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New Mexico United States 1946 stock footage and images
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U.S. Air Force aircraft lands and U.S. Air Force personnel are greeted in the U.S.
U.S. Air Force jets completes Atlantic Round Trip. U.S. Air Force aircraft lands after completion of a round trip circuit of two U.S. Air Force jet tankers Bravo and Alpha from New York to London. A man signals for landing. The pilot in the cockpit. Air Force personnel disembark the jet. Personnel are greeted by an officer.
American made automobiles are exported to foreign countries. A Studebaker sedan travels over dirt roads on Catalina Island off California.
Workers in a Studebaker automobile factory move a fully wooden crated new automobile on an overhead hoist. It is labeled "Studebaker Automobiles" on it's side. Views of crated cars bound for different destinations overseas. Seen are those headed to: Buenos Aires, Capetown, Melbourne, and Cairo. Next, a Studebaker sedan car is seen raising lots of dust as it races at high speed over a dirt road on Catalina Island, off the coast of California. The driver is trying to climb a 1500 foot hill over a distance of 3 miles, as fast as he can. His car is seen negotiating hairpin turns during the ascent and finally arriving at the summit.
U.S. Navy Department develops ships and boats for amphibious assaults during World War II.
Film opens showing the U.S. Capitol building in Washington, DC. Next are views of the U.S. Navy and Munitions building on Constitution Avenue in Washington, DC (Sign on building reads: "Navy Department.") View of Senior Naval officers in a conference room in the building. Next scene shows a group of military planners discussing a three dimensional model of a Pacific island with landing ships and landing craft near the shore. A group of Army and Navy officers discuss documents as they stand in front of a huge wall map of the world. They walk together and point to the Mediterranean portion of the map. A large sign points toward "Naval Research Lab." Inside a Navy Commander and Lieutenant Commander confer over some maps with two civilians. Next, a room full of draftsmen (including a woman) are seen bent over drawing boards. Two engineers bend over an instrumented cutaway of a ship's hull. Senior military officers sit around a conference table. American and British flags are placed at the end of the room. Closeup of two British officer attendees. Civilian engineers and designers gather around a table. Workers at a shipyard gather on and around a Navy ship that displays a battery of four antiaircraft guns. Men in a foundry preparing to pour molten metal from a ladle into a mold. A milling machine taking a deep cut on the edge of a steel plate. A large engine being moved by an overhead conveyor in a factory. Men fabricating boats in a factory. View, from a moving platform, of men painting a newly manufactured Higgins boat (Landing Craft vehicle personnel, LCVP). A new Landing Ship Tank being launched at the Norfolk Navy Yard, Portsmouth, Virginia. USS LSTs 340 and 341 at their launchings in Portsmith.
Dramatization depicts: members of the southern Cameron and northern Stoneman families of Washington during civil war.
Excerpt from the fictional film "Birth of a Nation". A pro Southern dramatization on the effect of the Civil War and the reconstruction. Prewar conditions on the Cameron estate in Piedmont, South Carolina. The members of the southern Cameron and northern Stoneman families of Washington are introduced. Men and women reading a newspaper outside a house. The newspaper headlined read: 'If the North carries the election, the South will secede'. An abolitionists meeting. They discuss about the news. The Stoneman library in Washington. Women cleaning the library. One of the woman leaves. A man enters and talks to the woman. They argue and the man leaves the room. The woman cry. Man portrayed as Leader of the Senate Charles Sumner in the library. He looks at the books kept on a table. He arrives near the woman and talks to her. A woman and a man talking amongst themselves in a room. Other man enters and talks to them.
Recording, analyzing and circulation of weather information by the Hurricane Warning Center in Miami, Florida.
A documentary on Weather Bureau's Hurricane Warning Center in Miami, Florida. An aircraft in flight overhead. A routine report is sent by the crew of the aircraft to the hurricane center. The pilot, he co-pilot, the navigator and other members of the crew seated inside the aircraft. Weather conditions are observed and recorded. A radar operator working and looking for any unusual conditions. The information is transmitted to the center. Women working and typing messages at the center. A map locates Miami and information about weather conditions is circulated to other areas from Miami. A ship underway at sea. Men locating the position of a hurricane on a map. They discuss amongst themselves. The crew of the aircraft being instructed by an officer. An airplane parked at an air base. It takes off. Animation shows the position of the hurricane and the air movement. The information is circulated to people. A man reading news about the hurricane in a newspaper. A man and a woman seated at a beach. A sailing boat underway in the foreground.
Film illustrating participation of African Americans in U.S. history from Colonial times to after the Civil War
Opening scene shows African American congregation in church, during World War 2, listening to their preacher speak about liberty. Closeup of the Minister speaking. As he refers to the seed of Liberty taking root in Boston, a plaque on the gate of the Granary Burial Ground of 1660 is shown reading: "Within this ground are buried the victims of the Boston Massacre, March 5, 1770." The gate swings open revealing the cemetery. Next, an illustration of British Redcoats shooting into a crowd on that occasion is shown. Closeup of the illustration shows an African American, named Crispus Attucks, falling as the first victim of the gunfire. A monument to him on Boston Common, is then shown. Closeup of the monument. Excerpt from a film about the Revolutionary War shows reenactment of the battle off Concord. The 221-foot granite obelisk at Bunker Hill, Boston, is seen, marking the site of the first major battle of the American Revolutionary War. A musket is seen with a sign attached reading: "Gun belonged to Peter Salem, a colored man who carried it at Lexington, Concord, and Bunker Hill, and with it shot Maj. Pitcairn." (Refers to Major John Pitcairn, a Scottish Marine officer, killed at the battle of Bunker Hill.) Illustration and painting of Peter Salem with his musket in the company of other patriots, is shown, as well as a glimpse of a mass reenactment of the battle of Bunker Hill. Next is seen the famous 1851 oil-on-canvas painting of Washington Crossing the Delaware, by the German American artist Emanuel Gottlieb Leutze. Closeup of one oarsman, identified as African American, Prince Whipple. Film Reenactment of the ragtag American army at Valley Forge in the snow, shows their suffering. Among them is an actor in the role of African American, Salem Poor, who had purchased his freedom from slavery and fought with Washington's army. A bell ringing and the American flag of 13 stars signifying the 1776 Victory. Film reenactments of pioneers including whites and African Americans working together, felling trees and building forts and barns, and the like. Scene shifts to a man of war ship under sail firing a salvo from its cannons. This is followed by illustrations of Commodore Perry in the battle of Lake Erie, during the War of 1812. In a dory with Perry is a black man named Tyler Thompson. War ships exchange gunfire. Narrator cites Perry's famous words of victory: "We have met the enemy and they are ours." Scene shifts to a painting of American general Andrew Jackson and his troops, at the Battle of New Orleans, in 1815. A battle reenactment shows a black American soldier participating. Postwar view of American ship building activity. View of a large sailing vessel. Cannon fire ushers in the Civil War in 1861 as Confederates fire on Fort Sumter. Images of combat are overlaid by the statue of Abraham Lincoln in his memorial at Washington, DC. Next, settlers are seen heading West in a wagon train. Camera focuses on a black couple who are part of the wagon train. White and African American men work side-by-side building a railroad. An early steam locomotive races along the tracks. .
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