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Japanese Prime Minister Tojo being tried for his World War II crimes in Tokyo, Japan.
The war crimes trial in Tokyo, Japan after World War II. Japanese Prime Minister Hideki Tojo answers the questions during the trial. U.S. Major General P.J. Mueller, Chief of Staff and party seated in the court room. Tojo being cross examined about sending of troops into French Indochina. Tojo states that the Indo China problem was discussed in a message from President Roosevelt to the Emperor. In answer as to when troops were sent there, he says around 20 September 1940 and this was done after arrangements had been made with the Vichy Government of France.
Spanish village suffers from German bombing during Spanish Civil War.
View of sleepy village in Spanish hills. A Woman comes out of her house with a basket of food. An airplane is heard in skies above and someone shouts "aviación," and it echoes down the hill. Three airplanes are seen in formation overhead, followed by two more. The planes maneuver. Filmed closeup of explosions is followed by scenes of smoke rising in a village and people walking about in despair. Villagers in an alleyway look at rubble from a bombing. Two women and a baby look out through a hole blasted in the side of a house. Villagers gather near a large house with windows hattered and roof destroyed. They sadly walk past four dead bombing victims laid out at near the site including one young boy. Narrator states that three Junker planes did this. Interior view of roof destroyed in the house. View through hole in wall of the house, showing villagers outside mourning the two victims. Building exterior pockmarked by gunfire and scrapnel. Two little boys wearing army hats, pose for the camera, in front of the building, while another sits near a soldier cleaning his rifle. The boys are seen playing in rubble in front of the building. Scene shifts to a dogfight overhead, between two airplanes. One,that appears to be a Nationalist Fiat CR.32 biplane, is shot down and spirals to crash on the ground. Scene shifts, again, to Republican soldiers and local people looking through jumbled pieces of a downed Junkers plane spread over a large crash site. Seen, are a tail wheel and corrugated metal section, identifying the wreckage as that of a large German Junkers Ju-52 trimotor aircraft (clearly unrelated to the earlier dogfight scene).A placard is shown with data about the Junkers aircraft parts. A parachute is also seen with harness instructions. A view of landscaped through a gaping hole blown in a stone wall. An isolated house showing battle damage. Fallen Italian soldiers in a field, and letters they had with them.
Battle of Jarama near Madrid Spain during the Spanish Civil War. Republican forces wage successful counter attack
The Spanish Civil War. Republican (Government) forces moving forward to engage Nationalist (Rebel) forces in the battle of Jarama during the Spanish Civil War. Black smoke rising where bomb shells burst from Nationalist artillery on the heights of La Maranosa. Republican infantry moving across a field. A rebel shell bursting close to the camera. Republican soldier rendering first aid and bandaging the face of a wounded comrade. A Russian T-26 tank moving towards the rear on a dirt road, where troops carry wounded on stretchers and place them into field ambulances. Wounded being treated by medics. Wounded sitting on the ground. Two soldiers rushing a wounded away on a litter. Medic treating face wound of a soldier. Various scenes of wounded being treated and evacuated. Field ambulance driving away with wounded on board. View through trees of a building and one span of the Arganda bridge over Jarama river. Next, the entire Arganda bridge is seen with Republican troops dug in defensive positions. View of troops firing rifles from those positions, and Nationalist (rebel) shells bursting nearby. Defenders firing machine gun at rebels. More scenes of shells bursting and smoke rising. The Republican tricolor flag waving in the breeze as narrator states that the counterattack has been successful. Camera pans battlefield. Soldiers gathering up equipment underneath span of the bridge. Vehicles moving over the Madrid-Valencia road, with Republican forces in control of the Jarama valley in that area, for the time being. Scene shifts to barefoot farm boy using a mattock to open way for water to flow from river into irrigation sluice to water local crops. View of the sluice. Water flowing in the fields and farmers directing its flow. Civilian and military traffic on the Valencia road. Troops and a black and white dog riding on a T-26 tank. Closeup of Republican soldier aiming and firing his rifle. Water moving to irrigate parched farm field. (Note: Scenes from film "Spanish Earth," directed by Joris Iven)
Major Emil P. Reed is interviewed after being liberated from a Japanese prison camp in the Philippines.
U.S. prisoners of war are freed in the Philippines during World War II. Liberated men are being interviewed. 26th Cavalry Medical Corps Major Emil P. Reed is interviewed. He states that he was the Commanding Officer of a prison camp from October to January. He met Japanese commandants after being called by them and was told that they were free. He talks about the experiences of being in the prison and after being liberated. A thatched hut in the background.
Filipino Division officer Cecil H. Hay is interviewed after being liberated from a Japanese prison camp in the Philippines.
U.S. prisoners of war are freed in the Philippines during World War II. Liberated men are being interviewed. Filipino Division officer Cecil H. Hay is interviewed. He states about his experiences after being freed from the Japanese prison camp.
Filipino people going about their routine activities in the Philippines; Filipinos trained by American soldiers.
Part of a 1944 film showing scenes of Filipino people circa 1940, before World War 2. At opening, Filipino women are seen walking alongside a row of factory buildings. A factory room filled with Filipino women dressed in white caps and white uniforms engaged in production at individual individual work stations in a factory. A machine shop filled with Filipino men engaged in metal work. Several people at the window of an office, conducting business with a woman inside. A stock or commodities market office with quotes on tote boards. Women working alongside a moving production line. A woman operating a fabric processing machine. Filipino miners pushing hopper cars of mined ore across a bridge. Miners riding on an engine pulling a train of hopper cars filled with ore from a mine. Filipino longshoremen handling cargoes on a wharf. Scene shifts to an open field where a number of Filipino men are being trained to use firearms during World War 2. One is being coached by an American soldier as he works with a Browning M 1917 water cooled machine gun. Lines of Filipino men firing rifles under supervision of U.S Army trainers. A contingent of uniformed Filipino soldiers, led by an American soldier, marches past a sign, in an camp of tents, reading "A-T Company, 1st Filipino Infantry." Filipino soldiers at a tent camp, being instructed by an American soldier, using a large set of maps. Camera pans over a camp of many tents laid out in order. A formation of Filipino soldiers marches between tents. An American soldier opening his foot locker at his quarters. An illustrated portrait of General Douglas MacArthur. A formation in a field with a Filipino band playing and a Color Guard carrying the American and Filipino flags. A large group of Filipino children walking along a path. A Filipino boy lying on the floor in his home, reading a large book. Filipino school girls seated at benches next to tables. Women doing laundry at an outdoor pond. Next, an actor in khaki clothing sits in a tent and speaks as if addressing American soldiers regarding the Philippines. Among other things, he says,"These people aren't natives. They aren't beggars. They have cities and farms and industries.They have schools and courts and a Constitution. They also have pride and patriotism and self-respect. They love freedom They'll die for it." He cautions American soldiers about their behavior vis-a-vis Filipinos. He states that "Filipinos are American." He alludes to messages received from American and Filipino defenders in Fort Mills, at the fall of Corregidor on May 5, 1942. View of radio towers and worker in radio studio. Morse code messages heard as an American army radio operator with a headset transcribes the messages. Scene shifts to an amphibious invasion fleet attacking a Japanese held island in the Pacific.
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