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Japanese-martial-arts stock footage and images
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Montage of scenes including Mongolia, the French Concession in China, and Japanese and U.S. warships
A rough map of Asia is shown.Inner Mongolian horsemen are seen silhouetted against the sky on a hill top where several tents are pitched. They appear to be gathering for a meeting of sorts. Closeups of the horsemen gathered and listening to one speaking to them. Snow-covered mountains are in the far distant background. Various views of the horsemen moving about in groups. An old Chinese man smokes a long pipe. The national flag of the Republic of China flies in front of a building. View of entrance to the French Concession in Shanghai, where several French uniformed police hold the French tricolor flag and others monitor persons coming and going. A group of Chinese soldiers remove items from their clothing as they prepare to enter the area. A group of French firemen is seen and then a number of Chinese civilians, some carrying belongings, and some with children, are seen evacuating an area, under supervision of Chinese men wearing armbands. Scene shifts to view from starboard bow of a large vessel at sea. The ocean is quite rough and waves break with foam. View from the deck, upward shows various lines and rigging of the ship. More views show it to be a battleship. Formations of Japanese warships on maneuvers, firing their heavy guns. Formation of U.S. Dreadnought era battleships firing their 12-inch guns in double turrets. View from bridge of one, with forward double guns visible below, while she is underway in heavy seas. Naval guns on a battleship, being maneuvered into position for firing. Smaller Japanese gunboats being led in formation by a 3-stacker Isokaze-class destroyer. The Japanese battleships Nagato and her sister ship Mutsu, both displaying curved funnels. Other Japanese warships, including Kamikaze-class destroyers, the aircraft carrier Ryūjō, and a Kongō-class battleship.
Young Japanese men and women in Western garb impolitely confront a man on a sidewalk. He chastises them
At opening, camera pans across homes in a residential neighborhood, at night. They are illuminated from within. Dramatized scene shifts to inside one house, where a Japanese man, wearing a French-style sweater and Beret smokes a pipe, as he plays a mandolin. Japanese men and women, dressed in Western fashions, dance to the music. Closeup of the man playing his instrument. When he concludes, a man and two women sit down on a nearby couch and converse. One woman talks with the musician, who appears to be leaving. Scene shifts to nighttime in the Ginza district of Tokyo, where establishments are lit up with neon signs. The musician, in coat and beret, is walking with a woman, and another couple, all dressed in Western fashions. They encounter two other Japanese couples attired in more traditional Japanese style. They begin to mimic the western-dressed couples. The woman with the musician confronts a man standing in her way. He bows and makes another comment, upon which, he removes his hat and bows again. She insults him, and he apologizes and bows again. She than tells her companion (the musician) to confront the man. He does so, demanding that the man grovel as he demonstrates. At this point the confronted man loses patience and pushes the groveling musician with his foot. He then chastises all those involved in this foolishness, and departs. Move views of neon signs and of the confronted man walking along the sidewalk, away from the scene of the incident. View from moving vehicle, of shops and business establishments along the street. View from a high vantage point looking down upon the street. One of the signs advertises General Motors automobiles, first Buick and then Chevrolet.
Japanese film using various kinds of imagery and analogies to illustrate Japan's National frustrations in 1933.
General of the Imperial Japanese Army Baron Sadao Araki speaks for a while, with the National flag of Japan (Sun-mark flag) in the background. A group of Japanese hikers is seen on the windy slope of a snow-covered mountain. Camera pans across the snowy scene. Closeups of individual hikers, who seem intimidated by the prospect of continuing their journey. Next, they are seen climbing the mountain, using picks, and lifelines, in an experienced manner. As the leader reaches the summit, he secures their lifeline and assists those behind as they arrive. Shadow of the leader is cast on the snow at the summit. As they cross a Crevasse, one of the climbers falls in, but his descent is stopped by the lifeline. Others work securing the line and pulling him up. With their help, he gains footing up the side of the crevasse and climbs out. Scene shifts completely to the Palace of Nations, Geneva, Switzerland, home of the League of Nations. Inside, Japan's chief delegate, Foreign Minister Yosuke Matsuoka, is seen objecting to the League's report charging Japan with responsibility for the hostilities in Manchuria. Animated map shows Europe with arrow pointing to Geneva, Switzerland. A cartoon explosion rises there and drifts East to encircle Japan in its smoke, transforming into a steel chain around Japan and environs. It shrinks, successively tightening its grip, choking Japan into its home islands, where the Japanese national Sun-mark flag flies. A train arrives at a crowded station. The crowd contains many persons displaying protest banners and waving small Japanese National flags. Many police are amongst the crowd, maintaining order. Next, Minister of Foreign Affairs, Yosuke Matsuoka, arrives from Geneva to report to the Emperor and Government. He steps from a limousine, and walks across an esplanade, followed by many officials. He and they, all bow toward the Imperial Palace, as a photographer takes their picture. For a moment, Yosuke Matsuoka holds a handkerchief to his face as he proceeds across the esplanade. The animated map appears again, this time showing the encircling cartoon smoke ring looping out to enclose part of Manchuria, where the flag of Manchukuo now flies. Scene shifts back to the mountain climbers, who now are descending from the summit. View of clouds below them as they stand with arms raised celebrating their accomplishment with what appears to be three "Banzai" shouts. Final scene is a view from moving railroad train of Mount Fuji and other views of Mount Fuji.
Elementary schoolgirls learn traditional Japanese tea ceremony and sewing in Japan.
The Japanese school system and its deficiencies up to World War II. The film emphasizes the role of schools in developing nationalism, Japan. Girls are taught the traditional Japanese tea ceremony. Female students learn to bow their heads and sit well. The teacher and other students watch a girl demonstrate good tea ceremony etiquette. The girl slides a door open and bows to another girl in kimono. Teacher teaches etiquettes of receiving guest. Girls wearing kimonos learn the ritual for serving and drinking tea. The girl brings a tray of rice cake or wagashi. Teacher teaches etiquette of drinking tea to girls. Japanese sewing class: Students make embroidery in sewing class. Geometrical designs for embroidery displayed. A Japanese sewing kit with thread, thread snippers and seam ripper. Girl takes out a needle from a sandal-shaped pincushion. The girl puts a thread into the needle before sewing the fabric. Girls sew the clothes and put kimono on mannequins. Girls sew at sewing machine.
View of typical Japanese school room for the study of history and outdoor class of ethics in school, Japan.
Japanese films show school activities to explain the school system and its deficiencies. The films emphasize the school's role in developing nationalism, Japan. Typical Japanese school room: Teaching charts, geological drawings, Japanese paintings, picture of Beethoven, clock, electrical diagrams and various equipment and materials for the study of natural history. Class of Ethics: Japanese students learn the loyalty to emperor and devotion to country in outdoor class of ethics.
Japanese adult and children in volunteers work corps toil in Japan (WW2)
Children and adults volunteer and are recruited to work for ammunition factories and community work in Japan during World War II. Japanese schoolchildren with brooms head to a Shinto shrine. Children and adults worship at the Shinto shrine. They bow in front of the shrine. Japanese volunteers salute the Japanese flag. Volunteers cut grass in the field. Schoolchildren carrying buckets. Middle school students pile up rocks, cut grass and bushes on the hillside and clean up the temple. Japanese student volunteers march in a parade on the beach.1945.