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V2 stock footage and images
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U.S. troops arrive and advance on a beach on Kwajalein Atoll in the Marshall Islands.
A training film on operations of U.S. forces on Kwajalein Atoll in the Marshall Islands during World War II. Animation depicts landing of combat team 23 on beaches Red 2 and Red 3. Aircraft in fight overhead. Troops aboard landing boats and a DUKW, an amphibious truck, wade ashore. They advance on the beach. Soldiers fire rifles and other guns. Smoke rises from bombardment. A tank parked on the beach.
A training film in the U.S. shows rockets being fired by helicopters at an enemy territory.
A training film in the United States on tactical operations of U.S. Air Force UH-1 Iroquois helicopters. Rocket delivery by the helicopters in an enemy territory. A helicopter in flight overhead. 2.75 inch FFAR (Folding-Fin Aircraft Rocket) is installed in the helicopter for firing. The helicopter in flight. Rockets are fired at targets. Heavy smoke columns rise due to the firing. The helicopter in flight over a wooded area. Animation depicts rocket fired by the helicopter at predetermined altitude and ranges. Firing of the rockets from various altitudes.
U.S. Army Air Forces Douglas A-26 Invader aircraft on bombing mission over Germany in World War II
A loose formation of U.S. Army Air Forces Douglas A-26 Invader bombers in flight over Germany, during World War 2. Bombs away views: Bomb bays are open and bombs are seen dropping from them. Several views of the aircraft formation apparently returning from the bomb run. Close-up of bright red spinner on propeller of camera plane. One plane appears to be having trouble with right engine, with prop turning slowly and engine seemingly trying to re-start. With engine not feathered, the aircraft falls back from formation. View from airplane canopy of aircraft in formation above. Close-up of crew member making notes in booklet. Right engine seen running and propeller turning outside his window. View, from inside this aircraft, of possible battle damage to right engine nacelle, with open hatch hanging in the air. View from cockpit of contrails high overhead.
African American Pastor refers to Hitler's "Mein Kampf" as he tells his church congregation about the critical stakes in World War II."
Camera pans down from the top of St. Thomas Church (1 W 53rd St, New York, NY 10019, United States) on W 53rd Street and 5th Avenue in New York City. Cars and double-decker bus are seen on the street. Views of other churches in the South. African American children entering a Sunday School. An African American Army Lieutenant in uniform and a woman sit in the balcony of a church with a predominately African American congregation. Camera focuses on the choir singing in a loft on the first floor. An African American soldier in uniform sings a solo with the choir. The African American pastor of the church steps to the pulpit and looks up at the Church's Service flag where numerous stars represent members of the congregation serving in the Armed Services. The Pastor notes that some are present that morning, pointing out Private Roberts, Sergeant Jackson, and Lieutenant Carter, all of them in Army uniforms. He also acknowledges a Woman's Army Corps member, who identifies herself as Private Parks, First Class. As the Pastor speaks, scene shifts American Joe Louis beating German Max Schmeling in their second boxing match in 1938 at Yankee Stadium. Scene shifts to Max Schmeling training with German paratroopers and Joe Louis running an obstacle course during U.S. Army basic training in World War 2. The American flag and constitution are seen in contrast to the German Nazi flag and Adolf Hitler's book, Mein Kampf, now seen being held by the Pastor of the church, as he reads excerpts from it to the congregation. Several views of church attendees listening to the Pastor, as he reads despicable remarks about African Americans from Hitler's book.
Film illustrating participation of African Americans in U.S. history from Colonial times to after the Civil War
Opening scene shows African American congregation in church, during World War 2, listening to their preacher speak about liberty. Closeup of the Minister speaking. As he refers to the seed of Liberty taking root in Boston, a plaque on the gate of the Granary Burial Ground of 1660 is shown reading: "Within this ground are buried the victims of the Boston Massacre, March 5, 1770." The gate swings open revealing the cemetery. Next, an illustration of British Redcoats shooting into a crowd on that occasion is shown. Closeup of the illustration shows an African American, named Crispus Attucks, falling as the first victim of the gunfire. A monument to him on Boston Common, is then shown. Closeup of the monument. Excerpt from a film about the Revolutionary War shows reenactment of the battle off Concord. The 221-foot granite obelisk at Bunker Hill, Boston, is seen, marking the site of the first major battle of the American Revolutionary War. A musket is seen with a sign attached reading: "Gun belonged to Peter Salem, a colored man who carried it at Lexington, Concord, and Bunker Hill, and with it shot Maj. Pitcairn." (Refers to Major John Pitcairn, a Scottish Marine officer, killed at the battle of Bunker Hill.) Illustration and painting of Peter Salem with his musket in the company of other patriots, is shown, as well as a glimpse of a mass reenactment of the battle of Bunker Hill. Next is seen the famous 1851 oil-on-canvas painting of Washington Crossing the Delaware, by the German American artist Emanuel Gottlieb Leutze. Closeup of one oarsman, identified as African American, Prince Whipple. Film Reenactment of the ragtag American army at Valley Forge in the snow, shows their suffering. Among them is an actor in the role of African American, Salem Poor, who had purchased his freedom from slavery and fought with Washington's army. A bell ringing and the American flag of 13 stars signifying the 1776 Victory. Film reenactments of pioneers including whites and African Americans working together, felling trees and building forts and barns, and the like. Scene shifts to a man of war ship under sail firing a salvo from its cannons. This is followed by illustrations of Commodore Perry in the battle of Lake Erie, during the War of 1812. In a dory with Perry is a black man named Tyler Thompson. War ships exchange gunfire. Narrator cites Perry's famous words of victory: "We have met the enemy and they are ours." Scene shifts to a painting of American general Andrew Jackson and his troops, at the Battle of New Orleans, in 1815. A battle reenactment shows a black American soldier participating. Postwar view of American ship building activity. View of a large sailing vessel. Cannon fire ushers in the Civil War in 1861 as Confederates fire on Fort Sumter. Images of combat are overlaid by the statue of Abraham Lincoln in his memorial at Washington, DC. Next, settlers are seen heading West in a wagon train. Camera focuses on a black couple who are part of the wagon train. White and African American men work side-by-side building a railroad. An early steam locomotive races along the tracks. .
Contributions of African Americans in various fields in the United States.
(See also clip 65675078146 from different film transfer). Famous African American men and women citizens in the United States. Clip opens with of Booker T. Washington at Tuskegee University. Scene in a laboratory with African American scientist and inventor George Washington Carver, as an elderly man, working with another scientist in the laboratory. African American judge of New York city court. African American explorer Matthew Henson is seen looking at a globe (he was with Admiral Peary planting the American flag at the North Pole in 1909), and an unnamed African American surgeon at work in an operating room in New York. Next scene shows famous "father of the blues" musician and composer W.C. Handy (William Christoper Handy) smiling. Next is seen the financier and publisher of the Amsterdam News, Dr. C.B. Powell (Clilan Powell) greeting three uniformed African American women during a World War 2 war bond drive, and handing them a check (close up is shown) for 25,000 dollars, dated January 4, 1942, for the war bond drive. It is from the account of the Victory Mutual Life Insurance Company which Dr. Powell also owned. The check is signed by C.B Powell and Philip M.H. Savory (Dr. Savory was co-owner of the New York Amsterdam News). The next scene shows Elise Johnson McDougald, better known as Gertrude Elise Ayer, who was the first black full-time public school principal after the consolidation of New York City schools in 1898. She was also a noted woman writer during the Harlem Renaissance. She is seated in her office at her desk, likely in P.S. 119 in Harlem, since this is approximately year 1945 and she was at P.S 119 at that time. Her name plaque is visible on the front center of the desk. Principal Ayer smiles as a woman delivers a document to her. Next is seen the African American historian, author, and professor, Lawrence D. Reddick, serving in his role as the curator of the Schomburg Collection of African American Literature. In an art studio is seen the famous African American sculptor and painter Charles Alston, at work on a sculpture. Next scene shows the famous African American contralto singer, Marian Anderson, receiving a bouquet of flowers and smiling after a performance. This transitions to a view of African American orchestra conductor Dean Dixon leading an orchestra in a performance of Beethoven's 9th Symphony. Several views of different sections of the orchestra performing under Dixon's direction. Clip closes with brief shots of campuses of several historically black colleges and universities in the United States like Howard University, Hampton, Tuskegee, Fisk, Prairie View. An American college football game underway at the stadium of one of the colleges.
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