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Cowboys during round up of wild horses on a ranch in Texas during World War II.
At beginning, film shows wild horses being herded into a corral on a ranch and farm in Texas, during World War II. Cowboys select several horses for "breaking." A cowboy adjusts a saddle on a horse. He then goes to a fence where a visiting boy from England sits. He helps the boy to mount the horse. The boy rides out of the ranch enclosures with several cowboys. Cattle grazing on the sparse land. A cowboy watching over the herd. Cowboys setting up a camp with horse-drawn wagons and cooking supplies. They take food and coffee cooked over an open fire. Closeup of one sitting and eating from a metal plate. Others also eating their meals.
Segment of a film depicting the history of Thanksgiving in America
Part of film tracing history of Thanksgiving Day in America. Opening scene shows forests in late summer, and then winds blowing and some leaves beginning to fall. A traditional single family home is seen and a family inside preparing their table for a Thanksgiving dinner. The six members of the family include a Mother, a Father, an older son, a teenage daughter, a young son, and an older woman (Grandmother, or Aunt). View of roasted Thanksgiving Turkey. The father leads the family in saying grace. A painting of the First Thanksgiving (1915), by American artist Jean Louis Gerome Ferris, is shown. Views of fields of corn and grain. Scene shifts to a 17th Century ship carrying the same 6-member family (dressed as Pilgrims) to America from Europe. Members of the family are seen planting seed for crops. The date 1621 appears superimposed upon scenes of crops ready for harvesting. Inside their log home, the father and youngest son engage in extended discussions, after which, the father gives the boy permission to go somewhere. The painting of the First Thanksgiving is shown again. Then the pioneer settlers, both men and women, fell and carry trees to build a church. View of a remarkably well built church and then of the family praying inside along with other pioneer settlers.
A last moment of calm before the outbreak of hostilities between British troops and American colonial militias in 1775
Reenactment of early American settlers in British Colonial America, seen working in agriculture. Women sow seed, and men plowing behind teams of horses View of a drummer playing a drum roll call to arms. The farmers stop what they are doing, grab their muskets and head off to a gathering of militia as part of Revolutionary War effort. The year 1775 appears over the gathering of armed farmers. A British General is seen at his headquarters in Massachusetts. He holds a dispatch of some sort and discusses it with one of his staff officers. He then summons two members of the local militia, and questions them about rising tensions between colonists and the Crown. After they leave, he dictates a communication to his superiors. Film closes showing the General in church, along with many colonial militia members.
Part of a film entitled: "Celebration of American Thanksgiving Day." Young woman living away from family receives letter from them describing their Thanksgiving celebration in 1779
Film opens showing a letter addressed to Miss Betsey Smith,Lynn, Commonwealth of Massachusetts. The Date: 1779 appears superimposed over the image. A young woman in 18th Century garb is seen reading the letter, alone, by candle light, in her kitchen. The letter describes a Thanksgiving celebration by members of her family who are then seen preparing a Thanksgiving dinner. A man carves a turkey, and his wife prepares plates of food for two elderly women seated at a table. They call attention to another table where young men and women are gathered together, eating their Thanksgiving dinner. Brief view of the young woman reading the letter. The scene shifts back again to a turkey being carved, homemade pies being placed on a table and plates of food being served up at the Thanksgiving gathering. A young boy expresses distaste for a large stalk of something, like celery. Later the boy warms his hands at a fire in the hearth, where all the Thanksgiving guests gather together. The young children break open nuts and eat them. One man smokes a clay pipe. The young woman reading her letter recalls fondly her hometown church, which is then seen in several views.
Film reenacts travels of American pioneers moving west by wagon trains and shows life in small town during winter.
Film reenacts events in lives of American pioneers migrating West via wagon trains in the early 19th Century. They are seen traveling in the day, and then resting for the night by a fire, where a family bows their heads as the father speaks a prayer of thanks for their progress. He ends the prayer with an “Amen.” Next, the wagon train sets out again, during the daylight. A series of illustrations shows scenes of a small town in the winter with snow on the ground. People are shown going about their ordinary activities, using horses and sleighs. Some are seen ice skating on a pond. Others are shown visiting relatives.
History behind President Lincoln's 1863 Proclamation establishing the last Thursday of November as a national day of Thanksgiving and Praise (Thanksgiving Day)
Historic reenactment of American’s celebration of Thanksgiving in history. Date 1863 is highlighted atop an image of Sarah Josepha Hale, a 74-year-old magazine editor, writing a letter to Lincoln on September 28, 1863, urging him to have the "day of our annual Thanksgiving made a National and fixed Union Festival." A copy of Codey’s Lady’s Book sits on her desk. Next, she is seen, meeting with Abraham Lincoln, to discuss the matter. Lincoln looks at her writings on this in Codey’s Lady’s Book, and they discuss the matter at some length. Scene shifts to a copy of a Presidential Proclamation of Thanksgiving, dated October 3, 1863, that sets apart the last Thursday of November "as a day of Thanksgiving and Praise." Film continues with scenes of farm crops ready for harvest, and view of people in church, giving prayers of thanksgiving. A 33-star American flag is hung on the church wall.
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