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London England United Kingdom 1982 stock footage and images
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Workers of Ringling Brothers Barnum and Bailey Circus camping at the fair grounds in an American town
The first scene of the film shows a circus hand washing a dog outdoors in a metal wash tub. local people watch him. The next scene shows a worker hanging wash on lines set behind the circus tents where they are camping.
Fourth of July parade in Washington State.
Opening scene shows Independence Day parade led by a brass band followed by a number of World War I veterans in their uniforms, and a troop of Boy Scouts. A streetcar number 7768 passes between the parade and the camera. A truck rigged up as a float carries several young people. It is followed by a tractor pulling a pavilion float carrying three young women. Signage on the float indicates it represents the Independent Order of Odd Fellows (IOOF). IOOF slogans seen on side of float include "Visit the sick. Heal the Sick. Bury the dead. Educate the Orphan." Dates "1819 to 1919" are seen, marking the fraternity's centennial (100th) year. Banner atop float is difficult to read but appears to list lodge numbers 38 and 337 and "Rebekah" and "WA". (Location possibly Spokane Washington?) Other decorated vehicles follow. One is a tractor driven by a woman, who is followed by two soldiers in uniform driving a roadster without a rear body. A man and woman dressed as George and Martha Washington walk along the parade route. They are followed by several cars.
African American U.S. Army soldiers in transport, on the front, and in battle during World War II.
A film about achievements and role of African American soldiers during World War II. A map of the Atlantic Ocean. Nazi German and Japanese flags. Allied soldiers liberate cities in Europe and civilians welcome them. African American Army soldiers walk up troop ship gang plank onto a troop carrier ship for transport to the war front. An Allied invasion convoy underway in the Atlantic Ocean. Equipment and food supplies being carried to troops. Supplies being unloaded at a beach in the European Theater. Airstrips, roads and bridges being constructed. Trees being cleared at the Alcan Highway. African American soldiers in combat fire rifles and fire artillery at enemy positions. A Japanese enemy airplane in flight as an African American soldier fires an anti aircraft gun at the aircraft. Explosions occur at a battlefield.
Toscanini and various other Italian scholars in the U.S. work to uphold democracy and reject fascism during World War 2.
Italian conductor Arturo Toscanini is seen in a room of his house, Wave Hill, in the Hudson Hill section of Riverdale in the Bronx, New York City. Toscanini is handed a record by teenage boy (possibly his grandson) and Toscanini plays the record on a console phonograph player. He walks up and down in the room as he listens to the music. Narrator discusses Toscanini's rejection of fascism. and then names various other Italians living in the U.S. who similarly reject fascism: Next shot shows Italian historian Gaetano Salvemini delivering a lecture to a class at Harvard University. Italian writer Giuseppe Antonio Borgese leads a small workshop class at the University of Chicago. Italian American press publishers of newspaper Il Nuovo Mondo (Giuseppe Lupus, Aurelio Natoli, and Carlo Emanuele Prato) are seen gathered at a desk in New York City. An Italian editor, Colonel Randolfo Pacciardi, works at a newspaper establishment. An Italian priest and patriot, Don Luigi Sturzo, reads a book. Another close-up view of Arturo Toscanini.
Film highlighting the public health problem of tuberculosis among Native American Indian peoples in 1941
Opening scene shows group of men reenacting role of Native American Indians dancing around a ceremonial fire, at night. Native Americans on horseback rounding up horses, in area of Western U.S. containing dramatic outcroppings of rock. Native Americans, on horseback, herding sheep. A dwelling and fences of wood and other local materials are seen. Narrator speaks of tuberculosis disease being an "enemy" of these people. Two men on a buckboard pulled by a team of horses. Native Americans assembled in an auditorium.
Actors portray small Native American Indian family leaving the funeral of the grandfather
Actors portray Native American father, mother, and their boy, riding on a buckboard wagon pulled by two horses. White clouds low on horizon behind them. The parents speak to the boy about his grandfather's death, and talk about beginning anew. Brief view of of a burning funeral pyre, in the desert, with dramatic outcroppings of rock in background. Slate appears telling about the family in ensuing years.
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