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Negros Philippines 1945 stock footage and images
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African American soldiers of the U.S. Army advance and fire guns at enemy during World War II.
A film about achievements and role of African American soldiers during World War II. A dramatization depicts an African American priest addressing people at a church in the United States. At Tuskegee air base, home of the Tuskegee Airmen, an officer pins up wings onto African American airmen. African American pilots in flight gear as they walk towards aircraft. The aircraft in flight. An African American pilot in the cockpit of an airborne aircraft. Military jeeps and trucks advance. Artillery being fired on a snow covered field. African American soldiers at guns. They build a bridge across a river during World War II. Troops loaded in trucks advance. A signalman handles a line on a communication pole. Cavalry units on a patrol. African American soldiers fire anti aircraft guns. Infantrymen crawl across a field amidst firing.
Scenes of Manila, Philippines, early during the Japanese occupation in World War II
Title card with title “Roaring color Manila” in Japanese. A street corner in Manila after the Japanese invasion and occupation in World War 2. Japanese flag in storefront as Filipinos walk pass store. Closeup of the statue of St. Anthony of Padua with a kneeling woman and child, in front of the Church of St. Francis (the former San Francisco Church, now site is occupied by Mapúa University), Church of Our Lady of Angels, Intramuros, Manila, Philippines. Camera pans down over the statue. View from above, at a short distance, of parishioners going in and out of the church. (This church was destroyed in the battle of Manila, 1945, but the statue survived.) A Japanese sign outside of a building. View inside the building, where many school children are seen walking through an exhibit of artwork and other displays of school projects. Closeup of one drawing on display, depicting a Spanish Toreador. Several displays of Japanese calligraphy. A model of two small structures. Closeup of several schoolboys interested in small objects on display. A group of schoolgirls at exhibits of clothing designs and patterns. A cartoon sign in the building, in Japanese but mostly in English. It shows two small girls and a boy in different exercise poses and two ducks walking past them near their feet. The sign announces in Japanese and English, "Radio Taisou Daily Calisthenics on the air." It also reads: "Health First" and "Mass exercise at Luneta Park." A man conducts calisthenics in the open in front of a rotunda. Jorge B. Vargas, chairman of the Japanese-sponsored Philippine Executive Commission, sits inside the rotunda observing a vast field filled with school children following the lead of the exercise director, as they perform calisthenics. The Rizal Monument (1225 Roxas Blvd, Ermita, Manila, 1000 Metro Manila) is seen far in the background. Some closeups of the children as they exercise. Wide view of the children organized in lines across the field. The French renaissance-style Luneta Hotel (414 Kalaw Ave, Ermita, Manila, 1045 Metro Manila, 1000 Metro Manila) is seen in the background.
General MacArthur leads U.S. forces to a victory in the Philippines (WW2)
World War II events leading up to the independence of the Philippines. Filipino guerrillas march and line up as they prepare to fight against Japanese soldiers. A Filipino guerrilla of European descent and Chinese Filipino guerrilla are seen. U.S. officers seated in a camp. A newspaper headline reads 'MacArthur invades Philippines'. U.S. Army General Douglas MacArthur and other officers land at Leyte in the Philippines. Filipino guerrillas receive rifles. U.S. and Filipino soldiers fire artillery and tanks roll across a field. A tank named “Luzon Liberator”. U.S. forces march through a city in the Philippines. General MacArthur gets off a car. A sign reads 'Victory Festival'. Filipino civilians cheer for American soldiers. Decorated floats at a parade to mark the end of Japanese occupation. Signs read ‘Mabuhay America & Filipinas’, 'Long live Philippines', ‘Mabuhay President Truman’ and 'Thanks Uncle Sam'.
Montage of scenes related to 1942 Fall of Corregidor, the Bataan Death March, POWs and destruction of manila, in World War II
World War 2 scenes related to the Philippines. Opening shot shows Japanese troops unceremoniously taking down American flag in 1942, followed by superimposed images of Japanese soldiers boots trampling over U.S. flags. Next, U.S. Lieutenant General Jonathan Wainwright with members of his staff, are seen seated at a table in the Japanese headquarters building on Bataan to discuss surrender with General Masaharu Homma, Commander of the 14th Japanese Imperial Army. Homma has General Wachi at his left and Colonel Nakayama to his right. Repetition of the superimposed Japanese army boots trampling American flags. Next, U.S. defenders of Corregidor are seen surrendering to Japanese troops in 1942, and then being marched under guard to Mariveles, where the infamous Death March commenced. Several views of the American and Filipino prisoners marching under guard. Glimpse of American combat helmets piled up in a heap. Views of the POWs without helmets, using white cloths over their heads to protect from the sun. Huge numbers of POWs held in an open area for the night, and then marching again during the day. One who had fainted is carried in a blanket by several others. Illustrations of POWs being tortured by Japanese soldiers. Views of two POWs, who died during the march, lying on the ground. Next scene shows emaciated Allied POWs in 1945 being freed by American soldiers from a Japanese prison camp. American soldiers speaking with another group is a section of prison behind a sign reading: "Dysentary, Keep Out." Undernourished former prisoners of war eating a meal. One smoking a cigarette. Aerial view showing large swaths of Manila, Philippines, destroyed by Japanese forces retreating from advancing American forces. Smoke rising along a line of destruction in the background. Bodies of numerous Filipinos lying amid rubble in the streets of Manila. Many have hands tied behind their backs. Glimpse of dead children. Cadres of Japanese soldiers raising victory cheers. New Japanese conscripts in large formations during military training for new recruits following draft. Japanese naval trainees in white uniforms, waving their hats. Huge crowd of Japanese people cheering, followed by view of Emperor Hirohito, in Army uniform, saluting as he stands on a balcony. Cheering Japanese people, at a rally in a stadium.
Film illustrating participation of African Americans in U.S. history from Colonial times to after the Civil War
Opening scene shows African American congregation in church, during World War 2, listening to their preacher speak about liberty. Closeup of the Minister speaking. As he refers to the seed of Liberty taking root in Boston, a plaque on the gate of the Granary Burial Ground of 1660 is shown reading: "Within this ground are buried the victims of the Boston Massacre, March 5, 1770." The gate swings open revealing the cemetery. Next, an illustration of British Redcoats shooting into a crowd on that occasion is shown. Closeup of the illustration shows an African American, named Crispus Attucks, falling as the first victim of the gunfire. A monument to him on Boston Common, is then shown. Closeup of the monument. Excerpt from a film about the Revolutionary War shows reenactment of the battle off Concord. The 221-foot granite obelisk at Bunker Hill, Boston, is seen, marking the site of the first major battle of the American Revolutionary War. A musket is seen with a sign attached reading: "Gun belonged to Peter Salem, a colored man who carried it at Lexington, Concord, and Bunker Hill, and with it shot Maj. Pitcairn." (Refers to Major John Pitcairn, a Scottish Marine officer, killed at the battle of Bunker Hill.) Illustration and painting of Peter Salem with his musket in the company of other patriots, is shown, as well as a glimpse of a mass reenactment of the battle of Bunker Hill. Next is seen the famous 1851 oil-on-canvas painting of Washington Crossing the Delaware, by the German American artist Emanuel Gottlieb Leutze. Closeup of one oarsman, identified as African American, Prince Whipple. Film Reenactment of the ragtag American army at Valley Forge in the snow, shows their suffering. Among them is an actor in the role of African American, Salem Poor, who had purchased his freedom from slavery and fought with Washington's army. A bell ringing and the American flag of 13 stars signifying the 1776 Victory. Film reenactments of pioneers including whites and African Americans working together, felling trees and building forts and barns, and the like. Scene shifts to a man of war ship under sail firing a salvo from its cannons. This is followed by illustrations of Commodore Perry in the battle of Lake Erie, during the War of 1812. In a dory with Perry is a black man named Tyler Thompson. War ships exchange gunfire. Narrator cites Perry's famous words of victory: "We have met the enemy and they are ours." Scene shifts to a painting of American general Andrew Jackson and his troops, at the Battle of New Orleans, in 1815. A battle reenactment shows a black American soldier participating. Postwar view of American ship building activity. View of a large sailing vessel. Cannon fire ushers in the Civil War in 1861 as Confederates fire on Fort Sumter. Images of combat are overlaid by the statue of Abraham Lincoln in his memorial at Washington, DC. Next, settlers are seen heading West in a wagon train. Camera focuses on a black couple who are part of the wagon train. White and African American men work side-by-side building a railroad. An early steam locomotive races along the tracks. .
African American WACS of the 6888th Central Postal Directory Battalion march in formation after arrival in Birmingham England.
African American women soldiers of the 6888th Central Postal Directory Battalion, nicknamed “Six Triple Eight", Women's Army Corps (WACS), march in formation on February 15, 1945, during World War 2. Location is Birmingham, England, United Kingdom, at the time of the unit's arrival in Birmingham. A military band of male soldiers precedes the group of marching WACS. The long column of African American WACS, marching 4 deep, is led by commanding officer Major Charity Adams. Close up views of the women marching. WACS in front of the unit carry the American flag in the procession.
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