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New York City USA 1952 stock footage and images
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History and contributions of the U.S. Army infantryman to development of the United States of America
Memorial statue in Central Park, New York, to the 7th U.S. Army Regiment of World War I (World War 1, WWI, First World War). American infantrymen run with rifles from C-47 transport planes. U.S. soldiers in battlefield in Europe, and parading in tanks and marching,along the Champs Elysee,in Paris, France, with the Arch of Triumph behind them. Soldiers march with flags. People watch. Korean War era U.S. soldiers march with rifles. West Point cadets march in New York City. Houses and buildings along the sides of the street. U.S. Army soldiers in various modes of operation: riflemen, artillerymen, paratroopers,ski troops, and Army engineers building bridges. One scene shows a woman soldier working as a mechanic. Soldiers training on an obstacle course, traversing a polar region with dog sleds. A gun emplacement in Hawaii and U.S.troops parading in the Philippines. A ship traversing the Panama Canal. View of U.S. Army tent Camp in Puerto Rico. A U.S. soldier sentry standing guard beside the ocean, in summer, in Iceland. An American soldier poses on a hill in New Jersey, silhouetted against backdrop of the Manhattan skyline with tall skyscrapers of New York City seen behind him. Sergeant James Mansfield talks about Colonel William Wilson Quinn. Colonel William Wilson Quinn on the show discusses the blue badge of the combat infantryman. The badge framed on a wall. He says that the badge has a blue background which is the color of the infantry. Copy of a rifle on the badge is surrounded by a circle with a star.
New York City scenes around 1950 and views of the Burlington Mills operations in North Carolina, USA.
Documentary titled 'Woven into the life of America', on manufacture of various types of garments by the Burlington Mills in North Carolina, United States. View of the Statue of Liberty and of New York City Manhattan Island skyline from the New York Harbor. A boat underway at harbor. Aerial view of tall buildings and skyscrapers of New York City. Streets of busy New York City, with pedestrians in 1950s fashions walking on sidewalks of New York City, and some shopping. Trendy clothes are displayed in a shop's window. A model wearing a night gown. A bride being dressed. A receptionist at the reception counter of the Burlington Mills. Employees at work on loom machines.
Contrast between the lifestyle of hectic workdays and quiet Sundays in New York City in the late 1940's after World War 2.
"City Pastorale" shows citizens of New York City hurrying about their business during workday on a street in New York City. Vehicular traffic and pedestrians. People riding on the subway. Views of workaday foot traffic along New York sidewalk in midtown Manhattan. Macy's department store. Racks of clothes being wheeled along the streets and sidewalks. Scenes of New Yorkers in hectic activity. In contrast, are shown peaceful scenic views of New York City. Penthouse gardens. Clothes drying on a rooftop line. People entering a number of different churches in Manhattan, New York. A woman in a garden. A man and a boy sit and read newspapers in the garden. The young boy looks at the "funny papers" (comic strips). A man walks with a child on a sidewalk. Cars parked. People chatting on the sidewalk of a New York city street. The Chrysler Building and nearby skyscrapers. People taking pictures with handheld cameras at a playground. Families with babies. Children playing in a park. Quiet streets. Car drives beneath an elevated train. Men walk on a ramp. People relax on beaches. Older women gathered together on the beach talking, while boys play in the sand at the edge of the surf. A huge crowd seated in a baseball stadium and watching a game between the New York Giants and the Brooklyn Dodgers, including a shot of Giants pitcher, #36 ( Mickey McGowan ?), throwing from the mound and, in another scene, Giants #23 (Clint Hartung ?) batting and striking out. Views of the fans watching the baseball game, including some men in suits and boys sitting together in the bleachers watching the game and eating ice cream on a stick. Visitors stroll through the Metropolitan Museum of Art.
The Castro-led revolution in Cuba.
Film opens with bongo drummer playing and other Cuban musicians playing instruments while dancers in fetching costumes dance and enjoy themselves. Scene shifts to view from water of Havana skyline and then to automobile traffic on a busy street in a commercial district of the city. A Busy street crowded with pedestrians on sidewalks. Cuban workers leaving an industrial plant at shift end. Smoke pouring from three tall smoke stacks in background. Large machines employed in a factory. A construction worker in the cab of earth moving equipment. A field worker rotating a long wooden boom by hand. Men cutting sugar cane with machetes. A farmer opening gate to allow water into an irrigation network. View of water rushing into the irrigation ditches and entering the area of crops. A farmer using cattle to pull his plow. Cattle entering a stockyard. Shoppers at an open-air market filled with all kinds of fruits, vegetables and other agricultural products. Families of poorer people in rural areas outside of Havana. They live in shacks ahd are photographed with their small children. Next, two uniformed members of the Cuban National Police (Policia Nacional de Cuba) are seen. (The narrator mentions that Cuban people lived for 60 years under a succession of corrupt and often dictatorial leaders.) View of men in a line being monitored by a National policeman. Fulgencio Batista y Zaldívar is seen next to his wife, Marta Fernández Miranda, as they cast ballots in the 1952 Presidential election. Glimpse of several Cuban National Police lined up looking over a wall. Next, members of Fidel Castro's resistance movement are seen silhouetted against the sky, as they walk, carrying arms, in the mountain regions of Cuba. Fidel, himself is silhouetted as his men walk past him. Views of Castro's men moving through the rugged mountain terrain as shots are being fired. The combat becomes more intense. The views are from the Castro forces as they engage in fire fights with Batista forces (unseen). Machine guns are heard, and an explosion occurs. More views of the Castro forces using a machine gun and small arms. Scene shifts to a public square in Havana as it fills with people celebrating the downfall of Batista on 1s of January, 1959. Crowds surround Fidel Castro as he arrives in Havana. The crowds cheer him wildly. as the hero, and liberator of the Cuban people. Castro addresses the crowds from a balcony, promising them elections, land reform,freedom and the rights guaranteed under the Cuban Constitution of 1940. Glimpse of a copy of that document. View of Manuel Urrutia raising his hands to acknowledge the crowd, when he was named President on January 3rd, 1959. Fidel Castro arriving in New York City and greeted as a Cuban Nationalist hero. Castro waving to crowds of admirers. In Washington,DC, he is seen placing a memorial wreath at the Statue of Abraham Lincoln in the Lincoln memorial. Castro speaking at a press conference in Washington,DC. Speaking from a podium, in English, he states emphatically that he is not a communist. Castro is seen later, back in Havana at a large political gathering, where he and Che Guevara along with other revolutionaries, engage others in publicly broadcast discussions and debates. A barefoot boy is brought into the center of the proceedings, where he points an accusing finger toward someone (not clear who that person is). View inside a newspaper printing plant, as Narrator states Castro began attacks on the Press resulting in the demise of the Free Press, and its takeover by government run newspaper "HOY." View of Hoy sign in front of a newspaper building. Communist propaganda seen dominating papers and magazines at a news stand. Small bust of Lenin seen for sale.
View of famous landmarks in New York City, United States, in early 1940s.
A map of United States of America. Greyhound passenger bus pasing through toll booth on highway between Boston and New York. Tourist bus arrives in New York, USA. View of tourists inside the bus. Buildings in New York City. View of the Statue of Liberty from a boat. Heavy traffic outside the New York Public Library. Tourist couples travels on busy streets sitting in open top level of a double decker bus. View of the Empire State building and Will's building. Tourist couple enjoys view of the city from rooftop of Empire State Building. A telescope on the rooftop. Wide, sweeping, elevated views of skyscrapers and buildings of Manhattan, New York City, as seen from atop the Empire State Building in the early 1940s.
Italian influence on American life. Italian Festival San Gennaro at Mulberry Street, in New York City.
Italian influence on American life, reflected in gastronomy and history. A man selling flags and parade goods for the Feast of San Gennaro (Festa di San Gennaro) in Mulberry Street, New York City. An Italian American woman cooks Italian sausage and meats. Man holding a green parrot. Italian American woman inspects her boyfriend’s necklace. Poster reads “Feast of San Gennaro”. A man pins money on a string of cash attached to the carriage of San Gennaro. A metal effigy of San Gennaro. Italian American brass band. Italian chefs prepare and cook pizza at a restaurant kitchen. Exterior view of Marconi Restaurant signage in Little Italy. Views of Ferris Wheel; . decorative lights; a brass band. A chef rolls and toss a pizza dough by hand. Waiter takes a bottle of Chianti from the restaurant bar. Chef sprinkles cheese on a Pizza Margherita. Customers eating pizza in restaurant. A woman eats pizza while a man pours a glass of Chianti. Man and woman put napkin on dog and feed him pizza. A Casino. View of “Larry’s Bar” sign. View of George Washington Bridge over the Hudson River. Heroic sculpture of Italian explorer and navigator Giovanni da Verrazzano (c. 1485-1528) by Ettore Ximenes (1855–1926) in Battery Park, New York City. Home of Giuseppe Garibaldi, on Staten Island, New York. Visitors enter the home, which displays sign reading: (in Italian)" He lived in exile, 1851 to 1853. Giuseppe Garibaldi, Hero of two worlds." View of statue at Christopher Columbus Memorial Fountain, Columbus Circle. in front of the Union Station, Washington, DC. Italian Carabinieri march in Columbus Day parade on 5th Avenue, in New York City. Italian and American flags displayed on building. St. Patrick's Cathedral is seen. Italian journalists at work in Washington, DC and New York City. An Italian journalist speaks about his experience as a journalist in New York City.
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