are made to sit by invaders. An African man with wooden slave yoke. African villagers are fitted into wooden slave yokes and chains. An African mother breastfeeds her baby. African warriors force the captured villagers to watch their village burn. An African man cowers in fear, his wrists are bound together with rope. Newly captured African villagers, in wooden slave yokes, along with ivory elephant tusks, walk a straight line while following a Zulu warrior.
Fidel Castro visits New York City. Castro revolutionary firing squads execute Batista officials
Fidel Castro visits New York City, April 15, 1959, and gives a speech to large crowd in New York's Central Park. Back in Cuba, revolutionaries show officials and members of the press, a prison cell and injuries suffered by a former prisoner. They display instruments of torture used by the Batista regime. Colonel Cornelio Rojas, Chief of Police in Santa Clara, is seen in jail cell. He is walked under guard by revolutionaries and stands against a wall before a firing squad who execute him on orders of Ernesto "Che" Guevara. Revolutionaries bringing charges against Batista officials. People testify against them. Accused Lieutenant Enrique Despaigne Noret appears before a judgment panel. He is later seen, handcuffed, stepping from a vehicle at San Juan Hill,Santiago de Cuba, January 12, 1959. He stands before a firing squad and is allowed to write something on a paper. He is then shot and falls into a ditch or grave behind him.
The Castro-led revolution in Cuba.
Film opens with bongo drummer playing and other Cuban musicians playing instruments while dancers in fetching costumes dance and enjoy themselves. Scene shifts to view from water of Havana skyline and then to automobile traffic on a busy street in a commercial district of the city. A Busy street crowded with pedestrians on sidewalks. Cuban workers leaving an industrial plant at shift end. Smoke pouring from three tall smoke stacks in background. Large machines employed in a factory. A construction worker in the cab of earth moving equipment. A field worker rotating a long wooden boom by hand. Men cutting sugar cane with machetes. A farmer opening gate to allow water into an irrigation network. View of water rushing into the irrigation ditches and entering the area of crops. A farmer using cattle to pull his plow. Cattle entering a stockyard. Shoppers at an open-air market filled with all kinds of fruits, vegetables and other agricultural products. Families of poorer people in rural areas outside of Havana. They live in shacks ahd are photographed with their small children. Next, two uniformed members of the Cuban National Police (Policia Nacional de Cuba) are seen. (The narrator mentions that Cuban people lived for 60 years under a succession of corrupt and often dictatorial leaders.) View of men in a line being monitored by a National policeman. Fulgencio Batista y Zaldívar is seen next to his wife, Marta Fernández Miranda, as they cast ballots in the 1952 Presidential election. Glimpse of several Cuban National Police lined up looking over a wall. Next, members of Fidel Castro's resistance movement are seen silhouetted against the sky, as they walk, carrying arms, in the mountain regions of Cuba. Fidel, himself is silhouetted as his men walk past him. Views of Castro's men moving through the rugged mountain terrain as shots are being fired. The combat becomes more intense. The views are from the Castro forces as they engage in fire fights with Batista forces (unseen). Machine guns are heard, and an explosion occurs. More views of the Castro forces using a machine gun and small arms. Scene shifts to a public square in Havana as it fills with people celebrating the downfall of Batista on 1s of January, 1959. Crowds surround Fidel Castro as he arrives in Havana. The crowds cheer him wildly. as the hero, and liberator of the Cuban people. Castro addresses the crowds from a balcony, promising them elections, land reform,freedom and the rights guaranteed under the Cuban Constitution of 1940. Glimpse of a copy of that document. View of Manuel Urrutia raising his hands to acknowledge the crowd, when he was named President on January 3rd, 1959. Fidel Castro arriving in New York City and greeted as a Cuban Nationalist hero. Castro waving to crowds of admirers. In Washington,DC, he is seen placing a memorial wreath at the Statue of Abraham Lincoln in the Lincoln memorial. Castro speaking at a press conference in Washington,DC. Speaking from a podium, in English, he states emphatically that he is not a communist. Castro is seen later, back in Havana at a large political gathering, where he and Che Guevara along with other revolutionaries, engage others in publicly broadcast discussions and debates. A barefoot boy is brought into the center of the proceedings, where he points an accusing finger toward someone (not clear who that person is). View inside a newspaper printing plant, as Narrator states Castro began attacks on the Press resulting in the demise of the Free Press, and its takeover by government run newspaper "HOY." View of Hoy sign in front of a newspaper building. Communist propaganda seen dominating papers and magazines at a news stand. Small bust of Lenin seen for sale.
